Flight by Selena Taylor

Copyright: steffe82 / 123RF Stock Photo

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She watched the horizon. She did not stop looking to it.

For months, she had helped her child learn to spread his wings and fly. Her barn was filled with insane contraptions that mimicked wing stretches, wing lifting, and gliding motions.  As a mere human, inventing machines was the only way she could teach her child.

The first time they tried to fly, all she saw was her child falling off the barn. She reached the edge and looked down to see him lifting his head from the pile of hay where he’d landed. He shook it back and forth trying to get hay out of his scales. It was a funny moment, one of many.

There were also moments of great frustration. Her limited knowledge of the mechanics of flight made the process difficult. The fails kept piling up until the morning when a large hawk appeared over the cliff that was out beyond the boundaries of her property.

Together, they watched the bird soar and glide over the land.

Her child began to walk toward it. She wanted to stop him, so that she could be the reason he learned. But, no, she couldn’t.

Smiling, she waved him off to follow the hawk. Within a day, she saw her child fly in the sky.

They both rejoiced, each in their way.

Now she was waiting – staring at the distant horizon, waiting for her child to return home. And praying that he would. Towards the horizon…

She knew the tradition, of course. Once those who had wings had learned to fly, they traveled to the island of Draflo. There, they would receive more magic, absorb more knowledge.

Her aging mother and her younger brother had come to see her child off, sharing her delight in the moment he had achieved true flight. But they were not his mother. They did not join in her vigil by the cliff.

The weather turned.

A fierce wind came, bringing with it dark clouds. Her mother left the shelter of their house to beseech her with gentle words: Come inside. Rest. The older woman could feel it in her bones, she said, deep cold and heavy rain were not long off.

She only shook her head, no.

The rain did come, and it was cold, and it was heavy.

Her clothes were soaked. Her hair stuck to her neck and back, the wet weight of it chilling her even further.

Still, she stayed on the cliff.

Her brother came to join her, imploring her to go inside. She would surely die, if she remained at watch.

Another storm came, larger than the first, with winds strong enough that part of the barn was damaged. For a moment, she panicked, concerned for the machines, only to remember that they were no longer needed.

Her brother changed his approach, becoming angry with her. He argued that the child was not worth the price of her life. He insisted it wasn’t even truly hers.

She spoke no words aloud.

But in her head, she was seething: Not hers? Of course the child was hers. Did they bear the same blood? No. But he was hers nonetheless.

The storm that raged around them now was just like the one that had brought her child in the first place.

She had been running, chasing the killer of her husband and infant son. The storm that hid the murderer led her to the cave that sheltered her new child.

He was near death when she found him. His breath was weak and cold. There was no meat to him. His scales were falling off.

Maternal instinct kicked in, and she knew.

She knew.

He was hers.

Her brother turned to leave her, and she let him go.

She caught sight of an object coming over the cliff. She squinted her eyes and lifted her hand to shield them from the rain.

It was him. She was certain of it.

She ran toward the cliff-edge to meet him, but the lightning came closer, the strikes coming more frequently.

She did not fear it.

All that mattered was that her child was coming home.

It was the last bolt that hit him. It was bright and fast. Her scream boomed over the thunder.

Not her child!

She searched the sky: nothing.  She searched the sea: nothing.

Her sobs racked through her.

Not again.

No!

Not again!

When the earth became loose, she did not step back from the edge. She let herself fall.

The air scoured her skin as she plummeted toward rocky shore below, but she embraced the pain. Another child was gone. Physical pain couldn’t touch maternal grief.

She never felt the rocks or freezing water. She only felt warmth and a pulsating wind. Soon, she was back at the cliff-side, surrounded by scales, and wrapped in leathery wings.

Opening her eyes, she met his: black as ebony, with tiny gold flecks.

She knew those eyes; they belonged to her child.

She smiled, and took stock of him. He was different somehow… Stronger, maybe? And when she took a closer look at his scales she noticed blue lights darting across them.

She put her finger in the path of the light, and felt tingles down her arm.

Lightning.

Her child was not only flying, but he had lightning coursing through him.

Her child.

Her dragon son.

About the author, Selena Taylor

Selena TaylorSelena Taylor is a wife, a mother, and a woman who strives to tell the many stories that occupy her mind. She is active in the Rhett & Link fandom and appreciates dark humor.  She and her family live in Illinois, where she takes every opportunity to lose herself under the stars and let her imagination run wild. For more from Selena, check her out on Tumblr or follow her on Twitter.

It Works Because You Think It Will By Melissa Cynova

I started asking my cards to behave differently a few years ago. I always rigidly stuck to the Celtic Cross spread. That was how I learned and that’s where my confidence lived. It’s kind of time consuming, though, and a bit inflexible. I remember sitting with my cards and Deciding that three cards was plenty. This one meant past, that one was the present, and this one was the future. And then I did the reading and it worked!

I got a little bolder and started doing six card spreads, ten cards, even one with thirty cards.

Each time I tried something new, I would hold my cards in my hand and Decide what the reading would be and how the cards would work.

And it always worked.

I write Decide with a capital “D” because there has to be some deliberate thought involved.

I see prayer in much the same way. If I light a candle with a petition underneath it, I have to Decide that it means something. One of my friends is looking for a new job, so I asked her if I could help. She said ok (permission is also important).

I wrote her full name three times across and three times up and down. I did this three times – because I Decided that three was an important number for me. I wrote the logo of the company she’d applied at in the middle. I wrote spiraling words around all of this. “Love, respect, peace of mind, security, love, respect, peace of mind, security” over and over and over. I thought about how much I liked her and how much I wanted her to be happy and to find joy every day. I folded the paper in three parts and then again three times. I drew a wealth rune on it, put it under the candle and lit the candle, sending my petition to the Universe and whatever gods were listening.

The candle burned all night.

Now. Will it work? I don’t know. I made this ritual up by stealing some of Briana Saussy’s witcheries, mixing them with my love of candles and writing, and threw in a healthy handful of Faith.

I Decided that this would work, and therefore made it magical.

There are, of course, more complex and in depth magical practices, but I believe they’re all based on this. If you believe a thing will work, it will work for you. You have to Decide. You have to have Faith.

In believing, you will push your petition forward and upward and the Universe will be ready to receive it.

xo Lis

About the Author: Melissa Cynova

Melissa CynovaMelissaC_Bio is owner of Little Fox Tarot, and has been reading tarot cards and teaching classes since 1989. She can be found in the St. Louis area, and is available for personal readings, parties and beginner and advanced tarot classes. You can Look for her first book, Kitchen Table Tarot, from Llewellyn Publishing in January 2017.

Melissa lives in St. Louis with her kiddos, her partner, Joe, and two cats, two dogs and her tortoise, Phil.

She is on Twitter, Facebook, and Instagram. Go ahead and schedule a reading – she already knows you want one.

Tea Leaves by A.R. Hadley

The kettle whistled.
She burned.
Drops of hot tea scalded her shins, ankles and knees after the mug hit the floor, breaking near her bare feet, splintering into fragments, searing her alligator skin. The jagged edges lay in nearly every corner of the tile floor.
The final crack in a day of unending pressure.
She stared down at the mess, every vertebrate in her body frozen, yet tense and rising, her blood hotter and stronger than the spilt peach tea, but her brain muddled — an avalanche of deadlines and bills, emails and chores. Happy was at the end of that list. Happy had been ignored.
Happy had spilled out onto the floor.
She knelt down, cracking a put upon smile, ready to pick up the pieces, to start again, to throw away, to make new, to boil and rise and dunk and stir, ready to sweep and cut and burn.
She refilled the kettle.
Intent on pouring a new mug.
She eyed the chair with the indented cushion.
She would sit, put up her feet and scorch her tongue on the leaves harvested and dried in the sun. She would surrender to the energy evaporating from the chamomile.
And tomorrow would be fresh.
Another day.
With no mistakes.
Isn’t that what all the great characters say?

About the Author: A.R. Hadley

ARHadleyBioA.R. Hadley writes imperfectly perfect sentences by the light of her iPhone.
She loves her husband.
Chocolate.
Her children.
And Cary Grant.
She annoys those darling little children by quoting lines from Back to the Future, but despite her knowledge of eighties and nineties pop culture, she was actually meant to live alongside the lost generation after the Great War and write a mediocre novel while drinking absinthe with Hemingway. Instead, find her sipping sweet tea with extra lemons on her porch as she weaves fictional tales of love and angst amid reality.

A creative writer since elementary school, A.R. all but gave it up after her children were born, devoting herself to the lovely little creatures, forgetting the pleasure and happiness she derived from being imaginative.
No more.
She rediscovered her passion in 2014 and has not stopped since — writing essays, poetry, and fiction. She is currently working on completing several novels as part of a romantic trilogy.

Day or night, words float around inside her mind. She hears dialogue when she awakens from sleep. She is the one who has been awakened. Writing is her oxygen. Cary Grant fans the flames.

To Patience, From Your Biggest Fan

Dear Patience,

I have to be honest with you—I’ve never done anything like this before. Like, written an actual fan letter. Anytime I think about it, I immediately feel embarrassed, like I’m twelve years old and very small compared to whomever I’m contemplating writing.

I’ve come close a few times. I started a letter to Joy once, but something fun caught my eye and I never made my way back to it. I thought about reaching out to Anger, but it felt too scary (although I actually think Anger is quite misunderstood and would probably appreciate little love from time to time.) And I picked out a really pretty card that I thought would be perfect for Kindness, but then I found out a good friend of mine was having a hard week so I sent it to her instead.

There is so much I want to say to you Patience, but it really all boils down to this: I want to be just like you.

You seem so mystical, so serene. You have a way of creating calm no matter what the situation and you do such an extraordinary job of putting everyone around you at ease (or at least whoever is willing to pay attention to you.) I wish I was more like that. Too often I am so eager to finish—or start—something that I miss out on a lot of details and experiences. Anytime I get it into my head that I won’t be able to feel good or have fun or be OK until this happens or that takes place I always run into trouble. You know what I’m talking about, and you know how futile it always is. In all the times I’ve let myself get frustrated and grouchy because something isn’t happening exactly the way I think it should, never once has it made time move any faster (or encouraged slow drivers in front of me to magically change lanes so I can pass them!)

In situations that have me feeling hurried and harried, I look to you, Patience, and following your example always enables me to turn things around. I stop, take a deep breath, and ponder what you would do in that moment. After I sit with this thought for a while, I usually end up wanting to do the same thing every time—nothing!

If I feel overly anxious to speak up during an argument, you encourage me to remain silent. If I notice myself sloppily folding laundry in an effort to get it done fast, thinking of you enables me to immediately sink into the simple beauty of my soft, clean bath towels. If I’m running errands and wishing I wasn’t where I was but, instead, where I was headed, you inspire me to take a very small action that never fails to pull me out of my wholly unnecessary angst. With your nudging, I look outside my window. Once I spend a moment or two admiring the trees, the clouds, and the sky, I’m no longer concerned with being in such a mad rush.

I’ve also learned that anytime I choose to ignore your example, I’ll likely pay a price. This usually involves a stubbed toe or some other such mishap. When I become fixated on getting something done as fast as possible, I literally become oblivious to my surroundings. How many bruises and nicks and scrapes do I have because there was an imaginary ticking time bomb I believed would explode if I didn’t get something started or finished or somehow resolved as soon as humanly possible?

A lot of people say you’re all about letting time unfold organically.

While I get this, and know it’s part of your charm, I’ve come to believe your most unique and potent genius is in all the ways you teach the world how to focus its attention on what truly matters. Is it important I get my dishes cleaned quickly or that I spend the time it takes to wash them being grateful for the meal I just enjoyed? Does it serve me to feel annoyed if someone doesn’t return my call right away or might it be a better idea to allow for circumstances beyond my knowledge or control? Will the situation be elevated by my saying, “What a jerk for not calling back!” or “Maybe he or she is dealing with a person crisis; I hope everything is OK.”?

You don’t teach me to just sit back and do nothing. You instill a practice of gentle, mindful immersion into the beauty of every moment.

The world is so enamored with speed these days. Immediacy seems to be the goal, no matter what the situation. I bet you feel like your work is never done around here. I wonder if you sometimes feel tired and overwhelmed. Perhaps you doubt whether or not anyone is even interested in what you have to say anymore.

I think this is why I decided it was time to take a leap and write my first fan letter—because it is important you know how desperately so many of us want and need your example, your teachings, and your wisdom.

I know you’re busy, Patience—more busy than ever—so I don’t expect a response. The only hope I send with this letter is that you find some small solace to know what a difference you’ve made in my life. You have helped me appreciate the detours and the delays, the uncertainties and the lulls. You’ve shown me how to gently slip out of tense situations, most especially the ones that became unnecessarily wound up because of my own untamed thoughts. Thank you for all of your hard work. Thank you for all the ways you show up for me.

Happy New Year, Patience. You’re the best.

With admiration, Christine

About the Author: Christine Mason Miller

Christine Mason Miller is an author and artist who has been inspiring others to create a meaningful life since 1995. Signed copies of her memoir, Moving Water, are now available for pre-order at www.christinemasonmiller.com.

Through the Lens: Tarot and Writing with Courtney Weber

It’s been nearly one year since I started my novel. Over dinner, I shared with my sister and brother-in-law a half-formed idea of “some novel I’ll probably write one day.” My sister’s face lit up and said, “I want to read that!”

When we were growing up, I would sit at the computer for hours in the summertime, writing away with the effortless ease of a twelve-year old who had yet to know an editor’s rejection. My sister would periodically come in and ask me to read to her what I’d written. She’d sit behind me on the piano bench and listen. My sister’s encouragement was key. I wanted to write more because she wanted to hear more.

Now, deep into my thirties, that dynamic has returned. She doesn’t sit on the piano bench to listen anymore—mostly because we living on opposite coasts and I don’t have a piano—but also because I’m now much too precious about my work to share it with anyone before I’m absolutely ready to do so.

Yet, it feels good to be back in my old seat.

Years ago, I abandoned fiction writing because I abandoned every project I started. I figured I just wasn’t cut out for fiction. I wrote two non-fiction books and was planning on a third, when I decided to work on this one for a while.

At first, it was exhilarating. It was not me simply creating a world on the page. It were as though I was chipping away blankness from a story already in there. But after all the chipping of the first draft was done, I had a mangled, wild beast of a manuscript that made very little sense to anyone except the voices in my own head.

This second trip through the draft is a bit like tracing the steps of a sadly deranged missing person, piecing together the clues they tried to leave as to their whereabouts with moderate success.

Sigh.

I know it’s a weird book. And it’s getting weirder.

My morning ritual involves getting up at 5 am and fighting the perfectly reasonable reasons as to why I should go back to bed. I don’t have anything to say. This novel is too messy. If I’m going to write, I should write something I know will sell and will bring in some income as opposed to simply draining my sleep and my time with Mr. Husband. I push through the fatigue and the “not gonna work” voices and settle in at my computer.

Recently, I’ve only been able to chip away at three or four paragraphs per day.

It’s not perfectionism holding me back. I’ve slayed that dragon many years ago. It’s listening. I sit with a sentence and I go into the story and I ask the characters if that’s what they really meant. What really happened? I ask them, as though I’m a technician in Westworld asking the hosts—my characters—to “switch to analysis” so they can tell me what’s going on with them. Sometimes they do. Sometimes, I just stare at the page, waiting for the words to materialize on their own. I’ll routinely resent Stephen King for his indefatigable production engine, JK Rowling for having all the brilliant ideas, and Neil Gaiman for having a finger on the pulse of that mysterious and  beautiful wellspring that spills out his stories.

I am thankful for George RR Martin because he understands me (no, we’ve never met…no, he doesn’t follow me on Twitter, but he understands me even if he doesn’t know I exist). He writes maybe a page or so a day. That’s his pace. I can’t imagine the pressure: millions of people tapping their feet, waiting anxiously for his next book. The only person tapping a foot for mine is my sister and I can handle that. She’s not millions of tweeters or bloggers pushing for my manuscript to be done, as Martin must contend with.

I’m also lucky to have my relationship with Tarot, which can be a true friend in a challenging writing period.

Dear Tarot, why is this second draft taking so long?

6 of Swords. Not a great card, but certainly an understandable one.

The tired, cold little family crossing a thick river in a tiny skiff—it’s simply a long and arduous journey and I’m doing the best I can.

But the good news in the card, which I hope is good news for my novel, is that the shore is in sight. Maybe the shore is in sight for me, too.

Tarot, is there something I should be doing differently to improve (but not necessarily rush) the process?

The Hierophant rests more on logic and structure than emotion.

It’s possible I could be more organized in my approach to the novel, focusing more on the technical pieces of it rather than the emotion.

Emotion ruled the first draft! Logic might need to rule the second.

I ask the Tarot what works about my book:

The 7 of Swords: I associate this card with organized chaos.

To the outside world, the little character in the card might seem overwhelmed, but they are smiling.

In fact, they’re looking over their shoulder at the two swords left behind as though they think they could pick them up and carry them along if needed.

Now, I ask the Tarot what’s not working about my book:

The 3 of Swords: Maybe it’s a little heavy-handed?

I did put a lot of some of the grief I suffered through losses in my younger life. Maybe I can take that down a peg?

Then again, I’ve also seen the 3 of Swords to mean “suffering over suffering.” I have driven myself a little crazy with this novel. Maybe I am what is not working in it.

But also, it being the 3 of Swords gives me a little comfort that perhaps I can take care of the final few things that don’t work in the third draft. I’ve got plenty on my editing plate at the moment!

One final card! Is there anything else I need to know about the writing of this novel?

This 10 of Cups is a triumphant conclusion card.

No matter how many sword cards are bogging me down in the midst of the process, the end product is coming and it’s going to make me very happy.

Hopefully it will bring in lots of money, as that will make my husband happy, too!

For now, it’s one sentence at a time. Those sentences become paragraphs, which become pages. Eventually, the pages become chapters and then books. That happened with my first two. I’m sure it will happen with this one, too.

About the Author: Courtney Weber

courtneyweber_bioCourtney Weber is a Priestess, author, Tarot advisor, and activist. She is the author of the newly released Tarot for One: The Art of Reading for Yourself and Brigid: History, Mystery, and Magick of the Celtic Goddess (Both through Weiser Books). She produced and designed “Tarot of the Boroughs,” a contemporary photographic Tarot deck set in New York City. She blogs at Huffington Post and on her website: www.thecocowitch.com. She lives in Manhattan with her husband and cats.

New Moon Creative: Moon in Capricorn

We arrive at the last new moon of 2016: Moon in Capricorn. Can we see this time as holy for our lives and our creativity? Is there one last element you can sweeten your creative work with as we gaze into the darkened sky and this new moon?

How might you set an intention for improving your chosen craft? An intention. A prayer. A holy whisper.

Is a New Year simply a square on a calendar? Or is it full of magic?

What if we view this last new moon as part of the mystical threshold between the last days of one year and the first days of the next?

We offer a New Moon Creative Prompt to set you pondering and ask you to share with us a seemingly ordinary moment in your own life that is edged with magic so that we can be your witness.

Write a poem, essay, or short story. Take a photograph and leave us with the image alone. Create a photo essay. Or simply leave us a comment here, answering the question:

How will you honor your creative life in this mystical space as one year becomes the next?

Between now and 01/12/17, post your creation in your blog and/or share your work on Social Media, be it Facebook, Twitter, Instagram, or all of those spaces. Use the tag #NewMoonCreative so we can find you and lovingly witness what and how you are creating.

Through the Lens with John Hulme

Photo by John Hulme

Through the Lens

 

It crept up on me, this love of the tide. You don’t see me out on the water much – I don’t go swimming or boating or boarding – but there is something about being on the shore that fits me perfectly.

Photo by John Hulme

There is something about this transition place, where the surf rolls its cargo of ocean heartbeat into the shingle. I have sought refuge in this place more often than I can remember, rebuilding myself in the tapestry of ripples, allowing the rhythm of crunch and splash to weave into my heart and stitch back what the day had tried to erode from my spirit.

Photo by John Hulme

Sometimes this soaking time is sufficient. Sometimes it is enough to reset the meaning of John to this tidal metronome. Sometimes, however, the restlessness carries me further, and I find myself lost in that strange “between” place where no destination seems to fit.

Photo by John Hulme

A few years ago, after my mum died, life seemed to be revolving around the car – the place I sat when there was nowhere else to go… the place I slept when nowhere else felt like home… the place I hid from the world and wrote masterpieces only the streetlight would ever truly understand.

Photo by John Hulme

Between them, these two halfway places have left a deep echo on my spirit, a love of the “between” place. Even as I write this, I am preparing for a journey with no fixed destination in mind – just a wandering wobble into the unknown, like some strange rivulet cut off from the tide. Perhaps it doesn’t matter if I ever actually make this journey, now that my heart sits so beautifully in the “between” place.

Photo by John Hulme

About the author, John Hulme

John HulmeJohn Hulme is a British writer from the Wirral, a small peninsula near Liverpool in the North of England. Trained in journalism (in which he has a masters degree), John’s first love was storytelling, trying to make sense of the world around him using his offbeat imagination. Since the death of his mother in 2010, John’s work has grown increasingly personal, and has become heavily influenced by Christian mysticism. This has led to the publication of two poetry books, Fragments of the Awesome (2013) and The Wings of Reborn Eagles (2015). A mix of open mike performances, speaking engagements and local community radio appearances has opened up new avenues which John is now eager to pursue. He is hoping to go on a kind of busking road trip fairly soon, provisionally titled Writer seeks gig, being John.  Find out more about John on Facebook.

The Quiet Witch by Hilary Parry Haggerty

People think of me as a tarot reader first and a witch second, it pisses me off, but also? I’m the reason for it.

My reasoning to play up my tarot reading and downplay my religion (Wicca) was professional at first: I serve people of all faiths with my tarot readings, and I didn’t want people to think that I didn’t if I was all prominently witched out.

Now I see these amazing articles with my contemporaries being interviewed about witchcraft and magick, and I get mad. Why not me? My inner voice quietly mocks, “Because you faced forward with tarot reading, you dolt, that’s why.” Don’t take personal what you wanted in the first place!

My magick is more subtle than that. I’m not being interviewed about magick, or spells, or candles, or honey jars on the Hoodwitch or the Numinous because I guess I’m just not that flash about my magick. There is a phrase in Wicca: To know, to dare, to will, to be silent. To keep silent has always been a tenant that I’ve taken very seriously. It’s one I take seriously in tarot, too… because the information ain’t for me, it’s for you (the client). In spell-work, it’s a matter of energy, of “too many cooks in the kitchen spoiling the broth.” Okay, energetic broth. The quickest way to water down your magick is to tell someone about it. Keep it private, keep it potent, keep it safe. A good general rule I follow is sharing a spell when it’s not manifest yet is to invite doubt into the process… and doubt? It’s a magick killer.

The more I know about magick, the simpler and more practical my spell-casting gets. Fancy may be fun and look pretty, but my core question is this: does it work? Is it serving my intention? To me, intention is everything. When my intention is muddled or bogged down with 50 different things, the Universe doesn’t know what to do with that. Often, I will get a response or sign from the Universe that boils down to “What do you WANT, woman?” The intention has to be clear, and so does the channel. Which means in order for me to get what I want, I have to get clear myself… which means getting out of my OWN WAY.

What do I mean by getting out of my own way? I mean that I have to tell my ego to take a backseat, or take a hike altogether.

Stripping down my magick has made it cleaner, stronger, less ego-driven. As a result, my magick has become that much more powerful for it. I don’t need to be “out there”, unusual, or brazen about my magick or my spell-work. My spells are special secrets that are more potent for their secretiveness.

And for that, I proudly say that I am The Quiet Witch… and that doesn’t make me any less of a witch.

About the Author: Hilary Parry Haggerty

HILARY PARRY HAGGERTY is a tarot reader, witch, mentor, writer, editor, and teacher. She has been reading tarot for over 18 years (11 years professionally). She was the winner of Theresa Reed’s (The Tarot Lady) Tarot Apprentice contest in 2011, and has taught classes on tarot and spell-work at Readers Studio and Brid’s Closet Beltane Festival. She writes a weekly blog at her website www.tarotbyhilary.com and contributes a monthly tarot blog “Through a Tarot Lens” to www.witchesandpagans.com.

Birthing at Hitchcock House by Bernie Brown

Ezra turned and reached for Orelia, who was doubled over in pain. “Come on, baby, I’m here. House is just up there. See the lights in the windows.” They scrambled up the bank, and the small boat paddled away, making its way through the icing creek. “Mrs. Hitchcock she ready for us. We in Iowa now. They’s a free state.”

“How do you know, Ezra? Ohhhh . . .” Orelia doubled over again.

He didn’t answer her. Ezra knew he had to get her through the snow, up to the house, and down in the cellar. All as quiet as mice. And her having pains so early.

Orelia slid down again as another pain hit her. “Ohhhhh,” she moaned.

“Honey, can you be quiet now? We don’t want to get anyone hearing us.” He pulled her to the top of the bank where they sat in the snow waiting for her pain to subside.

Ezra wadded up a faded blue kerchief. “Here now, next time a pain hits, you bite this.” He tried to stuff it into her mouth while she sucked in air.

She spit it out.

“No, baby. You gotta do it. You listen to Ezra now. There can’t be no hearing us or this whole trip for nothin’. We’ll never reach the promised land.” He stuffed it back in and barely pulled his fingers out in time not to get bit.

Orelia struggled and ran in a painful lop-sided way, holding her belly, the holes in her homespun shawl lit up by moonlight. A distant owl hooted. A quiet growl came from the brush.

A lump of hurt choked Ezra as he watched his wife, at least that was how he thought of her. They’d get married proper when they got to Canada.  He couldn’t stand seeing her run that way.  She stumbled and he put one arm behind her knees, another on her back and tipped her up. He grunted. She was usually so small, but the baby made her off balance and clumsy to hold. She buried her face in his shoulder.

Up ahead he saw the flicker of three lanterns in the windows. That meant they was expecting three runaways. Old Simon had fell out the boat into the icy black river. He didn’t bob up, not even once. So there was just him and Orelia and the baby.

The sight bucked him up. He staggered faster. Orelia screeched into the cloth, into his shoulder. Her teeth sunk into his flesh, and he winced. At last he reached the open cellar door, ready to receive them.

The steep, uneven steps tripped him up, and he bumped Orelia’s head against the frozen dirt wall. Orelia’s pain made her punch him hard on the arm in return.

At last they were in the cellar. He had to put Orelia down on the dirt floor. “Just for a minute, baby.” Around them, jugs of preserved foods lined crude shelves. Dusty bottles of wine lay on their sides in a rack. Above, he could hear a piano playing a lively Christmas tune. “It must be Christmas Eve,” Ezra said.

Thumps on the floor be dancing. “That party noise keep ‘em from hearing us.” Even so, he moved the shelves ever so carefully to reveal the safe room. He didn’t want to leave no marks in the dirt floor. Then he returned to Orelia, panting now, and helped her to a straw pallet. He found matches and lit the candle before lifting the shelves back in place.

“Baby’s comin’,” Orelia spluttered between pains. Then she pushed so hard her whole body shuddered as she groaned a mighty, low groan.

Ezra had to open her legs to see. He hated doin’ that, but they was beyond being shy now. It was a necessary thing. He’d seen his mammy birthing babies back on the plantation.

A bloody bony head appeared, almost purple. Joy wiped away the struggle, the fear, the constant fear. “Baby’s head,” he whispered.

Orelia thrashed, grunting and shuddering and clawing into his shoulder.

He grasped the slippery roundness and pulled best he could, slow, steady.

Out it slipped, a wiggly bloody little one.

It were the baby. It were born. “Orelia, honey, it be here. It’s a little girl.”

He took Orelia’s shawl and wrapped the baby in it.

Above, the music had changed tempo. He recognized “Silent Night.”

The baby gave out a newborn mewing cry, and they exchanged their scared look. Could such a little sound be heard upstairs? They might be in a free state, but it was still illegal to hide runaways.

“Let’s call her Christmas,” Ezra whispered.

Orelia smiled down on the bundle and whispered, “Christmas. Our very own Christmas.”

The shelves moved. Had somebody heard them? Come to arrest them? Take them back South? Both Ezra and Orelia sucked in breath.

A lady stood in the flickering candlelight. “I’m Mrs. Hitchcock.” She came to the straw pallet. “Oh, dear God, it’s a baby. A baby on Christmas Eve. Oh, she’s lovely.”

Orelia said, “She cried once. We was afraid y’all heard.”

“We did hear. The mayor was here, but he said the night was so magical he had heard the newborn Jesus cry.”

“Praise be to God,” said Ezra.

Mrs. Hitchcock left to bring water to wash the baby, and food and blankets to keep them warm.

“Orelia, honey, our baby, she born free.”

“Free,” Orelia repeated what Ezra had said. A fierce, proud light shone in her eyes as she looked down on the tiny child.

It were a holy night. Oh, holy night.

About the Author: Bernie Brown

I live in Raleigh, NC where I write, read, and watch birds. My stories have appeared in several magazines, most recently Better After 50, Modern Creative Life, Indiana Voice Journal, and Watching Backyard Birds. I am a Writer in Residence at the Weymouth Center, which is the perfect spot to work on my novel-in-progress. My short story, Same Old Casserole, was nominated for the Pushcart Prize.

The Magic of Three by Cathleen Delia Mulrooney

Once a month, we meet up for coffee. Usually, the cup of coffee extends to several and then often pushes over into lunch. Words spill. The rise and fall of voices. Steady flow of conversation. One of us throws out a sentence into the currents and the others slip into the stream of thought. We tread back and forth around politics, personal life, art, culture, gender, racism, and the focus point for all of it is our shared creative life. We are writers. Women writers. There is a strange magic that begins to run its course when you find your allies—in our case, creative allies. There is a spark. Incantations in cafes. Enchantment over paper cups.

This starts to sound like the plot of a silly modern fairy-tale. It isn’t. I can say this honestly and plainly. I don’t know where I would be without these two women. But, I know that I wouldn’t be writing.

One of them is twenty years my senior. Elegant. A cancer survivor. Married. Mother of two grown children. Beautifully transparent with her feelings and her life. She writes a little bit of everything, but mostly we’ve been working with her novel—a historical/contemporary fiction piece about women searching for their own strength and agency. The other is five years my junior. Stunning. A survivor of a lifetime of struggle. Married. Childless. Guarded until you know her. Her writing also spans genre, but her masterwork is a novel that defies definition with a character who defies the entire world she finds herself in. Me. Tattooed. Divorced. Single mom of three teenagers. Guarded in most ways forever, but open in occasional moments that pass through like weather. My writing right now is mainly focused on a novel about women and voice, violence and the body, sanity and silence.

We have different ages, ethnicities, statuses, tax brackets, zip codes, experiences, bodies, and daily routines.

And yet.

When I am with them, I am able to sink into that part of myself that few people ever get to know. The dark thickets of my creativity. For every way we are not alike, there remains the common denominator that we are all females and creatives—identities that require more than just a little bit of magic to maintain.

We aren’t raised in a culture that values female friendships. Too often, women are pitted against one another in terms of their beauty, their sexuality, their success, their ability to appear “perfect” and desirable to the male gaze. Women’s primary role is seen as one in service to husbands, children, partners—so, therefore, friendships with other women become secondary at best. Then, as writers, there should be competitiveness and envy between us. I should secretly rally for their failure and my own success, jockeying in place to surpass their skills and publications. But, both of my writing friends had a book come out this past year—I didn’t. I was happy for them in a genuine way, knowing how hard they have worked, knowing that creative fortune favors the determined and they absolutely outdid me in their tenacity and resolve.

The paradigms about what women are like and what writers are like are completely fragmented by my relationship to these two people.

Magic is defined as “the power of apparently influencing the course of events by using mysterious or supernatural forces…wonderful; exciting…to create, transform, move, etc., by or as if by magic.” The word is one I wouldn’t use lightly. The word is one I would use for what we do when the three of us get together. We create a safe container to allow inspiration in. There is a known, friendly, supportive audience awaiting the words I manage to scrape free from my self-doubt and the insecure edges of my consciousness. My words move and transform and take shape on the page because I can trust that two talented women will receive them for me.

Somewhere in the ritual of coffee cup and notebooks splayed open wide and pens rattling around the tabletop, I know we are influencing our own course of events. Writing is a solitary art. It lacks the swagger of music, the ability to take up tangible space like visual art, and the approachable presence of the stage. Writers are often wildly introverted, so the idea of sharing writing in process—half born and half formed—(and then having to speak about it) can seem like a nightmare. With them it is, instead, a gift.

When I completed my MFA in Creative Writing, words left me. I found myself completely silenced by the intensity of the experience I’d just had and the requirements to work under such restrictive time constraints. My muse rebelled–decided to ditch me and my outlines and run off to Hawaii to drink rum and weave red blossoms into its hair while befriending tropical birds. I couldn’t blame my creative voice for skipping out, but it was painful. I could still occasionally chisel an essay or a poem from the stone block I was living with, but fiction, my wild-eyed sidekick, my first love, had left me.

My notebooks filled with heavy black lines, crossing out whole universes. Voices rose in me then fell quiet like awkward guests at a party, drifting by the punch bowl with nothing to say and a thirst that could not be named. I doubted everything. Especially myself. I was certain that any skill or talent I may have had was spent on a thesis novel that sat like a stone on the page, unyielding. A dead thing. A dead end.

And, that may have been the end of the story right there. The MFA curse come true. Student loan debt. A powerfully transformative experience and then it was over. No promise of success. No clear path forward. But, then, two years into my creative exile, the three of us started meeting up in cafes and emailing our work to one another. Each of them had a longstanding novel in the works for us to begin with. I was untethered from my thesis and wanting to start something new. After a few false starts, I did.

Slowly, with the support and encouragement of these women, a new novel stitched itself together. While it did, my muse started to hear our conversations as she skinny-dipped beneath a bone-white moon. She noticed that I was recommitted to the work again once I agonized over and then scrapped almost two-thirds of the novel, but didn’t give up. I told my writing group members of my plans and they didn’t recoil in horror that I was going to cut so much–they agreed, offered support, and told me to keep going. I am, I told them. I will.

Those words magically brought my muse back to me. She came home not wanting to talk about her time of sea and sky, but watching patiently to see if I kept showing up for the work, even when it felt impossible. I did. I am. But, without our monthly meetings and the emails, texts, and calls, I can tell you in no uncertain terms, I wouldn’t be.

The cups of coffee cool on the table at the cafe. We have spent the morning discussing one another’s work and our next steps. I walk into our meetings with that low-level anxiety creative women know all too well–how dare I say that, how dare I share that, how dare I put that on the page or paint it or photograph it or sculpt it or sing it or let it out into the light? Who am I to take up so much space?

You’re one of us, my writing women tell me. That’s who.

Audience. Friendship. Support. Creative sisterhood.

Read us what you’ve got. We’ve been waiting to hear your work.

Words more magic than these may never be spoken.

Cathleen Delia Mulrooney

cathleendeliamulrooney_bioRestless. Sleepless. Book-lover. Wordsmith. Deep roots. Prodigal heart. Teacher. Guide. Wanderer. Witch. Tea, tarot, hot baths, stitchcraft. Curator of narrative relics, remnants, & curiosities.

Cat is also a freelance writer, editor, and teacher. Her poetry, fiction, essays, interviews, and reviews have appeared in a variety of online and print publications. She has been teaching writing at the college level since 2000, and has facilitated creative writing workshops in elementary schools, high schools, prisons, and private organizations, as well as workshops exclusively for women to write their body and tarot-based narratives.

Through her Queen of Cups Tarot community, she offers private, group, and online tarot readings. Find her online at http://cdeliamulrooney.com and Facebook: https://www.facebook.com/queenofcupstarot/