Nostalgia by Christine Mason Miller

I recently wished a friend Happy Birthday on Instagram. Beneath a grainy photo of the two of us taken almost thirteen years ago (with an actual camera!), a passage from my caption reads:

“The year 2006 started off with a magic sparkle, because in January of that year an inspiring circle of kindreds gathered in my home, including this lovely bluebird. Can I say we were trailblazers? We were bloggers, the world of social media wasn’t yet on the horizon, and we had to find our way as friends in a wild, digital world.”

Truth is, having to figure out how to nurture relationships through the advent and expansion of digital communication and social media has not always been an easy road. I have spoken up about this at different times ever since my first days as a blogger around 2004. The tone of my reflections has run the gamut, from giddy appreciation to snarky complaining.

I’ve celebrated the miracle of being able to meet and, in some cases, collaborate with women from all over the world. I’ve also had to wind my way out of landmines I walked into or created through something as innocuous as a one-paragraph blog post. With so many digital pathways and platforms for communicating, promoting, and day-to-day storytelling, I’ve had to learn how to strike a balance between being cognizant of the potential sensitivities of others and yet not taking undue responsibility for them.

And I’ve had to learn how to apply those lessons to my own feelings, a task that was mainly about managing expectations.

A few of the comments on that Instagram post reflected the complicated relationship I’ve had with social media since its inception, with one longtime kindred saying, “A more innocent time…” alongside a funny face emoji and another one lamenting, “I miss those days of simple, heartfelt self-expression and friendship.”

For those of us whose work and lives straddled the worlds of pre and post-internet, I’m called to create some kind of merit badge.

As we helped build the digital universe most everyone now takes for granted , we were also figuring out how to engage with each other in way no one in the history of the world ever had to figure out. We took the leap from analog to digital, from VCR to streaming-on-demand, from spiral notebook to iPad, all with no guides, mentors, or wise elders to teach us how to do this mindfully and gracefully.

There was no one who could warn us of the pitfalls of making snap judgments based on an initial—digital—impression and being able to immediately hit “send.” We had to muddle our way through it, at times hurting each other’s feelings. We didn’t always give each other the benefit of the doubt. We weren’t always willing to take full responsibility for our own feelings.

Yet somehow, year after year, in one situation (and social media platform) after another, we’ve learned how to do these things.

As we’ve built our brands and businesses we’ve also raised families, created homes, and nurtured deep friendships. Most of humanity up until the 21st century has simply had to figure out how to be a grown up; we’ve had to figure it out while riding a wild wave of the information age.

I love this creative community. I am grateful for all the ways the technology of this century has enabled us to encourage and support each other, to print, publish, and sell our work, and to share the daily inspirations that keep us connected to our creative selves. I’ve made my share of stumbles and I’m certain to make more. But I’ve enjoyed being along for the ride and I’m still excited for the adventures ahead, wherever they might take us.

About the Author: Christine Mason Miller

Christine Mason Miller is an author, artist, and explorer who has been inspiring others to create a meaningful life for more than twenty years. Her latest book, The Meandering River of Unfathomable Joy: Finding God and Gratitude in India, was just released. Learn more at www.christinemasonmiller.com.

The Longing to Escape by Christine Mason Miller

I can’t escape the things I can’t escape. After fifty years on this planet, I’m finally starting to get that. Or maybe it’s that I’ve learned how to discern between the things that appear to be inescapable and those that actually aren’t.

Example: Taxes. Non-negotiable, inescapable.

Another One: My demise. There will come a day when I leave this body, this earth, this life. No getting around that.

Beyond these two circumstances, what else is there beyond the purely physical? I can’t escape the fact that my eyesight isn’t what it was in my twenties, and that I can’t read without glasses. It isn’t possible to magically make my T12 vertebrae whole again after it was crushed in a bicycle accident nearly twenty years ago. I can’t live without water or food. Or love.

I consider most everything else totally escapable; the real question is what is it I feel the need to escape and why? And then, am I willing to do the work necessary to actually escape if that is truly warranted or, if it isn’t, to find a peaceful frequency within the situation in question?

This question of whether or not to escape has been with me for most of my life.

I decided at a fairly young age that striving to be somewhere other than I was would serve me well. Call this the result of generational family patterns, parental examples, and being an only child, which reinforced an independent streak my mom says I was born with. (In third grade, I loved nothing more than playing Billy Joel’s “My Life” at full volume on my portable record player.)

I embraced ideas of escapism as a way to cope with unsettling circumstances at home (news of my parents’ divorce was shared with me when I was eleven) and also to push myself to expand the dreams I had for myself. If something is good, I’d think, what can I do to make it great? Whatever the situation, it was usually driven by a longing to be somewhere other than where I was.

In many cases, especially as I started to make my way in the world after graduate school, this approach did serve me well. I built a business. I traveled all over the world. I wrote books and made art and even went swimming with sharks. As soon as I wrapped up one endeavor, I’d immediately set my sights on another. If I didn’t have a project with quantifiable goals in front of me I’d feel like I wasn’t really living.

In my late twenties and early thirties, when my escapist proclivities were at their peak (at the time, I’d call these tendencies pursuing ambitions and, with regard to more personal situations, setting boundaries), I appeared to be impressive, strong, and all together.

Beneath this, I had a life built on sand.

Until the day it all finally came crashing down and I had no choice but to stay exactly where I was—to not escape—and take a good, long look at all the ways my striving—to be successful, to be independent, to be “fully alive”—had, in the end, not served me well at all in the areas of my life that truly mattered.

That is the short version of a story I’ve shared at different times, in different ways, with varying levels of transparency as to the specifics of how my personal life crumbled like a sand castle. I’ve used words like leave, departure, abandon, close down, let go, and release, and they’ve all explained what I’m talking about. But there is, very often, a desperation in the idea of escape, and it is this sense of unfocused desperation that initiated my journey of discernment and kept it going all these years.

What I’ve had to learn—most especially as a wife and a member of my entire extended family—is the importance of making sure I’ve got it right when I feel the desire to escape curl around my ankles like a vine. After expending undue amounts of energy trying to escape one scenario after another for the first three decades or so of my life, I finally began to understand how devastating it can be to blindly obey the voice that says things like This is not good enough for you. You don’t need/want/deserve this. This is too hard. Get out. Go somewhere else. Run for your life.

Sometimes this voice needs to be heeded, other times not. Learning how to discern the difference has been my most important work—more than my work as an artist, a writer, a teacher, or any other professional title. Without these efforts I might still find a way to appear successful and content, but what joy is there in simply trying to maintain appearances? In learning the art of staying put, I opened myself up to more of life’s gifts than would ever had been possible if I’d continued down the path of departure.

About the Author: Christine Mason Miller

Christine Mason Miller is a writer and artist who lives in Milwaukee, Wisconsin with her husband and chocolate lab Tilda. Her forthcoming book, The Meandering River of Unfathomable Joy: Finding God and Gratitude in India, will be available later this fall.

Keep up to date at www.christinemasonmiller.com.

All That is to Come by Christine Mason Miller

In three weeks time, I’ll be on the other side of the planet—traveling through India with three companions, my second visit to that part of the world. Just like the first time I went there, I don’t know what to expect and I’m excited for a new adventure. Even though we’re headed to many of the same places I visited before, four years have passed since that trip. During that time, I’ve written a book, moved across country and turned fifty. The world has changed and so have I, so I’m not heading to Delhi assuming I’ll love India the same way I did last time.

Who’s to say how well I’ll be able to handle the colorful chaos that is India this time around? Who’s to say I won’t love it more?

I traveled with my friend Barb on 2014 visit, and we went to Ranthambore National Park, a wildlife preserve in Rajasthan best known for its tiger population. As we both got situated with the guided jeep tour our first morning there, we were told not to get our hopes up with regard to seeing a tiger. None had been spotted for days, so expectations were tempered right away.

Over the next few hours, we were driven all over the park, observing sambar deer, monkeys and all kinds of birds. While we weren’t finding any tigers, it was fascinating to watch our guides try to track them. After pulling up near the edge of a dramatic vista and turning the engine off, they listened for the telltale signs of smaller animals’ sounds and movements that might signal the presence of a predator. Sure enough, there seemed to be a bit of commotion, and the guides immediately headed in a new direction. After checking in with another guide down the road, following tracks and taking a few more detours, it eventually came time to wrap up our tour with nary a tiger in sight.

On the route back to the entrance of the park, ours was the only jeep in sight that morning, and it was a small one compared to the twenty-person caravans we saw on our way in. All the other vehicles that had entered the park the same time we did at the beginning of the day were in search of tigers in other areas, so our small band of less than a dozen tourists had the road in front of us all to ourselves.

We’d passed a small body of water on our way into the park, and stopped on our return to see if we might spot a crocodile. While scanning the shoreline, something unexpected came into view, and once my brain caught up with my eyes, I realized what I was looking at: a full grown tiger, walking straight toward us, eyes locked, it seemed, on mine. My eyes went wide, my jaw dropped, and I immediately started crying. Even the guides were freaking out, exclaiming, “THIS is magic moment!” with a hand raised in the air as if in an exalted prayer. Looking at him with tearful eyes, I knew, body and soul, he was right. This was a magic moment.

I know people see wild animals all the time, all over the world. Whether on a jeep tour similar to ours, a safari in Africa or a fishing trip in Alaska, I’ve heard countless stories of encounters with creatures big and small in their native habitat. Seeing an animal in the wild isn’t terribly unique or even difficult. But for whatever reason, on that particular day, the rush of excitement upon seeing the tiger poured through me like a meteor shower—all stars and light and, yes, magic.

As the tiger walked toward us, our driver backed up and pulled up to a small hill just off the road. For a blissful ten minutes or so, we had front row seats to the tiger’s quiet meanderings. We watched him walk toward the water and sprawl out on the ground before offering us a big, gaping yawn, perhaps to let us know our presence in his home couldn’t possibly bore him more. We were guests in his domain, so we all sat quietly and watched him, the most audible sounds being the click-click-click of all the cameras. After taking a few photos myself, I set mine down, wanting to watch him with my own eyes for as long as possible rather than through a viewfinder. When I turned around to look at Barb, sitting behind me, I saw she had been crying too.

We cried quite a few times on that trip—at the sight of other animals, at the kindness of strangers, out of exhaustion and overwhelm. We laughed and sobbed and whooped and prayed, letting all the emotions flow through us day by day, moment by moment. In order to fully experience all the beauty and wonder India had to offer, we had to be open to all of its challenges too—the poverty, the crowds, the constant noise and movement. We came home filled in ways we hadn’t expected, having been pushed far out of our comfort zones and given gifts we didn’t see coming, like the tiger that emerged, seemingly out of nowhere, right in front of our jeep on that cold, misty morning in Ranthambore.

I am returning to India in a few weeks with Barb again, along with two other first-time visitors. While we aren’t visiting Ranthambore this time, there are, no doubt, many magic moments ahead of us. I don’t know what they will look or feel like and am not going to try to predict where they’ll happen, but I know they’re there—waiting for us all like unopened, beautifully wrapped presents. As I prepare for the journey ahead, I’m already saying thank you for everything that is to come.

About the Author: Christine Mason Miller

Christine Mason Miller is an author and artist who has been inspiring others to create a meaningful life since 1995.

Follow her adventures at www.christinemasonmiller.com.

The Great Leap by Christine Mason Miller

“We must be willing to let go of the life we have planned, so as to have the life that is waiting for us.” – Joseph Campbell

In just a few days, I’m crossing over. Good-bye forties, farewell first half of life. The big one is here—I’m about to turn fifty.

I’ve never felt daunted by any previous birthdays, but my fiftieth has had me, at times, in a mild state of panic. What does it mean to turn fifty? What lies ahead? How will this change the way the rest of the world sees me? How can I make the most of the time I have left? Because there is now no denying that what remains is limited—time to not only to be alive, but also to be healthy, energetic, and able to do all the things I want to do. I have lately been feeling a unique kind of pressure to make the right choices; my fear of reaching old age with a suitcase full of regrets about what I did or didn’t do when I had the opportunity has been a lingering presence all year long.

In a nutshell, I don’t want to blow it.

I’ve also never been one to create a master plan for my life. I’ve made big plans for business, creative projects, and even dinner parties, but not for the totality of my life. I’ve never had an age-related goal (married by 25, homeowner by 30, etc.) and have rarely tried to predict exactly where I might be or what I might be doing beyond a few months. This has been especially true since my divorce, when I was inspired to take an entirely different approach to my future.

Since then, I’ve steered my life in a way that is less about focusing my sights on specific hopes or dreams and more about setting my compass according to my values—the kind of person I want to be and what I want my life to look like. But even then, I try to hold onto any plans as loosely as possible. Experience has shown me that there are other more mysterious forces at play, and, if I’m willing to let go of the desire for control, there’s a very good chance things will unfold in ways more magically, abundantly, and beautifully than I could have ever orchestrated.

As my husband and I get settled in our new home and community here in Milwaukee, I’ve been watching him connect with an assortment of friends, colleagues, and classmates from years past. He is catching up with people he hasn’t seen in thirty, forty and fifty years, hearing about the highlights of their lives as well as those of other mutual friends. I’ve been involved in many of these conversations, and they have inspired a pulling upward of perspective. I’ve been imagining myself on a cloud above the earth, only it isn’t just the physical entity of our planet but all of time. It is a dynamic universe filled with moments and memories and experiences – mine included, many of which haven’t even happened yet, of course—and I’m up above, watching all of them collide and twinkle and carry each of us along different paths and trajectories. This decision went this way, that one turned things completely around. Those are the points of no return. These are the things we’ll never get back. And over there—that’s what is still entirely possible.

After hearing a few too many stories of lives being consumed by things like lawsuits, family estrangements, and addiction, I keep thinking about the finiteness of our existence.

This week I’m turning fifty, but the day might come when I turn seventy, and what will I be looking at then when I let myself float up above the atmosphere and take stock of the time I’ve had? What do I see now? Has my general approach—values first, pursuit of dreams second—served me or hindered me? Which regrets and heartbreaks from my past are still in need of redemption or transformation for my future?

The funny things is, my birthday will arrive and then it will be over. After all the build up, the angst, and hearing David Byrne’s “How did I get here?” in my head over and over again, it will happen. I’ll be fifty. And that will be that. But what is true about turning fifty has, in fact, been true all along – I don’t know how much time I have left. I don’t know what’s coming around the corner. Each day my work is the same—to make sure my compass is in alignment with what I love and value most, open the sail, and let the flow of life carry me toward my future, whatever the future may bring.

About the Author: Christine Mason Miller

Christine Mason Miller is an author and artist who has been inspiring others to create a meaningful life since 1995. Follow her adventures at www.christinemasonmiller.com.

The New Normal by Christine Mason Miller

It’s now official. I am a resident of Milwaukee, Wisconsin.

Driver’s license? Check.

Brand new long puffy parka jacket hanging in my closet? Check.

First snow flurries? Happened yesterday.

After months of talking about it, then planning for it, then diving in and heading east, I have arrived.

My husband is originally from here , which is the main reason we decided to relocate. The thing he says to everyone who wants to know just a wee bit more about his longing to return home is that being here feels normal. There are no palm trees. It rains. A lot. When shopping for a Christmas tree, it will be cold. Guaranteed. Our motivation for packing up everything we own and moving to the Midwest was not so much about reasons that, while understandable, are also vague – “It was time to return to my roots!” – this adventure is more about countless smaller details that we’re now moving through everyday.

I’ve moved here after spending twenty-two years in California; I moved to California after spending the first twenty-seven years of my life on the east coast, mainly in Alexandria, Virginia. I’ve experienced winter and its requisite accessories – snow boots, ice scrapers, electric blankets – so the thought of Wisconsin’s colder climates never daunted me. I’m indulging my own particular longings in this move, in fact, mainly having to do with growing weary of southern California’s nearly year-round sunny-and-72 climate. Because it isn’t sunny-and-72 anymore, but blazing, dry, and extreme. Just last week it was 102 degrees in Santa Barbara, an occurrence that is fast become de riguer rather than exceptional.

During this time of getting settled into our home, learning my way around, and figuring out new routines related to cold-weather preparedness (when in doubt, bring the hat), I’ve been surprised to see and experience how so many everyday details of this place feel normal to me, too. A deep normal, a cellular normal.

I’m not from Milwaukee, but Milwaukee is a much closer kindred to Alexandria than Santa Barbara. When I take a deep inhale in our backyard, hear the rain pelting our windows, and watch gold leaves twirl down to the earth like weightless ballerina fairies, everything within me says, “Yes – this makes sense.”

I hadn’t expected to feel this way when we got here. I was looking forward to the seasons, to not having to worry about fires and earthquakes, to something different. What I didn’t know was that my very cells have long been harboring desires for the kind of seasonal rhythms and routines that were never possible on the west coast. Right here, right now – looking out my window at a soft gray sky and nary a shadow in sight – I feel normal.

When I set these new views alongside the ones we had in Santa Barbara, it is the quality of the light that sets them apart the most. Just over four months ago, everything around me was bright and glittery and intense. On the hotter days, after months without rain, it seemed like I was literally watching the sun scorch the earth. The scenes outside rarely gave any insight as to the season or time of year. For some, this sounds heavenly. For me, over time, it became oppressive.

When I try to explain this, most everyone responds with, “Talk to me in February.” Fair enough. Maybe by then I’ll be totally over it by then – the cold, the gray skies, the muted light. It is entirely possible. But for now, I’m savoring every bit of it, feeling grateful for the gentle blanket of gray that seems to be snuggling us down for the interim. I don’t miss the glaring light or the sharp outlines of palm trees at dusk, and I am ready to hunker down and let nature do its work where I can’t see it – beneath the ground, in the dark, while I sleep.

About the Author: Christine Mason Miller

Christine Mason Miller is an author and artist who has been inspiring others to create a meaningful life since 1995. Follow her adventures at www.christinemasonmiller.com.

 

Uncertain, Scary, Thrilling by Christine Mason Miller

In a last-ditch effort to ignite the spark of inspiration needed to compose a meaningful, thought-provoking piece of writing around the theme of light and shadow, I went on a two-hour hike today through Peninsula State Park. As excited as I was to explore this theme when I was invited to write about it, I’ve been stumped for days. With a looming deadline (that would be today), I put on my hiking shoes and headed to the trails I’ve been wandering and cycling on for years.

When my husband and I made our plans for this visit to Door County, Wisconsin—the third time we’ve come here for an extended stay—we chose to rent a cabin for the entire summer. Between the time we finalized those plans and the day our rental period started, we decided to move to Milwaukee, which means our drive back home won’t involve a cross-country return trip to Santa Barbara, but a mere three-hour drive south.

On that day, we will move into our new home.

If you know me, follow me on Instagram, or read my latest piece here, you might very well be sick of hearing me talk about this move. It has been the main topic of conversation in most areas of my life since last spring and still dominates my thoughts. Because we had our Door County plans in place before we decided to change zip codes, I’ve been in a state of in-between ever since we pulled out of our driveway, and I won’t really begin to come through on the other side until the moving van shows up at our storage unit to take everything we own to our new address at the end of September.

The good news is that in the meantime, I’ve been relishing these first experiences of living in a part of the world that doesn’t provide blue skies and sunshine 24/7. You read that right—I’ve been loving it—the rain, the morning chill (it was 54 degrees outside this morning), the way the clouds hover low above the horizon like a puffy ceiling of cotton. And when I look outside our windows, hike in the park, or ride my bike along trails in the woods, it is the shadows that make things interesting.

On my hike today, the shadows created a perfect halo of light above a tiny mushroom the color of a persimmon and they created small sparkles of sunlight that danced all over the ferns. All around me, I’m discovering some of the unique flora and fauna the shadows nurture and protect. I happened upon an Indian ghost pipe this week, growing along our street like a lone soldier, which is a plant—not a mushroom or fungi—that is entirely white. Lacking chlorophyll, it gathers all of its nutrients exclusively from the soil, and has been known to help alleviate both physical and emotional pain when utilized as a tincture. Who knew such a thing existed? (Apparently many people, as a quick post on Instagram with the question, “What the heck is this?” gave me an answer within minutes.)

Strange and exotic wonders are abundant in the shadows, a fact that is true not only in the woods outside our cabin windows, but also within my very self.  I have been thinking about that particular landscape quite a bit this summer, eager to clear out what doesn’t belong and what I no longer need as I become a new resident not only of the Midwest but also of midlife, as I’m turning fifty in less than three months.

As I ponder what lies beyond my summer of in-between (and my forties), there is much that feels uncertain and kind of scary, but also thrilling in its mystery.

Many of the roads in Door County are surrounded by wide open fields of corn, wildflowers and farmland, but some cut a smoothly-paved swath through thick forests of trees. I find those stretches especially fascinating. The density of the foliage means it is almost impossible to see what is beyond the tree line. There is much more shadow than light, which feels—can you guess?—uncertain and kind of scary, but also thrilling in its mystery. Beneath the canopy of happy, healthy trees, there is much to inspire wonderment and awe—a particular kind of beauty that only exists in the shadows, and only thrives beyond the light.

About the Author: Christine Mason Miller

Christine Mason Miller is an author and artist who has been inspiring others to create a meaningful life since 1995. Transplant: A Podcast about Home, inspired by her recent move to the midwest, can be found at www.christinemasonmiller.com.

Falling Trees by Christine Mason Miller

I’ve just moved two time zones and more than twenty-three hundred miles away from the place I’ve called home since 1995. My husband and I pulled out of our driveway in Santa Barbara, California on June 21st and, after putting nearly everything we own into a storage unit not far from the house we bought in Milwaukee, Wisconsin (long story) we headed a bit farther north to spend the rest of the summer in Door County, a pinky finger of a peninsula between Green Bay and Lake Michigan.

After all the weeks of preparing for our cross-country move—the purging, organizing, and packing—we now have the extraordinary gift of a bona fide summer vacation. Which feels glorious (yes, glorious) not only because it has been one of our favorite getaway spots for years, but because it allows us to exist in a magical bubble of in-between where it is easy for me to stay clear of the sharp edges of our move.

I’m not necessarily heartbroken to leave southern California.

With each passing year, I’ve had an increasingly difficult time with the extremes of that particular part of the world. Between outrageous real estate prices, the years-long severe drought, and the threat of earthquakes and fires, something deep in my body has been longing for an environment that feels more in alignment with the steadier, more natural rhythms of life and nature. It seems crazy to most people that I would voluntarily leave a place with year-round sunshine and flip-flop weather in February in order to go somewhere with a fleet of snowplows at the ready as early as October, but it no longer makes sense to me to take in the scenery outside my kitchen window and, from that perspective, have no idea what time of year it is.

What is heartbreaking about this move is that we have left behind a community of loved ones that includes family, neighbors, friends we’ve had for decades, and even people like my dentist. That is the part that swooshes into my heart and almost knocks me over—the reality that we won’t be running into our neighbors across the street on our morning walks with Tilda like we used to and that we can’t call our best friends down the street to join us for dinner. The physical distance that now sits between us and so many of the people we love most in the world is an undeniable fact of our relocation, one I had to start absorbing the day we left Santa Barbara and turned our car away from the Pacific Ocean, knowing it was the last time we’d see it as residents of California.

Over the past year and a half, I’ve watched three trees die—two of them fully grown, mature oaks that loomed large in our yard in Santa Barbara and one a towering evergreen next to the house my husband and I have rented here in Door County. The first tree fell on a Christmas night when fierce winds pushed an already dying oak out of the ground and onto our roof late at night, hitting so hard the whole house shook. (Believing it was an earthquake, we didn’t get up to investigate and therefore didn’t realize what had actually happened until morning.) The second tree fell with a whisper a little over a year later. One night we went to bed, the next morning the tree was on its side. I had been thinking for many weeks I was imagining things when it seemed like its lowest branch kept getting lower, but after it fell I realized I had been watching it slowly fall—and slowly die—as if wanting to take in every last breath of air and push out as many new leaves as possible to ensure a gentle landing. We ended up moving just a few months later.

The house we’ve rented in Door County is surrounded by trees. We hear barred owls at night, see deer on our morning walks, and watched a raccoon scurry by one evening while sitting in our screened-in porch. For hours after a rainstorm stops, we continue to hear the pitter patter of raindrops on the leaves. This was the sound I woke up to three days ago, but it was interrupted by a loud, sudden crack. I looked out our bedroom window just in time to hear a second crack and see an eighty-foot tree come crashing down toward our house, landing next to the deck. No real damage was done, and I was overwhelmingly relieved I hadn’t yet taken Tilda outside for her morning romp, but I almost laughed out loud when it happened. Another tree? Here?

I thought this was all behind us! In Santa Barbara, the trees fell because they were diseased or old or dying of thirst. Now that we are situated in a thick forest of trees that enjoys regular rainfall, what could this possibly mean?

~

While we are in this territory of not living in California but not quite settled in Wisconsin either, I know I am living a little bit of a lie. I know that while our time in Door County is providing us with a much-needed opportunity for rest and recovery from the first phase of an emotionally intense move, it also allows me to swim in the shallow waters of denial. For the time being, I get to enjoy a vacation we planned many months before we even contemplated moving. It won’t be until we pack up our swimsuits and bicycles for the drive south to Milwaukee in September that I will have to face the reality of our new existence head on. Our drive home won’t take us back to the Pacific Coast Highway. Our journey home will only take three hours, and as soon as we arrive it will be time to start unpacking boxes.

Our time in the bubble of in-between will be over.

~

After the second oak tree fell right outside our bedroom window in Santa Barbara, my husband, an ardent lover of trees, wondered if it was a sign – that our time in California was finished, that we were being called to make a big change. In order to make the leap to a new life in Wisconsin—a leap primarily inspired by my husband’s longing to return to the place where he grew up—a profound sacrifice—a death, if you will—was going to have to take place. We weren’t just going to have to pack up our belongings and transport them to a new zip code, we were going to have to say goodbye to the life we’d spent decades building and nurturing.

When the third tree fell (just a few days ago), I didn’t make too much of a fuss about it, but the experience of seeing three trees fall in such dramatically different ways and such a relatively short period of time will stay with me for a long time. While the idea of our move wasn’t even a blip on our radar when the first one collapsed, it has since become a marker of a time when we had no idea where we were headed. If someone had told us that morning we would be putting our house on the market less than eighteen months later, we would have been incredulous. Yet here we are, sending out a change of address notice with a Wisconsin zip code.

It took a while to get used to the new views outside our windows after each of the two oak trees fell in Santa Barbara. We lost shade, but we saw more of the sky. We noticed things we hadn’t before, and we enjoyed new perspectives. We were also given stark reminders that no matter how strong or beautiful or seemingly integral something seems to the world we inhabit, a time will come when some form of transformation needs to take place—for reasons we might not even understand until long after it happens.

After endless discussions about whether or not we should move to Milwaukee, my husband and I reached an important conclusion, which was that time was going to continue marching forward all the while we hemmed and hawed and debated the merits of staying versus leaving. We realized our window of opportunity to do something this bold and daring was not endless. This year he turns sixty-five, and I turn fifty. We eventually looked at each other and said, “If not now, when?”

I can’t decide if all the falling trees are symbolic of the way we’ve uprooted our lives or of the way we’ve put to rest our life in California in order to plant new seeds in Wisconsin. I don’t know if they are supposed to be reminders of the way life can be suddenly, irrevocably altered or if they are meant to teach us how to be brave when the time comes for us to go through our own metamorphosis. It might take a gale force to push us in the direction where we need to go, or we might slip quietly toward our fate. Or we might, with a loud snap, break away from what was toward what might be, all the while trusting we will have a soft place to land.

About the Author: Christine Mason Miller

Christine Mason Miller is an author and artist who has been inspiring others to create a meaningful life since 1995. Transplant: A Podcast about Home, inspired by her recent move to the midwest, can be found at www.christinemasonmiller.com.

Connections by Christine Mason Miller

The postmark on the first letter was August 14, 2000. The red rubber stamp on the left side of the envelope read “C.R.C. State Prison.” It was a letter from a woman named Nicole, who described herself as a “recovering addict serving a civil addict commitment at California Rehabilitation Center, Norco.” I was five years into my own greeting card business at the time, and she’d received one of my cards. When she found my address on the back, she wrote to ask if I would donate materials to her—cards, cardstock, envelopes, and paper. At the close of her letter she wrote, “Your trash is my treasure.”

I sent her a package the next day.

About two weeks later the next letter arrived, the same red “C.R.C. State Prison” stamp glaring on the front like neon. Packaged inside an envelope created from a brown paper bag, there was a handmade card on orange paper, a detailed illustration of a teddy bear wearing blue boots on the front. He was holding flowers and blowing on a dandelion, the little fluffy seedlings seeming to scatter off the edge of the card. There was color, shading, and depth created with glitter pens, magic marker, and pencil. It was Nicole again, saying the package I had sent her was denied. I’d included posters, which meant it exceeded the prison’s size limits on mail.

I sent her a second package, smaller this time, no posters.

One month later I received a note from Tracie, who explained that a “friend had let her have one of my cards,” and that if I sent a package it could not weigh more than three pounds. She said she was allowed to receive paper, cards, envelopes, and stamps. The prison would also accept pens, as long as they had clear, see-through barrels. She wrote her letter in ballpoint on a piece of stationery with five geese on the front, each adorned with blue and white polka dotted bows around their necks.

I sent her a package, under three pounds.

Six weeks later—another letter. It was from Stephanie, who wrote in purple ink in loose, large handwriting on the back side of the paper with the three binder holes on the right. She was succinct and direct, saying she had “seen a few of my cards around” and was wondering if I could send her a “variety pack or assorted pack” of my cards.

I sent her a package of assorted cards with envelopes.

The next two letters arrived within two weeks, a few days after Thanksgiving. One was from Gretchen, who wrote in ballpoint pen on loose-leaf paper. She detailed her love of cards, how she enjoyed sending them, and that she thought mine were “some very nice cards.” She went on to explain which card she received from another inmate, describing the image and colors in detail—it was blue with a moon and stars. I knew exactly which card she was talking about. She told me she mailed it to her husband the same day she received it.

The other letter was written in large black script from a woman named Sasha, who got right down to business: “I’m writing requesting to know if there is anyway of receiving greeting cards from this company…to send to my boys and family.”

Two packages were mailed the same afternoon.

The month of December passed with exponentially more letters in my mailbox each week —two letters the first week, seven the week after, eleven before the new year. Thirteen more letters came in January, so I contacted the C.R.C. directly with an offer to send a large inventory of cards and envelopes to be distributed to the inmates. The arrivals from the C.R.C. in my mailbox dwindled quickly after that. The last letter I received was postmarked December 26, 2001.

Most letters were requests for cards written on loose-leaf paper, but I also received thank you notes on bright blue stationery, envelopes adorned with curlicue script, and letters mailed in envelopes I’d mailed not long before. Barbara told me she had three children and explained, “They need me more than a card, but until I can be there I would like to brighten their day.” A woman named Tanya began her letter with “I’m here in prison.” There were references to children, recovery, families, and addiction. There were misspelled words and notes written on pieces of paper torn in half. All letters were courteous, appreciative, and forthright. None of the women tried to tiptoe around the fact that she was in prison.

**   **   **

A greeting card business is a funny thing. By the time I started receiving these letters, I had been running one called Swirly for almost five years. I started it when I was twenty-seven years old with a grand vision of inspiring the world. I was not interested in merely designing and selling cards, I wanted to spread messages of encouragement and light the way for others to follow their dreams. One of my very first designs was an illustration of a tree with stars all over its branches. Its caption read “Plant Your Dreams and the Miracles will Grow”, which became the Swirly tag line—the phrase attached to the back of every card, whether birthday, sympathy, or thank you. Swirly cards were whimsical and bold, filled with stars, ladybugs, and sunflowers. Vibrant and graphic, they were paired with envelopes the color of gumballs—purple, lime green, and turquoise.

Through Swirly, I aimed to spread positive messages about creating a meaningful life to people from all walks of life, so when I started receiving letters from the C.R.C., it never occurred to me to not respond. Everyone who wrote received a package that included a short note in which I tried to manage the delicate balance between being uplifting without pretending they weren’t in prison. I did not write with any expectations of hearing from them again, and did not care if the main reason for their letters was boredom or the promise of something for nothing. If anything, the vision of prison gossip channels carrying news of a greeting card company willing to send free stationery gave me a peculiar kind of delight. Word obviously got around, and I kept imagining someone walking by another inmate’s room, noticing a card with a bright, smiling sunflower and being told, “All you have to do is write her and she’ll send you free cards!”

**   **   **

The women in the C.R.C. had made mistakes, but were in a program designed to steer them toward a healthier path. In a strange way, there was hope in their letters, even in the face of a few key details. When a stranger introduces herself by name and prison ID number, any ambiguity about the state of her life is wiped away. From all of the other letters I received (as I actually received a fair amount back in the day when social media didn’t exist), it was easy to imagine any number of domestic scenes, such as one-story bungalows with lace curtains, cozy apartments with floral dish towels, and red brick townhouses with sleeping cats in the windows. With the letters from the C.R.C., it was hard to imagine much beyond a bed in a bare room with a worn out blanket. Even when trying to lean on the more purposeful aspect of their being in a center focused on rehabilitation, my imaginings were stark, crowded, and bland. Perhaps these details came to mind from watching Shawshank Redemption too many times, but I kept seeing the same details—linoleum, gray metal, and glaring fluorescent lights.

During the six years I ran my greeting card company—designing, printing, and packaging cards, filling orders, managing reps across the country, and eventually staying on top of more than twelve hundred accounts—I experienced a comically consistent flurry of reactions to the news that this was my job. I still marvel at how often people’s eyes would light up when I told them I had a greeting card business. “Oh really?,” someone would say, “My sister has always created great cards”, or “I’ve always wanted to do that!”

Everyone seemed to know someone who was eager to crack into the greeting card business, and everyone thought it was a dreamy, rainbow-hued job that allowed me to spend all day everyday lost in drawings of cupcakes and flowers. So many people were asking for advice about the world of greeting cards I turned it into a consulting business, but stopped doing it after just a few clients. Seeing the look of disappointment on one face after another upon hearing the news that my vocation actually involved hard work became quickly dispiriting. Having spent so much time and energy figuring out how to do what I did on my own without a single business course to my name, I had no patience for people who wanted easy answers. I also sometimes wondered what they would think of being contacted by strangers from unsettling walks of life, such as prisons and state-run rehab centers.

Swirly evolved into a licensed brand with a product line that included everything from journals to watches. It came to life through a vision that extended far beyond its beginnings as a line of handmade greeting cards, and I wove this story as all of the women from Norco were in the midst of trying to unravel their sins. I was creating a company about following dreams while they were confined to routines, rules, and cells. Our worlds were so far apart, our experiences so wildly different, yet somehow our paths crossed. Through a strange confluence of greeting cards, mail, pens, and paper, our stories collided, and in that collision we each wrote a line in one another’s narrative.

**   **   **

Years after those letters had arrived in mailbox, I spent an afternoon reading and re-organizing all of them, feeling a bittersweet sense of gratitude for everything the women had shared with me as I stacked them chronologically and tied ribbons around the bundles. For all their mundane simplicity—ballpoint ink on loose leaf paper—they were stark reminders of all the ways life can turn on a dime and testaments to the truth that there is always more to a story than I’ll ever know. They made me aware of all the ways I, too, am capable of making monstrous, devastating mistakes that, whether intentional or not, could send my life down a path too dark and confining to imagine. They shined a light on the possibility that somehow, some way, I could have been the one sending letters from prison to a greeting card company asking for donations. To believe such a scenario could never happen, to believe I am somehow immune from life’s larger mishaps, mistakes, and mess-ups, is to deny my very humanity. My flaws, rages, and inclinations toward self-preservation exist alongside my strengths, ambitions, and good intentions. I am human, and therefore capable of the entire spectrum of human behavior, including those of a criminal nature.

By acknowledging and embracing this truth, I recognize how indelibly connected I am not just to my family, friends, and kindreds, but to the women in the C.R.C. No matter what—no matter how far apart my story might feel from someone else’s—there is always a thread connecting us, even through prison walls.

About the Author: Christine Mason Miller

Christine Mason Miller is an author and artist who has been inspiring others to create a meaningful life since 1995. Signed copies of her memoir, Moving Water, are now available at www.christinemasonmiller.com.

* Note:  All names have been changed.

Remembering What Matters Most by Christine Mason Miller

I have become a worrier. Within five minutes of leaving our house, whether it is to run a quick errand or go out of town for five days, I immediately start scrolling through a mental checklist. Did I leave any candles burning? Is the back door locked? Are there any stray objects on the floor that Tilda could choke on? One after another, I try to put myself back in the moment of handling these tasks. Oh right, I blew out the candle before I took a shower, I think. Oh yes, I remember locking the door this morning.

I’m not sure when or why this started, but it has become a bona fide part of my daily routine. It isn’t the kind of worry that creates stress, per se; it has more to do with not wanting to invite disaster or create chaos due to my inattention. I don’t want to lose something precious because of a minor oversight. I want to take good care of what I treasure most.

Being on the verge of fifty, and watching many of my closest friends care for their dying parents, I feel myself entering a new phase of life that isn’t about my early-twenties fearlessness and dare-to-dream-big bravado, but about a visceral awareness of the fragility of life. That sounds like a phrase that belongs on a postcard with a picture of a sunset or a babbling brook, right? Life is so precious. We only have to much time. How many times have we read or heard these phrases? In their repetitiveness, they feel trite.

But with every piece of news that has words like cancer, dementia, and hospice – with every request for a prayer for someone who is not long for this world – I pause, and I take a deep breath. It feels important to stop whatever I am doing and acknowledge that I, too, will face these experiences – with loved ones, for myself. I float upward, able to take in a wider perspective of my past, present, and future, and I see what’s coming on the horizon – possibilities that are now much closer to me than they were when I moved to the west coast at the age of 27, graduate degree in hand, ready to take on the world.

That spark in me is not gone – I still have grand ideas and imaginings related to creativity, travel and work – but I have become much more methodical in the decision-making process. I actually think I’ve become a bit too careful as of late, but this shift is something I’m still working out. I have allowed myself to lean toward the opposite extreme of my usual “Let’s do it!” attitude in order to see how far I need to go to find the right balance between my longings as an entrepreneurial, artistic being and as a woman with a husband, family, and home. For many years, it felt like these were in a battle for my time, attention, and energy. It is only in the last year that I have managed to settle down their quarrels, a mediation I’m still figuring out.

A while ago, someone asked for my advice on a work-related issue. There was a job offer on the horizon, one that would have taken her away from home five days a week – away from home as in an entirely different state. She was grappling with the feasibility of a long-distance commute and the impact that could have on her marriage, home, and family. My advice to her was simple: Get clear on what she treasured most in the world, and then decide whether or not taking the job would support and strengthen that or diminish it.

This is the question I ask myself constantly these days – any opportunity, idea, or endeavor is weighed against a very short list of personal priorities. Which, if I’m honest, doesn’t necessarily make things easier. It requires great compromise and sometimes saying no to things I would otherwise leap at. But I simply don’t want to wake up five or ten or twenty years down the road wishing I’d done a better job caring for what I loved most in the world.

Which brings me back to the worrying, which isn’t just about the doors being locked or the candles burning, but also about how long my husband has been out on a motorcycle ride with calling me or whether or not my mom is having a restful day. I want to make sure everything and everyone within this tiny realm of home and family is taken care of. I want to enjoy every bit of all these things I love most, and appreciate them while I can.

Beyond the worry, my treasured routines are very simple. I rub Tilda’s belly before I get out of bed, I make a frothy cafe au lait every morning. I almost always stop whatever I’m doing to assist my husband if he tells me he needs me. I talk to my best friend on the phone nearly every week. I wash my face every night, and always hang up my jacket when I come back home from a walk. In those routines, I am reminded that being alive is about the very small things, the very tiny experiences. And in those peaceful respites from the feeling that the world’s traumas are rapidly closing in on my tiny haven in Santa Barbara, California, I balance out those moments of fretfully reviewing my just-left-home checklist. I remember it is all OK. I recognize how fortunate I am.

About the Author: Christine Mason Miller

Christine Mason Miller is an author and artist who has been inspiring others to create a meaningful life since 1995. Signed copies of her memoir, Moving Water, are now available at www.christinemasonmiller.com.

To Patience, From Your Biggest Fan

Dear Patience,

I have to be honest with you—I’ve never done anything like this before. Like, written an actual fan letter. Anytime I think about it, I immediately feel embarrassed, like I’m twelve years old and very small compared to whomever I’m contemplating writing.

I’ve come close a few times. I started a letter to Joy once, but something fun caught my eye and I never made my way back to it. I thought about reaching out to Anger, but it felt too scary (although I actually think Anger is quite misunderstood and would probably appreciate little love from time to time.) And I picked out a really pretty card that I thought would be perfect for Kindness, but then I found out a good friend of mine was having a hard week so I sent it to her instead.

There is so much I want to say to you Patience, but it really all boils down to this: I want to be just like you.

You seem so mystical, so serene. You have a way of creating calm no matter what the situation and you do such an extraordinary job of putting everyone around you at ease (or at least whoever is willing to pay attention to you.) I wish I was more like that. Too often I am so eager to finish—or start—something that I miss out on a lot of details and experiences. Anytime I get it into my head that I won’t be able to feel good or have fun or be OK until this happens or that takes place I always run into trouble. You know what I’m talking about, and you know how futile it always is. In all the times I’ve let myself get frustrated and grouchy because something isn’t happening exactly the way I think it should, never once has it made time move any faster (or encouraged slow drivers in front of me to magically change lanes so I can pass them!)

In situations that have me feeling hurried and harried, I look to you, Patience, and following your example always enables me to turn things around. I stop, take a deep breath, and ponder what you would do in that moment. After I sit with this thought for a while, I usually end up wanting to do the same thing every time—nothing!

If I feel overly anxious to speak up during an argument, you encourage me to remain silent. If I notice myself sloppily folding laundry in an effort to get it done fast, thinking of you enables me to immediately sink into the simple beauty of my soft, clean bath towels. If I’m running errands and wishing I wasn’t where I was but, instead, where I was headed, you inspire me to take a very small action that never fails to pull me out of my wholly unnecessary angst. With your nudging, I look outside my window. Once I spend a moment or two admiring the trees, the clouds, and the sky, I’m no longer concerned with being in such a mad rush.

I’ve also learned that anytime I choose to ignore your example, I’ll likely pay a price. This usually involves a stubbed toe or some other such mishap. When I become fixated on getting something done as fast as possible, I literally become oblivious to my surroundings. How many bruises and nicks and scrapes do I have because there was an imaginary ticking time bomb I believed would explode if I didn’t get something started or finished or somehow resolved as soon as humanly possible?

A lot of people say you’re all about letting time unfold organically.

While I get this, and know it’s part of your charm, I’ve come to believe your most unique and potent genius is in all the ways you teach the world how to focus its attention on what truly matters. Is it important I get my dishes cleaned quickly or that I spend the time it takes to wash them being grateful for the meal I just enjoyed? Does it serve me to feel annoyed if someone doesn’t return my call right away or might it be a better idea to allow for circumstances beyond my knowledge or control? Will the situation be elevated by my saying, “What a jerk for not calling back!” or “Maybe he or she is dealing with a person crisis; I hope everything is OK.”?

You don’t teach me to just sit back and do nothing. You instill a practice of gentle, mindful immersion into the beauty of every moment.

The world is so enamored with speed these days. Immediacy seems to be the goal, no matter what the situation. I bet you feel like your work is never done around here. I wonder if you sometimes feel tired and overwhelmed. Perhaps you doubt whether or not anyone is even interested in what you have to say anymore.

I think this is why I decided it was time to take a leap and write my first fan letter—because it is important you know how desperately so many of us want and need your example, your teachings, and your wisdom.

I know you’re busy, Patience—more busy than ever—so I don’t expect a response. The only hope I send with this letter is that you find some small solace to know what a difference you’ve made in my life. You have helped me appreciate the detours and the delays, the uncertainties and the lulls. You’ve shown me how to gently slip out of tense situations, most especially the ones that became unnecessarily wound up because of my own untamed thoughts. Thank you for all of your hard work. Thank you for all the ways you show up for me.

Happy New Year, Patience. You’re the best.

With admiration, Christine

About the Author: Christine Mason Miller

Christine Mason Miller is an author and artist who has been inspiring others to create a meaningful life since 1995. Signed copies of her memoir, Moving Water, are now available for pre-order at www.christinemasonmiller.com.