The Quiet Witch by Hilary Parry Haggerty

People think of me as a tarot reader first and a witch second, it pisses me off, but also? I’m the reason for it.

My reasoning to play up my tarot reading and downplay my religion (Wicca) was professional at first: I serve people of all faiths with my tarot readings, and I didn’t want people to think that I didn’t if I was all prominently witched out.

Now I see these amazing articles with my contemporaries being interviewed about witchcraft and magick, and I get mad. Why not me? My inner voice quietly mocks, “Because you faced forward with tarot reading, you dolt, that’s why.” Don’t take personal what you wanted in the first place!

My magick is more subtle than that. I’m not being interviewed about magick, or spells, or candles, or honey jars on the Hoodwitch or the Numinous because I guess I’m just not that flash about my magick. There is a phrase in Wicca: To know, to dare, to will, to be silent. To keep silent has always been a tenant that I’ve taken very seriously. It’s one I take seriously in tarot, too… because the information ain’t for me, it’s for you (the client). In spell-work, it’s a matter of energy, of “too many cooks in the kitchen spoiling the broth.” Okay, energetic broth. The quickest way to water down your magick is to tell someone about it. Keep it private, keep it potent, keep it safe. A good general rule I follow is sharing a spell when it’s not manifest yet is to invite doubt into the process… and doubt? It’s a magick killer.

The more I know about magick, the simpler and more practical my spell-casting gets. Fancy may be fun and look pretty, but my core question is this: does it work? Is it serving my intention? To me, intention is everything. When my intention is muddled or bogged down with 50 different things, the Universe doesn’t know what to do with that. Often, I will get a response or sign from the Universe that boils down to “What do you WANT, woman?” The intention has to be clear, and so does the channel. Which means in order for me to get what I want, I have to get clear myself… which means getting out of my OWN WAY.

What do I mean by getting out of my own way? I mean that I have to tell my ego to take a backseat, or take a hike altogether.

Stripping down my magick has made it cleaner, stronger, less ego-driven. As a result, my magick has become that much more powerful for it. I don’t need to be “out there”, unusual, or brazen about my magick or my spell-work. My spells are special secrets that are more potent for their secretiveness.

And for that, I proudly say that I am The Quiet Witch… and that doesn’t make me any less of a witch.

About the Author: Hilary Parry Haggerty

HILARY PARRY HAGGERTY is a tarot reader, witch, mentor, writer, editor, and teacher. She has been reading tarot for over 18 years (11 years professionally). She was the winner of Theresa Reed’s (The Tarot Lady) Tarot Apprentice contest in 2011, and has taught classes on tarot and spell-work at Readers Studio and Brid’s Closet Beltane Festival. She writes a weekly blog at her website www.tarotbyhilary.com and contributes a monthly tarot blog “Through a Tarot Lens” to www.witchesandpagans.com.

Birthing at Hitchcock House by Bernie Brown

Ezra turned and reached for Orelia, who was doubled over in pain. “Come on, baby, I’m here. House is just up there. See the lights in the windows.” They scrambled up the bank, and the small boat paddled away, making its way through the icing creek. “Mrs. Hitchcock she ready for us. We in Iowa now. They’s a free state.”

“How do you know, Ezra? Ohhhh . . .” Orelia doubled over again.

He didn’t answer her. Ezra knew he had to get her through the snow, up to the house, and down in the cellar. All as quiet as mice. And her having pains so early.

Orelia slid down again as another pain hit her. “Ohhhhh,” she moaned.

“Honey, can you be quiet now? We don’t want to get anyone hearing us.” He pulled her to the top of the bank where they sat in the snow waiting for her pain to subside.

Ezra wadded up a faded blue kerchief. “Here now, next time a pain hits, you bite this.” He tried to stuff it into her mouth while she sucked in air.

She spit it out.

“No, baby. You gotta do it. You listen to Ezra now. There can’t be no hearing us or this whole trip for nothin’. We’ll never reach the promised land.” He stuffed it back in and barely pulled his fingers out in time not to get bit.

Orelia struggled and ran in a painful lop-sided way, holding her belly, the holes in her homespun shawl lit up by moonlight. A distant owl hooted. A quiet growl came from the brush.

A lump of hurt choked Ezra as he watched his wife, at least that was how he thought of her. They’d get married proper when they got to Canada.  He couldn’t stand seeing her run that way.  She stumbled and he put one arm behind her knees, another on her back and tipped her up. He grunted. She was usually so small, but the baby made her off balance and clumsy to hold. She buried her face in his shoulder.

Up ahead he saw the flicker of three lanterns in the windows. That meant they was expecting three runaways. Old Simon had fell out the boat into the icy black river. He didn’t bob up, not even once. So there was just him and Orelia and the baby.

The sight bucked him up. He staggered faster. Orelia screeched into the cloth, into his shoulder. Her teeth sunk into his flesh, and he winced. At last he reached the open cellar door, ready to receive them.

The steep, uneven steps tripped him up, and he bumped Orelia’s head against the frozen dirt wall. Orelia’s pain made her punch him hard on the arm in return.

At last they were in the cellar. He had to put Orelia down on the dirt floor. “Just for a minute, baby.” Around them, jugs of preserved foods lined crude shelves. Dusty bottles of wine lay on their sides in a rack. Above, he could hear a piano playing a lively Christmas tune. “It must be Christmas Eve,” Ezra said.

Thumps on the floor be dancing. “That party noise keep ‘em from hearing us.” Even so, he moved the shelves ever so carefully to reveal the safe room. He didn’t want to leave no marks in the dirt floor. Then he returned to Orelia, panting now, and helped her to a straw pallet. He found matches and lit the candle before lifting the shelves back in place.

“Baby’s comin’,” Orelia spluttered between pains. Then she pushed so hard her whole body shuddered as she groaned a mighty, low groan.

Ezra had to open her legs to see. He hated doin’ that, but they was beyond being shy now. It was a necessary thing. He’d seen his mammy birthing babies back on the plantation.

A bloody bony head appeared, almost purple. Joy wiped away the struggle, the fear, the constant fear. “Baby’s head,” he whispered.

Orelia thrashed, grunting and shuddering and clawing into his shoulder.

He grasped the slippery roundness and pulled best he could, slow, steady.

Out it slipped, a wiggly bloody little one.

It were the baby. It were born. “Orelia, honey, it be here. It’s a little girl.”

He took Orelia’s shawl and wrapped the baby in it.

Above, the music had changed tempo. He recognized “Silent Night.”

The baby gave out a newborn mewing cry, and they exchanged their scared look. Could such a little sound be heard upstairs? They might be in a free state, but it was still illegal to hide runaways.

“Let’s call her Christmas,” Ezra whispered.

Orelia smiled down on the bundle and whispered, “Christmas. Our very own Christmas.”

The shelves moved. Had somebody heard them? Come to arrest them? Take them back South? Both Ezra and Orelia sucked in breath.

A lady stood in the flickering candlelight. “I’m Mrs. Hitchcock.” She came to the straw pallet. “Oh, dear God, it’s a baby. A baby on Christmas Eve. Oh, she’s lovely.”

Orelia said, “She cried once. We was afraid y’all heard.”

“We did hear. The mayor was here, but he said the night was so magical he had heard the newborn Jesus cry.”

“Praise be to God,” said Ezra.

Mrs. Hitchcock left to bring water to wash the baby, and food and blankets to keep them warm.

“Orelia, honey, our baby, she born free.”

“Free,” Orelia repeated what Ezra had said. A fierce, proud light shone in her eyes as she looked down on the tiny child.

It were a holy night. Oh, holy night.

About the Author: Bernie Brown

I live in Raleigh, NC where I write, read, and watch birds. My stories have appeared in several magazines, most recently Better After 50, Modern Creative Life, Indiana Voice Journal, and Watching Backyard Birds. I am a Writer in Residence at the Weymouth Center, which is the perfect spot to work on my novel-in-progress. My short story, Same Old Casserole, was nominated for the Pushcart Prize.

The Magic of Three by Cathleen Delia Mulrooney

Once a month, we meet up for coffee. Usually, the cup of coffee extends to several and then often pushes over into lunch. Words spill. The rise and fall of voices. Steady flow of conversation. One of us throws out a sentence into the currents and the others slip into the stream of thought. We tread back and forth around politics, personal life, art, culture, gender, racism, and the focus point for all of it is our shared creative life. We are writers. Women writers. There is a strange magic that begins to run its course when you find your allies—in our case, creative allies. There is a spark. Incantations in cafes. Enchantment over paper cups.

This starts to sound like the plot of a silly modern fairy-tale. It isn’t. I can say this honestly and plainly. I don’t know where I would be without these two women. But, I know that I wouldn’t be writing.

One of them is twenty years my senior. Elegant. A cancer survivor. Married. Mother of two grown children. Beautifully transparent with her feelings and her life. She writes a little bit of everything, but mostly we’ve been working with her novel—a historical/contemporary fiction piece about women searching for their own strength and agency. The other is five years my junior. Stunning. A survivor of a lifetime of struggle. Married. Childless. Guarded until you know her. Her writing also spans genre, but her masterwork is a novel that defies definition with a character who defies the entire world she finds herself in. Me. Tattooed. Divorced. Single mom of three teenagers. Guarded in most ways forever, but open in occasional moments that pass through like weather. My writing right now is mainly focused on a novel about women and voice, violence and the body, sanity and silence.

We have different ages, ethnicities, statuses, tax brackets, zip codes, experiences, bodies, and daily routines.

And yet.

When I am with them, I am able to sink into that part of myself that few people ever get to know. The dark thickets of my creativity. For every way we are not alike, there remains the common denominator that we are all females and creatives—identities that require more than just a little bit of magic to maintain.

We aren’t raised in a culture that values female friendships. Too often, women are pitted against one another in terms of their beauty, their sexuality, their success, their ability to appear “perfect” and desirable to the male gaze. Women’s primary role is seen as one in service to husbands, children, partners—so, therefore, friendships with other women become secondary at best. Then, as writers, there should be competitiveness and envy between us. I should secretly rally for their failure and my own success, jockeying in place to surpass their skills and publications. But, both of my writing friends had a book come out this past year—I didn’t. I was happy for them in a genuine way, knowing how hard they have worked, knowing that creative fortune favors the determined and they absolutely outdid me in their tenacity and resolve.

The paradigms about what women are like and what writers are like are completely fragmented by my relationship to these two people.

Magic is defined as “the power of apparently influencing the course of events by using mysterious or supernatural forces…wonderful; exciting…to create, transform, move, etc., by or as if by magic.” The word is one I wouldn’t use lightly. The word is one I would use for what we do when the three of us get together. We create a safe container to allow inspiration in. There is a known, friendly, supportive audience awaiting the words I manage to scrape free from my self-doubt and the insecure edges of my consciousness. My words move and transform and take shape on the page because I can trust that two talented women will receive them for me.

Somewhere in the ritual of coffee cup and notebooks splayed open wide and pens rattling around the tabletop, I know we are influencing our own course of events. Writing is a solitary art. It lacks the swagger of music, the ability to take up tangible space like visual art, and the approachable presence of the stage. Writers are often wildly introverted, so the idea of sharing writing in process—half born and half formed—(and then having to speak about it) can seem like a nightmare. With them it is, instead, a gift.

When I completed my MFA in Creative Writing, words left me. I found myself completely silenced by the intensity of the experience I’d just had and the requirements to work under such restrictive time constraints. My muse rebelled–decided to ditch me and my outlines and run off to Hawaii to drink rum and weave red blossoms into its hair while befriending tropical birds. I couldn’t blame my creative voice for skipping out, but it was painful. I could still occasionally chisel an essay or a poem from the stone block I was living with, but fiction, my wild-eyed sidekick, my first love, had left me.

My notebooks filled with heavy black lines, crossing out whole universes. Voices rose in me then fell quiet like awkward guests at a party, drifting by the punch bowl with nothing to say and a thirst that could not be named. I doubted everything. Especially myself. I was certain that any skill or talent I may have had was spent on a thesis novel that sat like a stone on the page, unyielding. A dead thing. A dead end.

And, that may have been the end of the story right there. The MFA curse come true. Student loan debt. A powerfully transformative experience and then it was over. No promise of success. No clear path forward. But, then, two years into my creative exile, the three of us started meeting up in cafes and emailing our work to one another. Each of them had a longstanding novel in the works for us to begin with. I was untethered from my thesis and wanting to start something new. After a few false starts, I did.

Slowly, with the support and encouragement of these women, a new novel stitched itself together. While it did, my muse started to hear our conversations as she skinny-dipped beneath a bone-white moon. She noticed that I was recommitted to the work again once I agonized over and then scrapped almost two-thirds of the novel, but didn’t give up. I told my writing group members of my plans and they didn’t recoil in horror that I was going to cut so much–they agreed, offered support, and told me to keep going. I am, I told them. I will.

Those words magically brought my muse back to me. She came home not wanting to talk about her time of sea and sky, but watching patiently to see if I kept showing up for the work, even when it felt impossible. I did. I am. But, without our monthly meetings and the emails, texts, and calls, I can tell you in no uncertain terms, I wouldn’t be.

The cups of coffee cool on the table at the cafe. We have spent the morning discussing one another’s work and our next steps. I walk into our meetings with that low-level anxiety creative women know all too well–how dare I say that, how dare I share that, how dare I put that on the page or paint it or photograph it or sculpt it or sing it or let it out into the light? Who am I to take up so much space?

You’re one of us, my writing women tell me. That’s who.

Audience. Friendship. Support. Creative sisterhood.

Read us what you’ve got. We’ve been waiting to hear your work.

Words more magic than these may never be spoken.

Cathleen Delia Mulrooney

cathleendeliamulrooney_bioRestless. Sleepless. Book-lover. Wordsmith. Deep roots. Prodigal heart. Teacher. Guide. Wanderer. Witch. Tea, tarot, hot baths, stitchcraft. Curator of narrative relics, remnants, & curiosities.

Cat is also a freelance writer, editor, and teacher. Her poetry, fiction, essays, interviews, and reviews have appeared in a variety of online and print publications. She has been teaching writing at the college level since 2000, and has facilitated creative writing workshops in elementary schools, high schools, prisons, and private organizations, as well as workshops exclusively for women to write their body and tarot-based narratives.

Through her Queen of Cups Tarot community, she offers private, group, and online tarot readings. Find her online at http://cdeliamulrooney.com and Facebook: https://www.facebook.com/queenofcupstarot/

Medicine Lodge by Patricia Wellingham-Jones

I approach my place of healing
Branches of cedar and pine lace into wall and roof
I enter through a deerskin draped over the opening
Round stones form a fire ring in the center
I sink onto a pile of soft wool
Flames flicker my wounded spirit skyward

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Typical Tuesday with Theresa Reed

TypicalTuesday_RoutinesandRituals

I never sleep in. I’m up and at ‘em before my husband even begins to stir.  The quiet time in the morning is essential for me. I use this time to get my brain – and day – in order.

I rarely need an alarm because I’ve trained myself to wake up around 6AM.  Once my eyes are open, the day is started.

My day begins with brushing my teeth. I am a compulsive tooth brusher and like to brush ‘em throughout the day. I like the minty-fresh breath thing.  Next up, a big glass of water. Water is important because we become dehydrated in the night.  A fresh glass gets everything in my system refreshed.

Now it’s time for meditation and movement.  I need to move my body in order to get the blood pumping. That might be with weights, yoga, or with energy work.  Whatever I can get in.  A little meditation stills  my mind, which preps me for starting my work.

Every morning, I post a tarot “Card for the Day” post on social media.  Once that’s done, I check my emails and put out any fires there.  Then, I sneak in a little writing. It might be my blog post for the day or the new book I’m working on.  Or maybe something else.  Morning is my favorite time to write because I know I won’t be disturbed.

After a bit, it’s time to get to these cats.  They are bugging me by now.  I feed them and then grab a bite to eat.  I’m not a big breakfast person so it’s usually a bowl of organic oatmeal, Greek yogurt with berries, or a bagel.  Copious amounts of green tea follow.  I’m not a coffee person at all. The only way I can do coffee is in a Frappacino – which, as my son so sagely noted, isn’t really coffee – it’s dessert!

I take my breakfast at my desk and then write some more. If it’s a blogging day, I’ll post that morning and put links on social media. Otherwise, it may be some other project I’m jamming away on.

Then, it’s time to hit the showers!  I love a blistering hot shower.  Like, mega-steaming to the point where my skin is red when I’m done. I know it’s probably bad for my skin but it makes me feel purged and alive!

Once I’m outta there, I love to slather my skin with body lotions and potions before getting dressed and getting my face on for the day. It takes me about five minutes to put on my makeup most days. I always say: if it takes you more than ten minutes to put on your face, you’re wearing too much.  Most days, it’s just a little tinted moisturizer, a swipe of eyeshadow and my signature black eyeliner with a little gloss. I don’t even bother with blush or mascara.  I don’t have time to bother.

I will do a check in with social media and emails – then it’s time to run errands with my husband, who is by now awake but bleary-eyed.  He’s a night person so I have to nag him awake.

Our mornings together are my favorite. We get in a walk and discuss whatever needs discussing.  It might be talking about our day, the latest news, or some project we’re working on.  We’re both workaholics so you can guess that most of our conversations center around that.  Post office, banking, Starbucks, and groceries are next – usually in that order.  I buy fresh groceries almost every day because I cook every night.  It’s my way of winding down plus fresh food is important to me.

Once we’re back home, it’s time to begin client work.

That starts off with email readings.  I used to do a lot of them but they are extremely time consuming so I’ve been limiting myself to a few a day – and no weekends.  I spend about two hours doing these – no more.  Remember, I’ve already been writing for most of the morning.  A few hours of email readings on top of all that and my arthritis is kicking in!  Gotta save those paws so they must be used very mindfully.

Next up, it’s time for readings.  Meaning, phone sessions with clients.  I make sure to have time between each reading to grab tea and get off my chair.  I NEED to move as much as  possible because this is sedentary work and I’m a believer that the chair is the devil.  LOL I find excuses to keep on moving as much as I can. In fact, the tea maker is on the third floor which means I have to take the stairs to refill my mug.  Believe me, I get in plenty of stairs every day.

My office closes promptly at 7PM on Tuesdays but then I’m hitting the computer for #TarotRap, my weekly Twitter chat about tarot.  I’ve only been doing this a few months but it’s a great way to connect with fellow tarot fanatics and talk about all things tarot!  I’ve been having so much fun – and the best part: I’ve even been learning a few new things.  You CAN teach an old tarot dog new tricks!  We’ve got some amazing people showing up every week – both newbies and old pros.  I am not sure how long I will be doing this but for now, it’s been great fun.

Once #TarotRap is finished, it is time to cook a meal, grab a glass of wine and relax with my husband and the cats.  We’ve been watching InkMaster on Tuesdays but often, it’s more likely just quiet time and reading books, side by side, with one of the cats jammed in between us.

I am usually in bed no later than 11PM.  As you can probably guess, when my head hits the pillow, I’m out like a light.

My days are long and challenging but I wouldn’t have it any other way. I love my work and my life.  It’s engineered to suit my workaholic nature and introvert tendencies.

Blessings,

Theresa

About the Author: Theresa Reed

theresareedTheresa Reed (aka “The Tarot Lady”) has been a full-time Tarot card reader for close to 30 years. She is the author of The Tarot Coloring Book (release date: Nov 1, 2016), an illustrated tour through the world of Tarot with coloring sheets for every card in the deck.

In addition to doing private Tarot readings, teaching Tarot classes, and speaking at Tarot conferences, Theresa also runs a popular website—TheTarotLady.com—where she dishes out advice, inspiration and tips for Tarot lovers of all experience levels.

Follow Theresa on Twitter and Instagram for her daily “Six Second Tarot Reading”—plus photos of her extremely handsome cats, TaoZen and Monkey.

Ghosts as Truth-Tellers by Andi Cumbo-Floyd

I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach! ― Charles Dickens in A Christmas Carol

I can’t tell you what I really believe about ghosts.  Are they real in the sense that they occupy time and space and energy with the living? Are they the spirits of dead people or the energy echoes of those who lived before us? Are they figments of our guilty, grieving, hopeful imaginations?  I have no idea. . . like I said, I don’t even know if they exist.

But I do know this – they are powerful in our American culture and in many cultures around the world. They occupy a liminal space between the real and the magical, a space that allows them both the authority and the transcendence to speak truth with a power that a mere mortal cannot.

Some of the first stories I remember being moved by as a child were ghost stories from the Appalachian Mountains where I was raised.  There, the ghosts of American Indians walked the woods with lanterns, and the spirit of a teenage girl who died young gets a lift home from a man on a foggy night.  Those stories scared me, yes, but they also taught me something really important about human nature – that we cling to our histories, our heritages in every way we can and that this clinging can create beauty and power that stretches beyond a lifetime.

I see this in my own work as I write about the history and legacy of enslavement in Virginia, in the way I feel the presences of the people who have gone before, in how the ancestors speak to me in tingles and in the research finds that propel me forward.  Do I think it’s the spirits of the actual people who were enslaved that help me in these ways? I’m not sure. But I know that when I am open to their experiences, when I am seeking their stories, when I am letting the tingles of intuition and the tidbits of information resonate through me, I find history and story that I would never discover on my own.

It’s for this reason that I chose to use ghosts as the great teachers and guides in my Steele Secrets books.  I take my cue from Dickens here, who knew that a ghost might speak a truth that could ring like a bell when it was free from the living entanglements of prejudice and self-interest.  A voice free from the chains of society and the worries of a life cuts through the clutter of our dailyness and widens the cracks where the light gets in. (Perhaps Leonard Cohen will haunt us with his blessing forevermore.)

People are wary of ghosts because we are afraid, I expect. We sometimes claim religious reasons or science as a reason for our fear or disbelief, but I wonder if sometimes we are also afraid of being the Scrooge in the story. Are we concerned that we need to be taught a lesson and will be whisked off to our fondest and darkest moments? If so, maybe we need to take our cue from Scrooge again and give in to the journey so that we can come out the other side with softer hearts and a way of being that gives Tiny Tim the space to share his words that bless us all.

About the Author: Andi Cumbo-Floyd

andibio1Andi Cumbo-Floyd is a writer, editor, and farmer, who lives on 15 blissful acres at the edge of the Blue Ridge Mountains with her husband, 6 goats, 4 dogs, 4 cats, and 22 chickens. Her books include Steele Secrets, The Slaves Have Names, and Writing Day In and Day Out. The next book in her Steele Secrets Series, Charlotte and the Twelve, is now available.

You can connect with Andi at her website, andilit.com, or via Facebook and Twitter.

Christmas Magic and the Practice of Omen Days by Briana Saussy

rackham_sleeping_children

In our family December has a deep stillness about it that can be heard underneath the hustle and bustle. It is a deeply magical time of blood red holly calling to mind all of the ancient Goddesses who were so in love with life that they just kept creating and birthing new creatures, and ivy that calls to mind the strong Gods, surefooted protectors of all that is virginal and wild.

This is the time of year in the Southwest when the trickster tales of Coyote are allowed to be told (being forbidden at other times of the year in many tribes) in the hopes that Coyote’s antics will hurry on the coming of Spring. In much of the Northern Hemisphere, December marks the beginning of the true season of storytelling and in the United Kingdom there are certain tales about faeries that can only be told during this month, once safe distance from Samhain has been attained.

Where I live, in South Central Texas the weather is typically mild and so it is a time for being outside and watching the deer and other creatures as they move across the land.

In Catholic tradition much of the Christmas celebration occurs “out of ordinary time” indicating that this we are now in time beyond time, we are in liminal time. The many festivals marking re-birth the occurred in the ancient world during this time of year support the liminal feeling as do the many stories of Christmas ghosts, perhaps made most famous by Charles Dickens in the Christmas story. Old stories claim that on Christmas eve night just as on Halloween, the spirits of the Dead are given license to walk the land once more. To those of us that honor our Ancestors this makes perfect sense: why wouldn’t our Beloved Dead want to get in on all of the parties, festivities, and delicious foods?!

The Wild Hunt, a mythic procession composed of faeries, elves, and the Dead and led by various mythic male figures (most often the Norse All-Father Odin) is traditionally said to be most active from Halloween through Christmas as well.

Anytime our Beloved Dead are seen as especially active is a good time to perform divination and exercise foresight. Christmas is no exception to that and there is actually a lovely tradition supporting this endeavor known in Brittany and Wales as “Omen Days”, more popularly known to us as the Twelve Days of Christmas. The Twelve Days of Christmas is a bit confusing because they actually begin after the celebration of Christmas on Christmas Day (December 25th).

The Twelve Days begin on December 26th and run through January 6th, commonly known as Twelfth Night. Twelfth Night is also known as the Feast of the Epiphany or simply Epiphany and celebrates the Magi visiting and blessing the infant Jesus. Twelfth Night is also known as the Day of Misrule and in Tudor England was a time when noblemen and women would switch places with their servants for the entire day.

But let us return to the Omen Days and the art of divination.

As we move from the old year into the New Year it is natural to wonder about what the new year will bring. Many tarot readers offer special new year type readings and many astrologers do the same. The happy news is that you can be your own oracle by participating in Omen Days.

The process is simple. Keeping in mind that this is a liminal time when our Ancestors and your Otherworldly allies have better access to you, you simply have to pay attention. On December 26th the question you hold in your heart should be concerned with the month of January, what will the month of January bring into your life? Another way to phrase this: what do you need to know about your upcoming January? On December 27th you will ask about February, December 28th turns your attention to March, and so on and so forth until you reach January 6th which will give you insight into next December, a year from now.

Once you ask your question, the Celtic traditions say that you wait for a natural omen to appear, some of the omens I have received in the past include: a black cat, a white deer, a fruit ripening out of season, and a feather just to give you an idea of what you might be working with. You can also receive literal signs like “road closed” or “detour route” as omens on these days.

Interpreting signs and omens can feel a bit like treading water at first but my experience is that as long as you record the omens in some way so that you have a record you will be fine. Often when the omen first appears an immediate interpretation comes to mind and you simply know what the significance is for you and your coming year. In other cases like a dream, an omen might take awhile to crack open. Make a note of what it was and what month it is attached to and simply go about doing other things, the answer will reveal itself in time.

I recommend that you DO NOT go to a book of signs and symbols in order to “decode” your omen because a deer can mean many things to many different people but the important information at the moment is what the deer means to you and only you can say what that might be.

My community of sacred seekers has been participating in Omen Days for several years now. Starting on December 26th we go into our days with eyes and ears open and mouth closed to see what there is to see. I invite you to join us, share your own omens, and see what others are discovering by using the hashtag #omendays in your social media updates.

My holiday wish for you all is that you will allow yourself to peer below the surface glitz of this season into the heart of the very real mystery and magic that it carries. The land is quieter as are we, which means that this is the perfect time to listen deeply.

About the Author: Briana Saussy

briana_bioHi, I’m Briana! I am a writer, teacher, and spiritual counselor, and I am part of a growing community of soulful seekers, people who are looking for wholeness, holiness and healing – for better, more rewarding lives.

If you enjoyed learning about Omen Days and would like to learn more about folk magic traditions and practices then please join me for the Remembering Way.

‘Tis the Season by Bella Cirovic

Instrumental_Care of Creative Soul

‘Tis the season for creating new rituals. It is a time for long walks in the afternoon just before the sun fades into the early evening. Allow yourself the space to breathe in the fresh air. Notice the scents that travel on the breeze, the textures of the trees around you, and the firmness of the ground beneath your feet. Watch the sun fall behind the horizon. Take the wonder of nature indoors with you. Grab what speaks to you. Maybe it will be a leaf or a twig or a stone or a piece of bark. The piece will infuse a sense of harmony between the outside world and your sacred space.

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‘Tis the season to nurture our body’s energy center with pungent and aromatic delicacies like fresh turmeric and ginger. It is said that yellow and orange colored foods fan our creative fires in addition to fueling our solar plexus chakra. Feed yourself food that mimics the sun now that the days are shorter. Indulge your senses with spices like cinnamon, cardamom, peppermint, and cumin. Swirl one or more of these spices into a mug of hot cocoa for a magical treat.

‘Tis the season to create cozy corners in our homes. Layering a couple of blankets and pillows to the couches and love seats of our family rooms creates an intimate vibe. Think about how inviting a plush, comfortable space would be for work, rest, entertainment, and play. Set aside a half hour to go through the rooms of the house and make a checklist of what can be moved around or added onto. Bring candles and oil burners to nooks and corners of your rooms. What about a string of twinkle lights? Vanilla and patchouli blend well together and both have properties that lend to the warm atmosphere we are going for.

‘Tis the season to move your body. Create some playlists or cd’s of music for all of the upcoming holidays. Don’t forget to add one for when you’re cleaning the house, one for cooking dinner, one for solo dance parties, and one for relaxing. Now that it’s colder, we’ll be inside more often. Movement, even simple stretches, revitalizes the body and gets blood circulation going. Move at a rate that feels right to you, whether that’s high energy steps or simply swaying from side to side. Shake away old energy. Sweat your feelings out. Movement is our sweet release.

‘This the season to gather with loved ones. In these tech heavy times, we need more coffee dates and get togethers with our friends and loved ones. Don’t settle for relationships that only exist because of text messaging. Make phone calls and pencil in some time to hang out and get lost in conversation. Enjoy watching the sun rise or set with your mate minus your smartphones. Read a good story to the kids before bed. Smother your family in hugs and kisses. The most heartfelt gift one can give is their time and their presence. These are things that cannot be bought.

‘Tis the season for tending to our hearts. The holidays are not always easy. This season in particular is known to amplify feelings of sadness, anxiety, and the blues. Check in with your spirit and feed yourself what you need. Be tender and merciful with yourself, you deserve it. Wave hello to your neighbors and smile at strangers. One kind gesture could mean the world to the person on the receiving end. Don’t be afraid to ask for what you need or to offer your hand to help out. We are all in this together.

About the Author: Bella Cirovic

Bella Cirovic BioBella Cirovic is a photographer and writer who lives with her husband and daughter in the suburbs outside of NYC. She writes on the subjects of self care, body love and nourishment, crystals, essential oils, and family life. Catch up with Bella at her blog: She Told Stories

Sprache (Language) by Æverett

Table by Web Agency via Unsplash

Table by Web Agency via Unsplash

From the other side of the wall, she hears voices. They wander in and out of volume. But even when she can hear, she doesn’t understand.

Unfamiliar tones and patterns bounce gracefully around in a floating melody. The whispered hisses of a babbling brook. Smoothly halting around quiet boulders.

Then another voice, sharp and terse. The same soothing sounds made harsh and grating. Dangerous. Stern. The deep rumble of an angry Earth.

But it’s still the same words, the same melodious, dancing sounds, struck down by a militant bearing.

She doesn’t understand. She can’t understand.

Laughter is familiar. The bubbling brilliance of joy.

She listens, lost, for a long time. The… family?… behind the wall is having an argument, debate. Stern, deep voices are countered by light, flowing ones. Others, which almost sing in their cadence, speak up in a void. All drift and wander and move around one another like a river. A foreign song with unknowable words.

She smiles. Because once the words are known, she knows, the music will be dulled.

About the Author: Æverett Æverett

Æverett lives in the northern hemisphere and enjoys Rammstein and Star Trek. He writes both poetry and fiction and dabbles in gardening and soap making. She has two wonderfully old cats, and a dearly beloved dog. He also plays in linguistics, studying German, Norwegian, Russian, Arabic, a bit of Elvish, and developing Cardassian. Language is fascinating, enlightening, and inspirational. She’s happily married to her work with which she shares delusions of demon hunters, detectives, starships, androids, and a home on the outskirts of a small northern town. He’s enjoyed writing since childhood and the process can be downright therapeutic when it’s not making him pull his hair out. It’s really about the work and words and seeing without preconceptions.

Fleeting by Pat West

swinghigh1

My sister leans against the archway
in my bedroom. Beautiful
even with the shunt
bulging at her left temple
like a goose egg. Her green eyes
stunning over an emerald silk
blouse. I tell her I love her
and treasure how she taught me to ride
a two wheeler, find my balance,
push past the wobbles. And to always
hold on tight to the ropes or chains,
to be in charge of making the swing go,
legs back, legs out, reach for the sky.
And later, how to kiss.
I laugh, though I don’t know why, she laughs
too. We always did that. She smiles
and disappears before I can tell her
my daughter turned out more like her than me.
More Oscar Madison than Felix Unger,
more self confident than insecure
and more Hemingway fan than Fitzgerald.

About the Author: Pat West

PatWestBio

Pat Phillips West lives in Olympia, WA.  A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.