Sunday Sensations: The Power of Relationships

Before I was born my mother and father were sitting in a church service listening to a message about my namesake — Tabitha (Acts 9 if you want to look it up). Tabitha was one of the rare people in the Bible where you meet her after she’s already died. Peter, one of the apostles, goes to a house full of mourning. It seems Tabitha was much loved because she made clothes for widows and orphans. Peter, struck by her compassion and the grief of the people, raises her back to life.

My parents were struck by her story and decided their first female child would be named Tabitha.

In some sense, I’ve always tried to live up to her legacy. This legacy of leaving behind people who love you and who you’ve helped. And, for me, it all starts with cultivating relationships.

I was, like many nerdy kids, pretty lonely growing up. I longed for friends. Thankfully, I had a younger sister who was my constant companion, but I wanted more. I dreamt of friendships like the books I was obsessed with reading. I ached for someone who’d tell me stories and secrets. I was consistently dumbfounded when other people didn’t like me.

Then, when I was 12, I discovered the internet.

You have to understand that the internet to me will always be this Narnia of a place. Here I could type in things I loved (mystery novels) and find people who liked the same things as I did. It was magical. Suddenly, the world was open for me to find people who liked me for who I was — not because they were in the same age group at church.

I met my first internet friend at age 16 (with my parents). I remember buzzing with happiness for days after that. Someone who loved what I loved wanted to spend time with me. I was overwhelmed.

Over the years, I’ve met so many people through the power of social media and the internet. Bounds have formed that have lasted over a decade. The number of close friends I have would boggle the younger version of myself. The internet gave me a tool to find my tribe. To click when I felt anything but clickable.

There’s an energy that happens when you meet someone you can connect with — I call it “soul buzz.” There’s just something secret sauce about the right temperament, mood, mutual loves and energy that connect in a way that proves that human beings are infinitely complex. When you find “the one” — your skin seems to dance with a level of awareness. Yes, yes! I am not alone in my weirdness — this is someone like me.

It’s the main reason I attend comic cons.

While my father is the start of all that is good and geeky in my life, growing up I was still vaguely aware that being bookish and geeky was not “normal.” Nothing drove the point home like the last summer before high school when a table of kids laughed at me for using a four syllable word. I burned with shame.

For most of my life I’m unabashedly geeky, but going to comic cons reminds me that I am not alone. There’s a group of people — many of them professional, amazing, talented, functional people, who love the same things I do and learn the same things I learn through our fandoms.

As I reflect on how happy I am and realize again that relationships are the backbone of life. My husband, my kid, my family, these friends — all of them contribute to my life being wonderful or terrible. As I build this tribe, people who follow and love me no matter what, I realize that was what Tabitha must have been doing — making relationships.

I hope she’d be proud.

About the author: Tabitha Grace Challis

Tabitha Grace ChallisTabitha is a social media strategist, writer, blogger, and professional geek. Among her published works are the children’s books Jack the Kitten is Very Brave and Machu the Cat is Very Hungry, both published under the name Tabitha Grace Smith. A California girl (always and forever) she now lives in Maryland with her husband, son, and a collection of cats, dogs, and chickens. Find out more about her on her Amazon author page or follow her on Twitter: @Tabz.

Instrumental: Am I Going to Die Alone? by Melissa Cynova

One of the questions that I get most often as a tarot reader is, “Am I going to die alone?” Usually they work up to it, but sometimes it’s right out there.

“Am I going to die alone?”
“Are my cats going to eat me when I die?”
“Did I miss my chance?”
“Is my Person behind me instead of in front of me?”

I used to just answer that question. It’s pretty straightforward. Yes or no? If it was no, don’t worry about it. It’ll happen when it happens. If it was yes, well… I would start asking the person why companionship was the most important thing. They would say a variation of “I just want to be happy.”

And then I would get to the heart of the matter.

“Why do you think that you need someone to be happy?”

Why, indeed.

Next year will be my 30th year playing around with these cards, and I think the most important thing that I’ve learned is to listen for the question under the question. To use the conversation around the question to cultivate (see what I did there?) the conversation and get to the true worry that they’re carrying around.

If we look at ‘Am I going to die alone?”, there a few layers to this.

  1. Am I going to die alone?
  2. Why do I think I need someone to be happy?
  3. Why aren’t I happy right now?
  4. Am I afraid?
  5. Am I going to be ok?

Nearly every reading that I do can be condensed down to that last question. Am I going to be ok?

What this means is that my job as a tarot reader is to be so gentle with my clients. The world is a scary place, sometimes. What this means for my clients is this – ask yourself why you’re asking the question.

Is that the real question, or the surface part?

And as a reminder: you can divine this for yourself by using a pen and your journal. Give it a try by asking each question of and allowing the words to flow from your heart.Allow yourself to go beyond the surface and discover your own real question.

Whatever is pushing it to the surface is your true concern, and the faster you figure out what that is, the faster you can answer it.

About the Author: Melissa Cynova

Melissa CynovaMelissaC_Bio is owner of Little Fox Tarot, and has been reading tarot cards and teaching classes since 1989. She can be found in the St. Louis area, and is available for personal readings, parties and beginner and advanced tarot classes. You can Look for her first book, Kitchen Table Tarot, from Llewellyn Publishing.

Melissa lives in St. Louis with her kiddos, her partner, Joe, and two cats, two dogs and her tortoise, Phil.

She is on Twitter, Facebook, and Instagram. Go ahead and schedule a reading – she already knows you want one.

Step Garden by John Grey

Photo by Ernest Porzi on UnsplashThe slope is steep but cultivated:
olive and racemose carob trees,
primrose cyclamen nodding at their feet;
at the bottom, lemon trees
sipping tartness from the sea;
farther up, Spanish chestnuts,
fruit rattling in the breeze,
limbs swishing like horse tails.
A narrow trail snakes its way
through thick shadow
to low cut brush
where light bursts large.
My breath scores lemon
and salt and oil and legume.
I walk the length and back again
with you beside me,
like we’re hiking a scented
soft moment in ourselves.
With nervous lips,
I place a hungry garden
on your mouth’s sweet slopes,
for you to prune,
to fertilize.

About the Author: John Grey

John Grey is an Australian poet, US resident. Recently published in New Plains Review, South Carolina Review, Gargoyle and Big Muddy Review with work upcoming in Louisiana Review, Cape Rock and Spoon River Poetry Review.

The Basket by Emma Gazley

Today while the ground was damp
The sky dry
A woman with a red face
Hair in gold strands
Wearing a heavy down coat
Approached me at the store

Asking, Do you have a basket?
She said It is for my flowers
I brought her one and said
If this works for you

Without prelude
Her words unfolded like chairs on a beach

My mother
she said
I consider her a true Christian
She is a different religion than I am now
But she taught me
You must never steal,
Yet it is not stealing
to take a flower
What do we do to make the flowers grow?
We have a seed, but do we grow the root?

No.

My mother said
You must thank the flower and take it
It’s the same with the ocean, you know
Her eyes widened.
You have to thank it before you
She put her hand out, as if to pluck a
Tender pink shell from the sand
Take it

So
She put her bundle of flowers together
I made this bouquet this morning
This is my gift to you.

To me? I said, a hand to my heart
Why me?

Because

You look like a flower.

About the Author: Emma Gazley

Emma Gazley is an artist, musician, writer, adventurer and teacher. Born to two adventurous parents, Emma was destined to be an explorer of the world, and from her earliest moments displayed signs of creativity and curiosity. She has spent time in Europe, Asia, Canada, and currently resides in the U.S. She began her journey of discovering her identity as an artist in 2012, after encountering critical health problems that caused her to lose her job and the ability to do most everyday activities. Many of her projects have, as a result of this event and others, a twinge of the painful and tragic aspects of life.

Emma is interested in learning about grief and how to cope with it, as well as passionate about finding joy in the day to day.

At this hour by Patricia Wellingham-Jones

Photo by Joel Filipe on Unsplash

The remembering bones
collect pieces of tales
snippets of song
flashes of color
Gather them deep in the marrow
mix and blend
swirl them through the blood

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Instrumental: What is Your Inner Dialogue? by Kolleen Harrison

“It is ridiculous that you cannot figure this out, you are so stupid.”
“You have too many rolls AAAAAAND a muffin top!”
“Why canʼt you just follow through on SOMETHING?”

Does any of this sound familiar? I am guessing that it does.

Did you know that when we talk to ourselves in this way – in a demeaning, negative fashion, that we are actually committing an act of violence upon our souls?

I did not.

Yet, as I began to further my yogic studies, it quickly became clear to me the violence I was inflicting upon myself, through my thoughts and my degrading internal dialogue I was having on nearly a daily basis.

In order to prep for a class I would be teaching on Ahimsa, I had to consciously and mindfully place the magnifying glass upon myself and take a personal inventory of whether or not I practice this at all! (Ahimsa, in Sanskrit, means non-violence or harm, towards yourself, others, all living beings – through our thoughts, words and actions)

I had to start carefully paying attention to the conversations I held internally. I had to start to dissect the “why” behind my destructive thoughts and words. As I intentionally practiced this for over a week, I found it truly astonishing all the harsh judgments I would place upon myself in a fairly consistent manner.

And then, I had to ask myself a very important question.  Would I say any of this to my best friend?  To someone I love and care for? Of course NOT. So why? Why would I continually say harmful things to myself? The one person I am “stuck” with. The one person I should be cultivating and building a strong, stable, loving relationship with – MYSELF!

It is incredible what comes to light when we actually start to pay attention. It is incredible how quickly we can turn that self-talk around to kindness, compassion, forgiveness and love – once we gain the awareness that it is even happening at all.

So, I want to propose something to you … whomever may be reading this. I invite you to find a picture of yourself when you were a child and place it somewhere you will see it. The next time you begin to berate yourself or have nasty, ugly thoughts – I want you to go stand in front of that picture, look into the eyes of that little one and see what happens.

My guess is, you wonʼt be able to say those things at all!

About the Author: Kolleen Harrison

kolleenHarrisonbioKolleen Harrison is a creative living in the beautiful Central Coast of California. She is the Founder of LOVEwild and Founder/Maker of Mahabba Beads. Her passions lie in nurturing her relationship with God, loving on her happily dysfunctional family, flinging paint in her studio, dancing barefoot, making jewelry (that is so much more than “just jewelry”), and spreading love and kindness wherever and whenever she can. You can find her popping in and out at LOVEwild.org or MahabbaBeads.com

Listening to Jimmy Santiago Baca by Pat West

She drives home on a dead-straight
two-lane highway, listens to the CD
of the author reading,
I Am Offering this Poem.

His lines break off
in her mind, making space
for another and another.
His rich throaty voice

layers offering upon offering.
She feels like those times, in dreams,
or while drinking, when she thinks
she can finally see inside things.

She noses the car into the garage,
picks up his book on the passenger
seat, stares at his picture on the back cover,
eyes the color of slick-river rocks staring right at her.

When the world outside no longer cares
if you live or die; remember.

The last line a slow whisper,
I love you. His breath strokes

her skin. She sighs. Maybe next time
she’ll meet someone who knocks her flat-out
crazy in lust with one poem.
Instead of some old, hairless guy

who wears white socks
with black dress shoes, says huh
one hundred times
in two hours, yet swears he doesn’t have

a hearing problem. She shuffles into the house,
drops a kiss on her husband’s bald head
as she passes his Barcalounger,
takes the book of poetry to bed.

About the Author: Pat West

Pat Phillips West lives in Olympia, WA. A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

Are Boys and Girls So Different? by Anna Oginsky

Many years ago, as a sophomore at Michigan State University, I fell in love with a guy. He was in a fraternity. He wasn’t your typical “frat guy”. Unlike most of his fraternity brothers, he didn’t drink alcohol. So, naturally, he served as the designated driver for his friends, and eventually our friends, on many nights. As is typically the case in college, I spent many nights with his friends, riding shotgun as he drove us to and from parties. Even as a mildly wild college sophomore, I knew there was something special about him and the way his friends looked out for each other. Protecting, or looking out for others came naturally to this guy, as if it was his purpose in his life. He made me feel safe.

Twenty years ago, I married him.

A couple years after our wedding, he and his fraternity brothers began the tradition of having an annual Guys’ Weekend. Not long after that, some of the wives of these guys and I came together for a Girls’ Weekend and we have been getting together annually ever since (as have the guys). We didn’t all know each other very well. Some of us didn’t know each other at all, so how it worked out so beautifully is probably due as much to fate as it is to circumstance. We all have some roots or a connection to Michigan, but we’ve never lived near each other. At least one of us has lived out west through the years.

Despite the miles between us, we have stayed connected through our phones, e-mail and text messages. We all got married within a few years of each other and had our first babies within a few years of each other. For many years, one or more of us was pregnant when we gathered, and now, the first two babies are in their first year of college. Some of us have lost our fathers. We’ve supported each other through a lot since our first weekend together and I’m quite sure I wouldn’t be half the woman or mother I am if it wasn’t for these women, my goddesses.

Recently the goddesses and I were texting about the trials of young love that a few of their children were experiencing.

My kids aren’t quite there so I immediately thought of myself as a teenager. Even before I became a teen it is safe to say I was completely fascinated by boys. I wondered what made them tick. I wondered how they could move through life seeming so much less self-conscious than I felt. They just seemed to be more at ease in the world and I wondered why. I envied them. I joked with the goddesses that I spent much of my life trying to figure out boys, and then I had my own. Having two sons blew all my theories on boys.

In my preoccupation with boys, I see now that I had focused on how they were different from girls. I perceived them as different and I was determined to figure out why. As a mother of sons, I recognize that in as much as boys are different than girls, boys and girls have more in common than I thought. Sure, boys may be wired differently than girls and they may face different challenges based on how they move through their lives, but beneath the mechanics, both boys and girls just want to be loved.

They both want to be accepted just as they are.

This realization struck me as odd because everything I had ever learned about boys and girls, from being a girl born in the 70’s in America, led me to believe that I was defined by my gender. I cannot even imagine growing up in a time when phrases like Girl Power and Follow Your Heart were plastered all over t-shirts and room décor, like my daughter is now.

And, if it wasn’t for my sons, I would have no idea how seeing these phrases everywhere impacts them as young, growing boys. Not knowing the history or the context for these phrases, they are left to wonder What about boys? and I, thankfully, knew better than to say, “It’s been all boy power all the time around here, kids and those days are over.” Instead, we’ve had thoughtful conversations about what it means to be a boy or a girl in America at this time, compared to other times in history.

What I once believed about the differences between boys and girls was born of cultural constructs created by society, and not at all by the boys and girls on which those constructs were based. We were never asked and we had no part in constructing the definitions society created for girlhood or boyhood, womanhood or manhood. We inherited the definitions formed by others from the past. These phrases plastered everywhere are not even meant for my daughter. They are there for me, the woman who grew up wondering about her place in the world, the woman who will now, undoubtedly, buy up all the signs and t-shirts holding the hope that her daughter will never question her place.

Raising children has turned my concept of the world on its ear in many ways.

I didn’t enter motherhood holding fast to my preconceived notions about what it meant to be a boy or a girl. I stayed open and I was curious. I was pregnant with my oldest during my first year of graduate school – for Social Work. I was determined to give my son dolls to play with and to dress him in gender-neutral colors. I also swore I would never feed my kid a hot dog, one of the many promises I made about motherhood before I had children. Once he was born, I noticed that he treated Thomas the Tank Engine and the rest of his trains like I had treated my dolls as a little girl, with deep affection and adoration. He couldn’t have cared less what colors he wore. He was born with all the qualities I was determined to instill and nurture.

He didn’t need me to teach him how to be sensitive or compassionate, it was all already there.

When he was one and a half and I returned to finish my graduate degree, I listened as my younger, childless cohorts shared their views on gender differences and how parents perpetuate them. And while there was certainly truth in their arguments, there was also a vast hole in what they said. Somewhere in the difference between boys and girls, there were similarities that just weren’t discussed. These were very basic similarities, like whether you play with trucks or Barbie dolls, a child, boy or girl, still wants to fit in, still wants their needs met, still wants to feel accepted, and still needs to feel loved.

And now I wonder, what if we all acknowledged our differences, but focused on these very basic things we have in common, instead of ignoring our similarities and putting so much energy into protecting and defending our differences? At the end of the day, every day, we are all just humans doing the best we can.

Obviously, there is so much more to this conversation than what I share here. At the very least, for now, I am glad to have made space for acknowledging human differences and similarities. We don’t have to limit ourselves to being this or that. We are what is in between.

This applies to boys and girls and many, many other aspects of humanity. I find as I get older that my moments of self-reflection aren’t as much about me as they are about me as a mother, a wife, and a woman, and how these roles intersect with my children, my spouse, and honestly, everyone I meet. Granted, if I hadn’t been so curious about what made boys so different to begin with, I may have never landed in the arms of my husband and children, and the sacred company of wise and loving friends. Now that I’m here though, I am grateful for the awareness that at the core of every type of individual body, there is a heart that beats to the world-renowned tune of acceptance and love.

About the Author: Anna Oginsky

annbioAnna Oginsky is the founder of Heart Connected, LLC, a small Michigan-based workshop and retreat business that creates opportunities for guests to tune in to their hearts and connect with the truth, wisdom, and power held there. Her work is inspired by connections made between spirituality, creativity, and community. Anna’s first book, My New Friend, Grief, came as a result of years of learning to tune in to her own heart after the sudden loss of her father. In addition to writing, Anna uses healing tools like yoga, meditation, and making art in her offerings and in her own personal practice. She lives in Brighton, Michigan with her husband, their three children, and Johnny, the big yellow dog. Connect with her on her website; Twitter; Facebook; or Instagram.

Therapy by John Grey

Photo by Ihor Malytskyi on Unsplash

She’s a girl
who spends most of her life
lying flat on her back
like an upturned palm
that’s begging for
some of luck’s spare change.

She regards her room
as a kind of coffin
for those not quite dead.
Which makes the house
a mausoleum,
the entire surrounds,
a graveyard-to be.
And her parents, one brother,
one sister, make for
some jowl-faced undertakers.

Yet there’s always the window.
Her eyes aren’t disabled at least.
And she can only look up.
The moon may be as useless as she is.
But stars light their far fires on cue.
They get such brilliant notions.
And her imagination isn’t paralyzed either.
It has such legs at night,
it can go anywhere.

Her body’s as dead as old boots.
But something of her is alive and free.
Folks whisper how the therapy’s
going as well as can be expected.
And that’s without knowing
what the true therapy is.

About the Author: John Grey

John Grey is an Australian poet, US resident. Recently published in New Plains Review, South Carolina Review, Gargoyle and Big Muddy Review with work upcoming in Louisiana Review, Cape Rock and Spoon River Poetry Review.

Exposure by Patricia Wellingham-Jones

Photo by Alexander Krivitskiy on UnsplashLike the pin-up on the calendar
in the neighborhood garage
she feels male eyes as if they
were fingers greasy from car parts
rub over her body. They linger
on bumps that seem mountainous,
probe like dirty wires into folds and crevices,
laser with surgeon’s skill
on every mole and blemish.

She’s new to the game,
hasn’t picked up the model’s saucy strut,
the flare of the toreador’s cape
as she unveils her flesh.
The camera loves the sweet young package.
The man who promised her fame
at a so-called chance meeting
leers behind the lens,
ignores the naked terror
trapped in her eyes.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.