Uncoiled Spring by A.R. Hadley

“Colt!”

He huffed and waited ’cause she was always yellin’.

Screamin.

He stood behind a tree, barely peeking around the thick trunk, a new friend cupped in his palms, watching her. Rust colored smudges soiled her petticoat. She looked older, worn, probably ’cause they were leavin’ and probably ’cause she was always yellin’ and screamin’.

“We’ll make it, Earl,” he whispered into his prayer shaped hands.

waggon-wheels-336528_1280His mother turned and faced the other direction. She spit into the eerie orange dirt. “Colt!”

He ran up behind her in an instant. Without sound. “What?” He kept the toad a secret.

“Boy, you scared me. Don’t do that again. Do you have everything ready? In the carriage?”

“Yes, ma’am,” he replied, eyeing the old, broken down contraption, their only means of transportation, and yet, she seemed certain they could ride out of town in it.

The toad’s skin grated like sandpaper against Colt’s damp palms. He liked it though. He could feel the creature’s throat beating, tickling.

He felt life.

Always had.

The same life scurried through the dirt underneath his bare feet, and the dirt meant home. His home, on the wide open land … as far as the eye could see.

“I don’t wanna go.”

“Colt, we’ve been over this.” She sighed and adjusted his plaid collar, straightening him out. There. “You know we halfta go.” She knelt and placed her hands over his fists, unaware of the toad and seemingly oblivious to her son’s introspection. “You are the man of the house now.”

“No I’m not.”

“Yes, you are. I’ve told you—”

“—No. Pa is. What about him?” he asked, looking at his grandfather out of the corner of his eye.

Pa McMillan busied himself at the wagon, pulling the frayed rope over the breadth of their load. Colt grimaced, aware of the friction the twisted cable created in between the weathered skin of the old man’s hands.

The wind blew his grandfather’s thin, white hair, and it carried the golden dirt across Pa’s boots and across the plains. The dirt covered everything, leaving nothing untouched, and then it would vanish without a trace.

Poof.

Like Earl, Colt’s dad — not the toad. The toad remained safe inside the nine-year-old boy’s grasp. He wouldn’t let him go. Colt had befriended many an old Oklahoma creature, and they all had been named Earl. The four letters kept his father alive, reminding him. Mother chose to forget. To leave.

“Pa is my father.” She corrected him. “He’s not the man of our house. That’s you, Colt. Now, where is your sister?” She tilted her head up and looked about the prairie as she licked her thumb, and then she turned her attention again to her son, wiping a smidgen of clay from his dimpled cheeks.

“Stop it, Mommy,” he said, wincing, turning his face.

“Emma Jean,” she cried. Always Emma Jean, never Emma. “Go find her. Go on.” She waved him off. He blinked up at her. She stood, a statue, her gown marrying itself to the dirt.

“Go on, boy.”

Colt ambled away, strutting like his father, that’s what Pa always told him anyway. “Boy, you’re slow and thinking, just like you’re papa.” He must’ve heard it a million times.

Colt pulled his thumb back slightly, revealing an opening about the size of a dime. He peered down into the cavern of rocky-mountains-593156_1280his fists, and then he stroked Earl above his eyes, consoling his pet, assuring the brown-spotted confidant they would make it. Oh, the ride would be long alright, through uncharted territory.

Over mountains.

Tall mountains.

Scary mountains.

Colt had heard stories about them parts. He knew only one safe passageway existed through those Rocky Mountains, and people had died doing it another way, the wrong way, and for all Colt knew — his father had been one of the wrongs.

“There, there, Earl, don’t cry,” he whispered, stroking the amphibian’s skin. “We’ll be safe. We’ll make it alright.”

“Who in the devil are you talkin’ to?” Emma Jean appeared next to her brother, holding a rifle. The skirt of her pale pink dress was filthy.

“Nobody.” Colt closed his fists tightly and shifted his eyes, squinting as he turned toward the sun, toward the carriage, toward his new life and away from the old. The old house, the old path and the old dirt.

“Come on, kids,” Pa called, interrupting. “Get in. Your mother’s ready.”

“Aww, Pa, I was just shootin’ at some bunnies. I was gettin’ ready to go back for more,” Emma Jean said, stepping into the carriage.

“There’ll be plenty of time for shootin’ later,” her grandfather said, taking the gun and helping to hold her weight steady with the palm of his well-weathered hand.

“I can get in by myself.” Colt nodded.

Pa McMillan winked a reply, and then he took his place up front with the horses, next to his daughter.

“Scoot over, Em, you’re hoggin’ the whole seat.” Colt shoved his weight against his sister.

Emma Jean snorted and smirked. “Oh, I wish I’d seen some hogs.” She gripped the side of the carriage and peered across the plain, licking her upper lip.

“All you ever think about is killin’.”

“No, I think about boys too.”

“That’s gross.”

“I bet there will be some boys over on the other side of those mountains. I’m gonna teach ‘em how to shoot.”

The wagon began to move, startling the siblings. Emma Jean sat back and folded her hands on her lap like a lady; the black underneath her fingernails said otherwise.

Colt leaned over the edge, watching the wheels turn. They continued to spin inside his pupils, reflecting the road he hoped to remember, reflecting his whole life.

All he ever knew.

littlefrog1He moved his thumb a sliver and spoke in a whisper: “It’s okay, Earl. Shh. It’s okay.”

“What is that?” Emma Jean’s eyes spread like the wings of an eagle. She scooted closer. “Let me see.”

“No! Get away.” Colt gave her his shoulder. He leaned farther over the edge and opened his palm, releasing Earl in an instant.

Hop. Hop. Hop. Free. Free. Free.

“Go, Earl, go, please,” he whispered. He didn’t know how it was possible, but he longed for the little toad’s company as much as he wanted to see him set free.

Colt gripped the door, extended his neck and stared at Earl, until he was merely a speck, a dot, a piece of the orange dirt, shrinking and shrinking, a mirage — the toad, his house, the prairie, the place his father could find them when he returned.

Everything. Gone. In a blink.

About the Author: A.R. Hadley

ARHadleyBioA.R. Hadley has been a creative writer since elementary school, however, she all but gave it up after her children were born, devoting herself to the lovely little creatures, forgetting the pleasure and happiness derived from being imaginative.

No more.

She rediscovered her passion in 2014, and has not stopped since — writing essays, poetry, and fiction. A.R is currently working on a set of novels as part of a romantic trilogy, and also dabbles in penning short stories.

Day or night, words float around inside her brain. She hears dialogue when awakening from sleep. She is the one who has been awakened. Writing is her oxygen.

Connect on Twitter and Facebook.

Poster Children of the New Apocalypse by Julie Terrill

Through the Lens

I placed some bills into an open guitar case and sat down on the pavement of Knoxville’s Gay Street to listen to a group of street musicians.

Beautiful chaos

I enjoyed the conversation amongst fellow creatives as we shared a quart of luscious lemon gelato that I had purchased a few doors down.  I asked the name of their group, they shrugged and quickly decided upon Poster Children of the New Apocalypse.

Teresa, on the fiddle, and Rocky, playing the washboard, were the most talkative in the group and most open to my presence and my camera. While we talked I occasionally took photos and paused to show them the images.

Teresa

Soon Nomad, the guitar player, asked for a portrait. He was pleased to have a photo for his family to see and know that he is well, happy and playing his music.

Nomad

I spoke at length with Rocky, who possesses a great deal of what I refer to as “uncommon” sense. She spoke of her faith that tomorrow will be safe; she will eat and will find a place not just to lay her head but to actually sleep. Two years ago she made a conscious decision to trade a traditional lifestyle for one of creativity and exploration.

“There are a lot of us,” stated Rocky, “that don’t think normal society is what is best for us. I have played with amazingly talented musicians and seen every corner of the country. This never would have happened if I stayed where I was.”

Rocky

At home while editing the day’s images, I noted the reflections of onlookers.  Many of them kept a distance, averted their gaze, or stood watching with closed-off body language. Somehow I had not noticed them in the moment. I can only hope that those casual observers recognized the creative joy and beauty that was in their presence.

About the Author: Julie Terrill

julieterrill_bio

Julie Terrill is a photographer and writer with a passion for travel. For ten years, she’s told stories of empowerment through the lens of her camera in an array of unique landscapes, environments, and projects – from a shelter for children rescued from trafficking in Thailand to Faces of Courage, complimentary portrait sessions she offers to cancer patients in her community. She is a photographer and facilitator at Beautiful You and Soul Restoration retreats.

Connect with her at: JMTerrillImages.com

Nourishing the Soul by Kelli May-Krenz

Instrumental_Care of Creative Soul

Remember those pieces of YOU that you loved about yourself when you were little? Remember how it felt when you woke in the morning? Before real life and responsibility hit and suddenly some of those closest dearest morning loves fell by the wayside.

By nourishing ourselves we can climb over this mountain of having lost those childhood loves.

Today let’s remember a few things we would love to feel again when we wake up. Joy for the birds singing – so much Webthat we take our coffee, tea, water and sit outside for ten minutes and just listen and sip. Music- yes, music makes us feel happy and alive. Giving the spirit a pick me up and mentally escaping to a happy place.

Perhaps, we create a ten minute music morning with the soul stirring stuff that makes us feel like we can (and will) do anything.

Allow yourself to be empowered by your soulful stirrings. They matter the most. No more dusting them away with I am too busy, I simply have no time for me. Let’s be mindful and practice finding a few lost loves that helped us be our best in the past.

Practicing a daily new routine starting with ten minutes will start your mind dancing in a new direction.

Feel your soul.

Affirmations telling yourself that you deserve this are so important. So perhaps you being with telling yourself, “I deserve these ten minutes. I need these ten minutes. I will give myself this gift.”

Remembering how to love yourself and practicing is the only way to true happy. We all deserve true pure happy. Each of us has our own path but, I believe we all have the path to goodness, grace and happiness.

Lots of memories just lay under the surface waiting to be noticed again let’s find those most happy to us and reclaim them.

I know this journey of nourishing might seem new to some of you. I also know that just showing up and doing nothing will never feed your spirit. I love affirmations around my studio and home that help me remember good stuff. I have designed a page of affirmations for you to print out and trim out and scatter around your sacred space.

Affirmations with practicing them work. I believe I can, so I will.

Web

While we are working on our being kinder and more loving to ourselves bad memories or feeling might pop up. I suggest you write these down and practice on letting these go. The old patterns in your life that no longer serve you are best left in the past. Write them down and replace them with the opposite feeling.

Practicing this climb to creating more self love in your life will change your days so very much. You will notice how your approach to hard days gets better. Why? Because you are taking care of you. It is all about love. Starting with loving YOU!

I believe this is true as I live this life everyday doing these very things.

Gratefully spilling…

About the Author: Kelli May-Krenz

Kelli May-Krenz BioKelli May-Krenz is an award-winning graphic designer and illustrator with more than 20 years’ experience. Her ability to capture, express and visually communicate the needs and visions of her clients has produced designs and promotional materials for everything from independent boutiques to Fortune 500 companies.

Her new stationery line, Pearl Button’s World, recently debuted at the National Stationery Show – where two of her designs were selected as finalist for Best in Show – and she has been featured in an array of print publications including Somerset Studio, Art Journaling, Somerset Life, Somerset Memories, Somerset Apprentice, Room to Create and Uppercase magazine.

Connect with Kelly on Facebook and Instagram.

Studio Tour: Kerstin Martin

Modern Creative Life Presents Studio Tours

When I started my own business 18 months ago I decided to rent an external office space. As a web designer I can work from anywhere but I wanted a dedicated professional location, it made me feel like I had a ‘proper’ job and eased the transition from decades of corporate life to self employment. I think mostly I was just worried that I would live in my pajamas all day and never leave the house! However, one year into running a successful and growing business I realized that I was ready to move into a home office and allocate the rent money elsewhere (like our mortgage). Best decision I made! While I miss some of the interaction with my former business community, which I still visit, I adore working from home.

I converted our third bedroom, which is quite small, into a cozy office den and I love it. I grew up in a 1.5 bedroom apartment with my mom and two siblings and because of this and my tendency to compromise space for location I am used to making the most out of a small room. My studio is in many ways a perfect reflection of who I am and it is filled with many personal items from my family and my travels. I love lighting candles in here and listening to my favorite playlists on Spotify or my preferred London radio station (thank you Internet!). Having easy access to my kitchen is another perk, now I can make myself a coffee or a healthy snack at any time. In the summers you can often find me doing some al fresco working on the balcony. Another plus is being able to go for spontaneous lunches or walks with my husband on those days when he also works from home. He has is own office corner in our guest room and I treasure being able to spend more time with him.

Having never been much of a 9-5 person I love how working from home allows me to find and honor my own rhythm, which in turn has made me more efficient and happier. Oh, and I also got myself an office assistant! He still needs a bit of training though, I think 🙂

Kerstin1

How we get work done around here!

Kerstin2

My view when I work. I always keep fresh flowers on my desk. There are many reminders of my mom here, who passed away unexpectedly last November: I made the turquoise penholder at a workshop I attended with her when she visited me in Massachusetts, the horseshoe and picture on the right used to hang on her kitchen wall, we bought the colorful cup at our favorite shop in London. My dad painted the picture in the red frame and my sister made the gold frame for me which holds a couple of polaroids from the tulip fields in Skagit County, taken during one of my mom’s visits. The blue glass paperweight is a present from my husband from a romantic weekend in Venice, Italy, about ten years ago. Office assistant on the right, hard at work 🙂

Kerstin3

I love this diary with its weekly overview on the left and room for notes on the right. I try to keep my desk as clutter-free as possible.

Kerstin4

My summer studio! Another thing I love about working from home is moving my office to the balcony when the weather gets nice. Even here I am surrounded by memories of my mom because creating a little oasis on our balconies was ‘our thing.’ When she visited she always sat in the chair to the right 🙂

Kerstin5

The wall behind me when I’m working. I took the photo on the left at my favorite London market, the dandelion on the right during a walk with my mom in my hometown of Cologne in Germany. My mom gave me the cow about 15 years ago. The box in the middle is from her apartment, she bought that at the same London which we both loved visiting. The smaller box to the right is also from London, the three wooden letters on top of the box say YES and are a present from my friend Madelyn Mulvaney.

Kerstin6

When I worked in corporate offices I never liked it when my desk was pushed against the wall because I don’t like sitting with my back to the open room. I need open room in front of me, ideally next to a window. Hence this configuration of my tiny space. My studio tells many stories: wall art to the left comes from my mom’s apartment. Antique wooden dresser from Bath, England, where I was living in a tiny apartment. Wooden box and old scale in front of my desk from Columbia Road Market in London. Office chair from Amherst College where I was the academic coordinator for the German department. I found this chair from the 1970s in their storage and I love it, it’s very comfortable. Sid Dickins tile on the wall to the right, a present from a close friend in Vancouver. And, of course, my office assistant being his usual efficient self! 🙂

About the Author: Kerstin Martin

kerstinmartinbioKerstin Martin is a Blogger and Squarespace Web Designer who specializes in creating stylish and affordable websites for small businesses and solopreneurs.

Originally from Germany she now lives in the beautiful Pacific Northwest with her American husband and fluffy grey cat. She muses about life’s inner and outer journeys on her blog at www.autumndiaries.com

The Language of Loss by Sue Ann Gleason

language-of-lossForget everything you were about to say.
And the days you can’t bear
to pick up the phone
because you know the news
will be the same
and you feel the weariness
of the stalwart.
And you wonder how long a body
can go without sleep in service
to the one she loves.
And you feel helpless
and hapless
despite the knowing,
the bone deep knowledge
that there are forces so much
greater than you
at work here.
And isn’t that what this one precious
life is?
She said we had to be willing
to live in the mystery.
And yet, regret slips in.
She always does.
Relentless.
Hovering.
Her cadence
the language of loss.
This morning we are awash in rain
as if to say, See? I told you today
would be dismal.
Pick up the receiver.
It will feel like a barbell.
Stop this inner lament.
It’s your turn to be brave.

About the Author: Sue Ann Gleason

Sue Ann GleasonNourishment guide, SoulCollage® Facilitator, and ‘wise business’ strategist, Sue Ann Gleason is a lover of words, a strong believer in the power of imagination, and a champion for women who want to live a more delicious, fully expressed life. She has been featured in Oprah and Runner’s World magazines and numerous online publications.

When not working with private clients or delivering online programs, Sue Ann can be found sampling exotic chocolates or building broccoli forests in her mashed potatoes.

You can connect with her in a few different places. Delicious freebies await you!
nourished living | wise business | instagram

The Door to Somewhere Leads to Me by A.R. Hadley

GOD pic

I made choices, lots of choices, but it was the dream that was random. I’m talking about a real, actual, sleeping-in-my-bed-goodnight-world, dream. Many things led me to here, right now, point A to point B, but the dream was the beginning, the turning point; and what followed, caused me to splinter into several pieces.

Splinter. Crack. Splice.

As I gathered up the shavings, starting that fateful summer, several doors began to open, doors I thought I had sealed off with cement long ago. Wrong. They opened, unravelling me. The most disconcerting and significant door, the one with the words — WRITER — emblazed across it, opened wide and shined a hard-to-miss spotlight on the path leading me back to me.

Sometimes I wonder, if I hadn’t had that particular dream, would I still have decided to write again? Would I have found me? God, I hope so, but it would not have been the same. It could not have been the same.

The unreasonableness of it all became the reason.

In 2014, a man I never met became my muse. I began writing my novel with the familiar stranger as my muse, and he was a man I did not choose — not consciously. I woke up one morning, knowing the man had been a part of my early morning dream. That dream. The random, unraveling, splintering dream. I recognized the man even though he was a hazy outline, as people often are in slumber-land.

Not clear, but clear. Him. An actor.

I only knew of him as an actor anyway, but that was all about to change. Everything about my life was about to change. The dream was a dream I cannot even recall today, but he was a part of it, and I built on whatever wild emotions I felt that morning, imagining an amazing story inside my head. I told the story to myself over and over without even realizing it was a story, without even realizing I had the makings of a book, and I continued to embellish upon that story inside my head for months, utilizing the outward appearance of the familiar man. He helped my character to come alive, and in the process, I came alive.

The beginning of the splintering, the day everything really changed, was the day the story burst from my heart and bled onto the page. A digital page. I opened the notepad on my iPhone and wrote. Finger-typed. I couldn’t stop writing, and I wondered why I had ever stopped.

I knew why.

I had always written, but I wasn’t a writer. Who me? Not me. Published clips, yes. Poetry, check. Essays, yes. A writer? No, no, no. And so, one day, a long time ago, I stopped. Fifteen some odd years ago:

I. Stopped. Writing.

I had two kids. I stopped. I wrote about the kids in a journal, but I stopped pursuing writing with a passion — my passion. I gave up, and deep down I knew the reason.

Fear.

It’s ugly little head held me back. Fear ruled.

It became the easy route.

The familiar.

I was raised with fear, told as a child I had to worry, over-worry, unhealthy worry, about someone wanting to kidnap me and take me away from my family, taught to fear the end of the world was near, always on the brink, led by example to fear people were judging me, and it turns out some people were judging me and are judging me. And ultimately, when I began my novel(s), I feared my good girl Christian conscience wouldn’t allow me to write. It wouldn’t allow me to take time away from my family, to do something selfishly.

Just. For. Me.

I initially held back because the story had to be told completely, in every way the characters dictated to me that I write, (awful little buggers.) I had to use language and actions I may not personally choose to do or speak, things others may find offensive. I had to speak the truth of those imaginary beings, and in the process, I spoke my own truth.

I discovered the me I had forgotten.

Fear gradually began to fall away. Scales dropped from my eyes. I began to write the scenes and people I saw in my mind, including the image of the man from my dream.

Free.

I spent the summer of 2014 writing and crying and heaving and sighing. I struggled. It wasn’t easy. It was difficult because I feared judgment, not just the normal judgment that comes with the territory of being a writer, but I was afraid because the very words I had to write, the story I had to tell, would entertain ideas and actions I had been taught to shame. I wrote about love and heartache and sex. Gasp! I wrote about sex. My body literally trembled as I typed on many occasions. I cried and cried. I sobbed. I released. I set the girl free who was imprisoned inside of me.

I became me.

And that man, my muse, he is real and alive. He is his own man, with his own life, and unbeknownst to him, he is part of my journey. He is a part of the splintering and the healing. I Googled him that summer, curious to see what he was up to, where he had been. I hadn’t seen him in a movie since I couldn’t remember when. I secretly hoped he would disappoint me, but instead he intrigued me. I learned he is a writer and an artist and a unique human being. He wasn’t at all what I expected. Nevertheless, my subconscious believed something about him I had seen on the movie screen, after all it chose him for a dream. Silly. Crazy. Nuts. Maybe. But still, he was solidified in there, in my mind, waiting. Ha, ha. Poor guy.

Well, in discovering parts of that man he chooses to share, parts perhaps hidden from his characters on the big screen, I continued to discover me. I was inspired. I am inspired by his faith. The man is a Christian, sticking to his beliefs even when it’s unpopular to do so, when it’s frowned upon, and even when he is teased or ridiculed. I am inspired by the art he creates and shares with his fans. The art touched my heart.

The man, his faith and his art reminded me we are all connected.

I believe we are all connected on this planet, and the comfort his art provided came into my life at just the right time. I connected to the vibes and the colors and the emotion with which he painted. I connected to the courage I felt he must possess, sharing his creativity with strangers. It inspired me to stop being afraid to share my own creativity.

Hey there lady, yeah you, YOU have value too. Me.

I do have value. I do, and still, it took me months to get to that place. Months of writing. Months of crying. Months of my husband holding my hand and telling me I wasn’t crazy, telling me everything happens for a reason.

A reason.

I need to write.

I need to share.

The random beginning was because of a dream, but the writing was finally a choice, a decision.

It could no longer be hidden beneath my forgotten.

I’m excited. I finally, at the time of writing this essay, ordered my very own piece of art the mysterious writer, actor, father, artist created, and I’m waiting for it to come in the mail. I’m excited! Each day, my first set of novels, a romantic trilogy, are on their way to being finished. I’m writing essays again, sharing my crazy, blasted feelings.

I’m writing.

That is what is amazing. That is the life … altering … decision. I am writing. If you had asked me years ago if I was a writer, I would have said no, even though I was always a writer. I know, I said it before, but it bears repeating:

I would have said no.

Today, I continue to work on owning the title — WRITER. I work on owning myself. Who I am, what I have to say, who I have to be. I work on it every day. And when I finally receive that piece of art, yay! (I have it now) in the mail, I will own it. I will take a picture of myself and my two children (we did!) surrounding it. Our faces will peek out beside the word GOD, beside the turquoise speckles, and I will send that photo (Lordy, I did) to Val Kilmer with a smile. He may never know all that it means, but I hope he smiles too. That is connection. That is our planets endless, circling energy — vibrating and healing and inspiring.

Life changing? Yeah! I’ll never be the same, but I am the same, only different.

Changed.

Open.

Free.

I rediscovered me.

About the Author: A.R. Hadley

ARHadleyBioA.R. Hadley has been a creative writer since elementary school, however, she all but gave it up after her children were born, devoting herself to the lovely little creatures, forgetting the pleasure and happiness derived from being imaginative.

No more.

She rediscovered her passion in 2014, and has not stopped since — writing essays, poetry, and fiction. A.R is currently working on a set of novels as part of a romantic trilogy, and also dabbles in penning short stories.

Day or night, words float around inside her brain. She hears dialogue when awakening from sleep. She is the one who has been awakened. Writing is her oxygen.

Connect on Twitter and Facebook.

A Most Important Maker by Lawrence Davanzo

Davanzo Lead Photo

Last summer I attended a photography workshop in Berlin, expecting to spend time taking in the city’s fascinating street scene—photographing people and architecture and trying to artfully capture the grittiness that is unique to Berlin, one of Europe’s most diverse cities. But on the first day of the workshop I learned we would be photographing two artisans’ studios—a luthier, which is a maker of string instruments, and a pipe maker. Although initially disappointed I wouldn’t get to photograph Berlin’s urban scene, the two days I spent in their studios turned out to be far more satisfying than I had hoped for.

As an amateur violinist, I knew how a violin was made, but I’d never actually witnessed the process firsthand. And during the next day’s shoot observing the pipe maker, who turned out to be a former Major in the East German Army, I learned about the hundreds of different styles and designs his customers could choose from when ordering a pipe, with prices of up to several thousand dollars for his most elaborate designs.

When I returned to Santa Barbara, I began exploring the possibility of putting an exhibit together documenting artisans and craftsmen in their workspaces.

I liked thinking about these people as Makers—individuals who made something that required skill and creativity and gave people pleasure in the finished product. Not long after the new year, I approached a gallery in Los Angeles with the idea of an exhibition and they quickly agreed to host the show in early June.

I had two collections ready from my Berlin trip, but I knew it wouldn’t be enough for a solo show; I needed another two or three makers to round out the exhibit. My oldest friend has been a painter all his life, and has a studio in downtown Los Angeles. When I approached him about including him in the show, he agreed to let me spend a day shooting him while he was working on a new composition. I have another friend with a woodworking shop in Santa Barbara, my hometown, where he’s been making furniture for nearly thirty years. So both of those shoots easily met my definition of Maker.

This provided four series for the show, but I wanted five.

As I was organizing my work for the show I came across images from another photography workshop I attended in 2012, where I documented workers at the Drakes Bay Oyster Company in Pt. Reyes, California. Could oyster farmers be considered Makers? They probably weren’t artisans like my other subjects, but I was intrigued by the possibility.

When I photographed the workers at Drakes Bay, they had taken the time to explain what it actually meant to farm oysters. I love oysters, but I’d never really given any thought as to what was involved in bringing them to the table.

As I reviewed the images I’d taken four years earlier, I realized that the process of growing an oyster from microscopic larvae to its edible state was the literal making of an oyster. Here was my fifth series for the show. It might have been a bit of a stretch, but it met the requirements of skill and creativity—by needing to deal with weather and harvesting variations—as well as by providing pleasure to people.

There were some days when I had second thoughts: Wouldn’t it be better to photograph a chef in her kitchen, making a wonderful meal, giving pleasure to a table of friends or customers? Isn’t a kitchen a better studio of sorts than an oyster farm? But every time, I returned to the idea of including the oyster farmers in my exhibit.

I went back to my pictures, and came across the image below of the oyster seeds or larvae that are the starting point of making an oyster.

davanzo Photo 1

Oyster Larvae in a salt water bath

Drakes Bay would get a few million seeds from a hatchery in Oregon and disperse them in buckets of cold water like the one above, gradually adding warmer water to reanimate the seeds. The seeds would then be placed into a larger tank containing nets filled with recycled oyster shells.  After a few days, the seeds would attach themselves to the shells before being relocated to the ocean while still in the nets, thus beginning their long growing process.

davanzo Photo 2

Young oysters attached to recycled shells in net bags

After two to three months the baby oysters in their shells are attached to “trees” of metal rods that are suspended in the Drakes Bay Estero where they would grow for two years or more until they are ready for harvest. Workers retrieve the oysters, strip them from their metal rods, and harvest them for us to enjoy.

Davanzo Photo 3

Oysters are attached to metal rods and suspended in the ocean for the long growing period.

Davanzo Photo 4

Workers harvesting oysters

Drakes Bay has been in commercial oyster production for nearly one hundred years. Sadly, the National Park Service (NPS), after a lengthy and controversial legal battle, shut down the company in 2015. The workers shown in these images have all lost their livelihood; the historic buildings and equipment at the site have been removed and the NPS is in the process of dismantling and removing the oyster racks and related materials. I was fortunate to have documented the process of making oysters in the last surviving oyster operation on the California coast. Like so many things, it is an art—requiring skill, ingenuity, dedication and care.

About the Photographer: Lawrence Davanzo

lawrence_davanzo_bioLawrence Davanzo is a Santa Barbara-based photographer.

You can see more of his work at www.lawrencedavanzo.com.

Studio Tour: Bernie Brown – Thimblelina & Me

Modern Creative Life Presents Studio Tours

The floor is the best surface ever invented for cutting fabric. Nothing falls off it.  There is always more room.  The only drawback is pins end up sticking into the carpet as well as my pattern pieces.

My sweet little Viking sewing machine has been my trusty soldier for over thirty years.  The last time I took it in for its yearly tune up, oiling and timing—which synchs the bobbin thread and the needle thread to form a clean stitch —the repairman said, “Don’t you ever use it? It’s perfectly clean.”

I replied, “I use it all the time and clean it after every project.”

And he said, “It’s a good thing because if it ever breaks, I can’t get parts for it anymore.” If that day ever came, I would weep and moan. I would tear my hair. Emergency vehicles may need to be summoned.

My sewing things live in a loft corner of our third floor family room. The arrangement has never varied for thirty years. Everything is positioned where I can reach for it without even looking or knocking it over.

I learned to sew by watching my mom, who used a thimble like a natural extension of her finger. I never mastered the use of this little tool with the funny name. I kept one at my house for Mom’s visits, and now that she’s gone, I keep it because it reminds me of her. The charmingly ugly little figurine with a thimble for a hat is called Thimblelina. During a brief stint as a stock boy at Hallmark, my middle-school-aged son bought her for me, a spontaneous gift I treasure.

My high school stone-age curriculum required Home Ec for girls. We struggled with our basic shirtwaists with varying degrees of success. Mrs. A, our beloved teacher, scolded me, “You press things to death.” I’m afraid Mrs. A never cured me of that. I can’t sew without an iron by my side. A skillful press job hides many a sewing sin. Near my workaday iron are two beautifully carved and etched antique irons from a Dutch flea market. They are from the era when hot coals put inside them provided the heat. Next to them sits a doll size ironing board and iron that my dad made for me in his woodshop. I love it not only because he made it, but because he got the pleasing angles of the ironing board legs exactly right. And the small iron is crafted of layers of wood, which give it character and interest. So, my sewing area includes not only working tools, but decorative models of them, too, which add a whimsical touch for me to admire as I work.

I have an accordion rack where I hang a number of scissors. Not sure how I acquired so many pairs. And there is all the other stuff a seamstress accumulates: elastic, pins, needles, measuring tape, thread, bobbins and a drawer overflowing with fabric scraps and dress patterns.

Thimblelina and I welcome you to my sewing corner. Just be on the lookout for pins on the floor. They tend to stick in the carpet.

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My antique Viking. Long may she reign.

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Bernie Scissorhands.

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One woman’s thimble is another woman’s hat.

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Iron’s plain and fancy.

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This darling model would make any dress look good.

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I wonder if the naked lady in the background would like for me to make her a dress.

About the Author: Bernie Brown

berniebrownI live in Raleigh, NC where I write, read, and watch birds. My stories have appeared in several magazines, most recently Every Writer’s Resource, Still Crazy and the Raleigh News and Observer. I am a Writer in Residence at the Weymouth Center. Get to know me better my website and connect with me on Facebook.

Tune In to Find What You Need by Bella Cirovic

Instrumental_Care of Creative Soul

I think about the ways in which the experts in books and magazine articles say we should take care of ourselves.  It’s recommended that we sleep for 8 hours a night, that we eat between 3 to 6 meals per day, and that we get in some sort of physical activity. Honestly, these are bare minimum functions for survival. And to think that we should accomplish it all while holding down a job, maybe taking care of children, possibly taking care of our parents, loving our partners, getting dinner on the table, getting the housecleaning done, tackling that huge pile of laundry, socializing with friends, and if we have any time left, we might possibly indulge in a hobby. Or, if we’re being honest, a nap.

There is so much doing that goes on in one day for each of us. How are we feeling in the midst of all of this doing? How is it possible to engage in this life of ours and practice presence? It is possible, I assure you. Here are a few ways I’ve learned to tune in and give myself some nourishment in the form of self care.

From the moment we wake up in the morning, we are given an opportunity to pause. How often do we use that time? In the past, I would jump out of bed to the sound of a blaring alarm. From there I would shuffle into the kitchen and clumsily set up the coffee machine. Beginning each morning like that day after day did not feel calm, it felt like a chore. I knew that I wanted the start of my day to feel soft, like the wisps of a dandelion.

I began setting the coffee maker at night so that I didn’t have to do all of the measuring and pouring with half opened eyes. These days, I wake up to a birdsong alarm on my phone. I take a few moments with eyes closed to give thanks for this day. I give thanks. I pray. I take a deep breath before I begin my day. The ritual of a morning drink is in and of itself a form of nourishment. It is another few quiet moments to myself before the day unfolds.

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In the afternoon stretch before heading home from work, I find that my muscles feel cramped from the hours spent at my desk. I keep a bottle of peppermint essential oil handy to dab on my temples. The mint eases away any tension quickly while the overall scent works as an energy reviver. Just a few minutes between work tasks using essential oils can really feel like a lifesaver.

At the end of the day, if I’m having trouble unwinding before bed or if I want to get more deeply relaxed, I pop in my earbuds and listen to a guided mediation. This ritual has been so grounding, bringing me right back to center after a very long day. I spent a few minutes browsing the app store for the meditations that worked for deep relaxation as well as stress relief. While there are hundreds of topics to choose from, I find that these two work best to help prepare me for a good night’s sleep.

These are optional ways I’ve learned to nourish my mind, body, and soul throughout the day. When I’m hungry, my belly growls. It’s my body’s way of reminding me fuel it with food. My body doesn’t ask for essential oils or meditation. I found these forms of self care through a combination of listening to what my body needed and intuitively choosing what to give it to feel well.  Maybe you will benefit from giving these ideas a try. You will know what variety of care is nourishing for you. Just tune in and listen.

About the Author: Bella Cirovic

Bella Cirovic BioBella Cirovic is a photographer and writer who lives with her husband and daughter in the suburbs outside of NYC. She writes on the subjects of self care, body love and nourishment, crystals, essential oils, and family life. Catch up with Bella at her blog: She Told Stories

Note from Bella: Join me this summer for a month of self care through my program, The Holy Hush. I’ll share indulgent rituals, grounding meditations, and sensual journaling through writing and photography. It is a mid year pause to meet yourself deeper. Are you interested in learning more? Click here for details.

My Main Ingredient by Kolleen Harrison

Kolleen Harrison Open Hands

As I sat and thought about the topic of “Nourishment” so many things went through my mind. There is nourishment from the obvious stand point of food and water, yet the nourishment I felt really drawn to focus on was my Soul  Nourishment, my Soul Food.

So I began brainstorming with these questions:

  • Where do I fill my well?
  • What brings me happiness?
  • When and where do I feel most at peace?
  • What satisfies my soul hunger?
  • When, where and with whom do I feel most “Me”?

I made a lengthy list of all the incredibly awesome things that serve this purpose and even posed the question on my Kolleen Harrison Family 3Facebook account. A good chunk of the answers were along the lines of face to face connection with family and friends, time in nature, doing something creative, listening to or playing music, spending time with animals, quiet time in prayer or meditation.

I initially planned on compiling a “Top 7 List of Things to Feed Your Soul”, yet as I sat alone today, I heard a tiny whisper say, “Being a Mom is your main ingredient. It is what comes before any of the others. It is what you NEED, so write about that.”

So as I sat, looking around my family room at all the photos that fill that space, I realized how true that sweet little whisper was. My most favorite thing in the world is being a Mom, nourishing my children, loving on them, supporting them, being here for them, helping to protect and teach them best I know how.

Yet, as I took a closer look at all the photos, I realized my mothering is not only limited to my children, it also extends to my friends and others close to me. I find great nourishment in mothering others at their time of need, their time of struggle and sadness, their time of needing love and encouragement, providing an ear to bend or shoulder to lean into. I honestly donʼt know a time I feel more fed than when I am loving another, supporting another, hugging another, encouraging another, protecting another, mothering another.

THAT, is the main ingredient for any soul food recipe of mine.

It is what fills my well.

It is what I am most grateful for.

Kolleen Harrison Circle of Hands

About the Author: Kolleen Harrison

kolleenHarrisonbioKolleen Harrison is a creative living in the beautiful Central Coast of California. She is the Founder of LOVEwild and Founder/Maker of Mahabba Beads. Her passions lie in nurturing her relationship with God, loving on her happily dysfunctional family, flinging paint in her studio, dancing barefoot, making jewelry (that is so much more than “just jewelry”), and spreading love and kindness wherever and whenever she can. You can find her popping in and out at LOVEwild.org or MahabbaBeads.com