We let the cats sleep with us last night. This morning, I’m reminded of why this is a terrible idea. Before I could hit snooze on my phone’s alarm, one cat whaps it to the floor. The other one cries like she’s starved for weeks. Get up, Primate. I herd the little monsters into the kitchen and feed them before they wake my husband. I can sleepily slog through my day and no one will get hurt. But my husband is a nurse and if he slogs, people will get hurt.
While the cats are eating and finally quiet, I sip my morning glass of water because I’m a sad person who can no longer handle caffeine and just isn’t wild about herbal teas. I close my eyes and pretend the water tastes and smells and behaves like coffee. It doesn’t. But I’ll survive.
It’s time to write.
I start with a free-write, in a journal. I’ve kept journals since I was six years old. Almost thirty years later, there are boxes of my old journals clogging the closet of our spare bedroom and my parents’ attic. The flow of cursive on the unlined (always unlined, for me) pages is comforting. There are no deadlines with a journal. No expectations of voice, style. The only audience is Future Me.
Today, I journal about stairs and cats. I live in New York City. New York City is made of stairs. Five flights down when I want to leave the building. Two flights up for the subway. Two flights down for work. Stairs get old. I wish there weren’t so many. I also wish the cats loved each other. They’re fighting in the hall as I write this.
Even in my journal time, sometimes the “IShould” voices creep in. IShould write about my feelings. IShould write about current events. IShould document everything thing I do and how I do it. I saw a journal on display at the Ellis Island Museum. That could be me someday. If I write a better journal, maybe it will be. But chances are good that Future Me will be the sole reader of the journals. Current Me prefers Past Me’s entries about things like stairs and cats more than Past Me’s feelings and then-current events. I suspect Future Me will feel the same. Back to stairs and cats.
Two journal pages–that’s the warm-up. Then, I dig into my novel, which has been sorely neglected these past few weeks. I’m working on an official second draft. I think about the characters’ motivations, sometimes writing a smaller character’s entire subplot by hand in the notebook I keep by the laptop. Much of that will never get into the main novel, but it helps me all the same.
Maybe this novel will be SUCH a success that I can publish this side stuff as appendices! Maybe they’ll both get movie deals!!!
As dawn creeps in, I write and edit, the work punctuated by breaks to pluck my eyebrows, get more water, reorganize the cookbooks. If I’m really blocked, I’ll start baking. My writing “process” almost never involves merely sitting and hammering away at the keyboard like an old-timey secretary. The words often come when I step away and do something else. This morning, fortunately, I don’t have to bake anything to get there. I dig into my characters, shaping them and loving them.
Husband gets up and scrolls the news while he eats breakfast. We are the modern couple, both staring into our laptop screens as our morning ritual. As he leaves for work, I remind him that I won’t be home when he gets in this evening.
It’s 7:30 and it’s time to get ready for work. I am reasonably satisfied with the writing, but then I breathe through a moment in which I wonder if I’m wasting my time on the novel. Should I should be writing another metaphysical piece? Should I turn this into a three-part series which is more likely to get a book deal and a movie? I remind myself that I didn’t know if my first two books would ever see life outside of my hard drive and I kept going, anyway. I imagine Future Me telling me just to keep at it. I imagine her finally writing for a living, in a big house in the country, paid for in cash by generous royalties.
It could happen. Anything is possible.
I dress and have breakfast, with bad news on the television for company.
Just before lunch, I steal two chocolates from my co-worker’s stash. She said it was okay last time. I wonder if I should log them in my food log. My nutritionist will probably say I should have stopped at one. But they’re small, so I’ll log both as one. It’s better than logging nothing.
On a work break, I send out an email to my Tarot students, reminding them about class tonight. No one responds. I 
try not to take it personally. While I work, ideas for the novel brew. I email myself notes and if I get really crazy, open a Google Doc and write a new scene. Writing seems to be a balance between diligent and work and looking the other way to give story a chance to sneak up on you.
After lunch, I steal two more chocolates but they’re also small, so I can log them as one as well.
I run into that co-worker and confess both chocolate raids. She says it’s fine. She was trying to get rid of them, anyway and suggests I take more. I hold back. Does that make me disciplined? Probably not. But I wish I got credit in the food journal for turning down chocolate.
I arrive at the yoga studio, where I will be teaching the Tarot class. Only two people attend, but that’s fine. Sometimes smaller classes are the most fulfilling. One student said she bought my Tarot book which makes me happy. I ask her if she’d be willing to write an Amazon review–if she liked the book, that is. The studio manager sets out a container of chocolate-covered cashews and I nearly faint. I love those things so much.
I privately draft an apology to the nutritionist and help myself to the delicious treat. I make a mental note to plan a better food day tomorrow.
The three of us pour over our Tarot cards. I help them dig for deeper meanings of what they see. We keep our voices low as a yoga class is going on. Inside the studio room, someone’s Ujjayi breathing sounds like Darth Vader.
I pull three cards to demonstrate a new spread. My question is, “How do I best approach my novel?” I pull three Sword cards, all upside-down. These three Sword cards typically reflect control. In Reverse, I interpret them as “Surrender.”
Surrender to the story. Let it happen on its own terms. It will eventually blossom.
When I get home, Husband is watching Star Trek. I take a peek at what I wrote this morning on the novel. It’s not too bad. It might even be good. But I really have no idea. We cuddle for a while on the couch and then I play a little guitar as I haven’t practiced much this week. We turn in early as we both have another early morning waiting for us.
Someday, writing will be my fulltime job. Until then, I’m thankful for the cranky cats, morning dilly-dallying, Tarot and chocolate. Somehow, those are the little white lines on the writing freeway.
About the Author: Courtney Weber
Courtney Weber is a Priestess, author, Tarot advisor, and activist. She is the author of the newly released Tarot for One: The Art of Reading for Yourself and Brigid: History, Mystery, and Magick of the Celtic Goddess (Both through Weiser Books). She produced and designed “Tarot of the Boroughs,” a contemporary photographic Tarot deck set in New York City. She blogs at Huffington Post and on her website: www.thecocowitch.com. She lives in Manhattan with her husband and cats.
Patricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.
Theresa Reed (aka “The Tarot Lady”) has been a full-time Tarot card reader for close to 30 years. She is the author of 
Kolleen Harrison is a creative living in the beautiful Central Coast of California. She is the Founder of LOVEwild and Founder/Maker of Mahabba Beads. Her passions lie in nurturing her relationship with God, loving on her happily dysfunctional family, flinging paint in her studio, dancing barefoot, making jewelry (that is so much more than “just jewelry”), and spreading love and kindness wherever and whenever she can. You can find her popping in and out at 
Lisa Zaran is the author of eight collections of poetry including Dear Bob Dylan, If It We, The Blondes Lay Content and the sometimes girl. She is the founder and editor of 
Bella Cirovic is a photographer and writer who lives with her husband and daughter in the suburbs outside of NYC. She writes on the subjects of self care, body love and nourishment, crystals, essential oils, and family life. Catch up with Bella at her blog: 
Rochelle Bilow is a writer, yogi, and spiritual seeker based in Syracuse, New York. After leaving her job at Bon Appétit magazine, she moved back to her hometown where she works as the social media at an advertising agency. She is also the author of the romance memoir, The Call of the Farm; connect with Rochelle on 
