Dear Hope in the Year to Come

I have to confess, Dear Hope, that there were times this last year that my faith in you slipped. When we began 2017 together, I held out such desire that it would be a healthy and peaceful year for everyone I loved, yet I witnessed such suffering, loss, and unhappiness, that at times I wondered if you were anywhere to be found.

Especially when I lost my dear daddy and spent much of the last year lost in the valley of grief.

When I take a step back, though, and look at the tiny moments of grace and love through every challenge. I just needed to be reminded, my dear Hope, that you were always there on the edge of things, rooting for me.

Like take my father, for instance. I never wanted to lose him, yet I couldn’t stand to see him suffering. His once active life had shrunk to the four walls of his home, more of an existence rather than thriving. And that, my dearest, is no way to live now, is it?

I was reminded, too, dearest hope, that when my belief in you wavered, others reminded me of you. Dear friends held me in love across the miles and through a million acts of kindness. I guess that’s what did it for me, Hope, to be reminded that in every smile, tough, and the smallest kind gestures, that you are never lost.

“Hope can be a powerful force. Maybe there’s no actual magic in it, but when you know what you hope for most and hold it like a light within you, you can make things happen, almost like magic.”
― Laini Taylor

When it comes to moving into a new year, I thought it would be helpful to spell out some of my desires so that during the times my faith is shaken in your constant state of being, dear Hope, I can find you in the most infinitesimal of moments. Because when I trust that you’re there, you always shine through.

First of all, Dear, Hope, I’d love to go the whole year without losing anyone else I love. No, I don’t want to witness the suffering of others, so maybe while we’re on the subject, I guess the deepest part of that desire, dear Hope, is that everyone thrives in the best ways possible.

So, no more loss for those I love. Or, honestly, I don’t want anyone I love to have to travel through the valley of grief.

Health, dear Hope, is high on the list. Please give me the discipline, dear Hope, to  do the work I need to do to ensure I stay healthy. Please give those I know and love the wherewithal to ensure they thrive in their lives by staying healthy, both physically and mentally.

We should probably talk about spiritual health while we’re having this conversation, dear Hope. The surest path to spiritual enlightenment, dear Hope, is through art making. So, please, dear Hope, while we’re talking about allowing you to show us the magic that exists in the world, can you let the Muses dance on the edges of everyone I know and love and should know? We are all blessed no matter if we are the ones making art or partaking of art.

There are so many other desires on the edges of my brain, dear Hope, yet I also know that when it comes to keeping faith in you, holding these core desires at the center of my being will allow me to see you in every face I come upon, whether it’s in real time or across the digital ether.

When my faith in you lags, darling Hope, may you always remind me that you are always waiting to work your magic.

With all my love and gratitude,

Debra

About the Author: Debra Smouse

debra_Smouse_mclDebra Smouse is a self-admitted Tarnished Southern Belle, life coach, and author of Clearing Brain Clutter: Discovering Your Heart’s Desire and Clearing Soul Clutter: Creating Your Vision. When she’s not vacuuming her couch, you’ll find her reading or plotting when she can play her next round of golf. She’s the Editor in Chief here at Modern Creative Life. Connect with her on Twitter, Facebook, and Instagram.

A Cinderella Story by Ruth Coe Chambers

I’ve always felt my childhood was marred because we didn’t have a library in our town. We had beaches with sand as white as sugar, water from the Gulf of Mexico that touched places we might never see. But no books. I longed for a well-stocked library, but all I had was hope that a family would move to our small town and bring books with them. My family didn’t seem to find a lack of books something to worry about. Mama had her crocheting and soap operas on the radio, Daddy had hunting and fishing when he wasn’t busy protecting us as he sported his deputy sheriff badge, and my dentist uncle brought home pulp fiction detective magazines that Mama had forbidden me to touch.

Me? Nothing filled that void for me but hope. Still, I started school without books and discovered something more wonderful than the colored chalk our teacher used to draw a calendar of September. She had a book! I would eventually learn that all the teachers had books, but just starting school, I believed pretty Mrs. Howell was the only one who owned one and not just any book, but one called Cinderella. I’d never heard a name so beautiful. On the cover was a young woman as beautiful as her name, dressed in a long, yellow bouffant dress cascading with ruffles and bows and all things wonderful.

Each day Mrs. Howell read a  little of Cinderella to us, and I suppose she knew we were hungry for books because every Friday one person from a list she kept in her desk would be allowed to take Cinderella home for the weekend. I thought my Friday would never arrive. How the time dragged until the day I ran to her desk after school and told her it was my turn to take Cinderella home. She looked at me and said quite simply, “Oh, Ruth, it’s lost. I don’t have it any more.” Her eyes weren’t red from weeping, she didn’t pound the floor with her fists. An important part of her world had obviously been stolen, and she appeared unconcerned about it. I hoped I never took anything of beauty for granted. I realized in that moment, even though I was only six years old, that I still had hope, and no one could ever steal it or the wonder it brought me.

I continued going to people who moved into town to see if they brought any books with them. That was how I came to read my first novel, A Girl of the Limberlost, by Gene Stratton-Porter. I identified with the girl though I didn’t possess the courage she did in collecting specimens from a swamp. I could, however, feel her shame in having to carry her lunch to school in a syrup bucket.

I was growing older, and when my parents realized I could read, they knew they would have to be more careful and keep their secrets hidden. One they kept hidden in plain sight. I had found a need for hope beyond books. I prayed that God would not let Mama turn out to be my stepmother.

It was my reading that had uncovered their secret. When I was very young, they let me see snapshots with writing on the backs. The woman had my name, and she stood with Daddy. I knew then why a room grew quiet when I entered it. Things fell into place and I knew who she was, even her name. Hope dimmed and my fate was sealed when a girl at school said one day, “She isn’t your real mother, is she?” I didn’t want a stepmother and ran, ran until my side hurt, but I couldn’t escape my stepmother.

I realized my parents didn’t want me to know who Mama really was so I began the long years of protecting them from my awakening. It was a heavy burden for a child to carry. Hope had been stolen after all, and I was left with guilt. Should I love the woman with my name, the woman who carried me under her heart, or the woman who cared for me through the measles and chicken pox and all the childhood illnesses? It was a heavy burden, even for a teenager, and the whispers of stepmother never left me.

I was an adult when I came to realize that I still had hope after all. Where would I have been without my escape through writing, my hope for making a contribution? I had to make my time on earth count. I had to repay a debt to a woman with my name. I was a Cinderella child. I had a stepmother who was sometimes wicked, but I saw that both Cinderella and I not only had stepmothers, but also hope in a glass slipper or a published book. Thinking of all I had written, of the stories, essays, plays and novels, I wondered if they would have been written had I not used them as a way of running until my side didn’t ache any more. Oh, the wonder of it all. Both my mothers, they were the wonder all along, never once calling me a stepchild.

About the Author: Ruth Coe Chambers

Ruth Coe Chambers takes pride in her Florida panhandle roots and her hometown of Port St. Joe has inspired much of her writing.

She is indebted to the creative writing classes at the University of South Florida where she found her “voice” and began writing literary fiction. Listed in the Who’s Who of American Women. She has recently republished one novel, and published it’s sequel, and has written two award-winning plays. She is currently working on the third novel in her Bay Harbor Trilogy. She has two daughters and lives with her husband and one very spoiled Cairn terrier in Neptune Beach, Florida.

Her two earlier novels include The Chinaberry Album and Heat Lightening.

 

Merry Christmas, Darling

You can’t help know that Christmas is nigh as you if  you have an email address or dare venture into any stores. Outside the commercial side of the season – and the religious ones – we dive into all the ways we can use our innate creativity to add an extra edge of wonder to the season – from decking our halls to baking cookies and creating beautiful meals. From watching holiday movies to humming along with the sounds of the season.

Today, my dear, is finally the day that Christmas has arrived and hopefully you can take a deep breath and honor the beauty of the season. How the edges of wonder invite us into our own lives, how the call for hope reminds us that we are always within reach of it.

No matter how you celebrate – or even if you ignore it all  – know that at the core of the day, it’s a call to dig into all the ways in which we can create the kind of life we desire to lead.  In celebration of this holiday, we won’t be offering you a new poem, story, or essay, but a collection of a dozen gems of wisdom Christmas and Holy Days – of the tenderness of sacred wonder in the air.

 “Our hearts grow tender with childhood memories and love of kindred, and we are better throughout the year for having, in spirit, become a child again at Christmastime.”
― Laura Ingalls Wilder

“I will honor Christmas in my heart, and try to keep it all the year.”
–Charles Dickens

“Christmas is not a time nor a season, but a state of mind. To cherish peace and goodwill, to be plenteous in mercy, is to have the real spirit of Christmas.”
― Calvin Coolidge

“My idea of Christmas, whether old-fashioned or modern, is very simple: loving others. Come to think of it, why do we have to wait for Christmas to do that?”
― Bob Hope

“The smells of Christmas are the smells of childhood.”
― Richard Paul Evans

“A Christmas candle is a lovely thing; It makes no noise at all, But softly gives itself away; While quite unselfish, it grows small.”
― Eva K. Logue

“Christmas waves a magic wand over this world, and behold, everything is softer and more beautiful.”
― Norman Vincent Peale

“Remember, if Christmas isn’t found in your heart, you won’t find it under a tree.”
― Charlotte Carpenter

“Christmas is the day that holds all time together.”
–Alexander Smith

“Blessed is the season which engages the whole world in a conspiracy of love.”
― Hamilton Wright Mabie

“When we recall Christmas past, we usually find that the simplest things – not the great occasions – give off the greatest glow of happiness.”
― Bob Hope

“I heard the bells on Christmas Day
Their old, familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!”
― Henry Wadsworth Longfellow

We hope find a reason to hope, a moment of wonder, and always return to the heart of your sacred creativity. We are so honored to witness the ways in which you you honor your beautiful heart, follow your desires, and celebrate your creative life.

With love from our creative table to yours.
The Staff of Modern Creative Life

A Quiet Thrill by Michelle GD

I am like a child again when the meteorologists call for snow.   Looking out the window frequently, watching the sky, holding my breath just the tiniest bit.  Did it start yet?  Is it coming?  I remember being thrilled by snow as a child.  I am still thrilled (perhaps more?) as an adult.

With snow come challenges of slippery roads and cancellations.  As I child, I cared only of the latter; as an adult, I must consider both.  Still, I eagerly await the first flakes.  Sometimes the birches blow in the wind; sometimes they stand like statues.  Sometimes the sky seems an even wash of grey; sometimes, if I look closely enough, I see darker greys and lighter greys and greys in between.  Always, I feel like the world at my feet is in the midst of some pause.  Or maybe it’s just me.

As I wait for the snow, I am surely in the pause.  I am present and attentive.  I feel alive.  I watch excitedly for changes in the sky and on the ground.  I am in awe once those changes arrive.  The blanket of white laid upon the ground, the hush accompanying the laying of that blanket.

I remember that hush as a child.  For a few years, we lived in upstate New York, just south of the Canadian border.  We got a lot of snow there; I had many opportunities to step into that hush.  Now, my family of four lives in Virginia, and we don’t experience the frequency or amount of snow I enjoyed in those childhood years.  But we do get snow; I do step into the hush.  And every time I step into the hush, my shoulders drop a little lower, and my eyes widen in wonder.

The beauty is not a surprise to me.  And yet, every time it snows…it surprises me.  It delights me, softens me.  Every time it snows, I step into the pause.  I am present and attentive and alive.  And isn’t this what I continually practice, no matter the season?  The presence, the attention, the alive-ness?

This time of year is busy for many of us.  We are celebrating and decorating and making merry.  Likely, we are also reflecting on a calendar year about to close, and preparing to open another.  It’s a time of year full with work outside ourselves (all that merry-making); it’s also full with work inside ourselves (all that reflecting).  It’s a time of year filled with so much.

Just the other day, it snowed.  I was grateful for Nature’s invitation; she called me in, and I responded.  I stepped into her pause, I felt her hush.  She beautified my world that was already beautiful, and I like that she didn’t out-do herself…she was humble and just-right.  I left the busyness and merry-making of the house, and walked through the falling snow with my kids.  We laughed, and we were silent.  I felt snowflakes on my eyelashes, and watched flakes rest but a moment on the lashes of my kids…each snowflake a gift.  Each one an invitation to pause, to notice, to be a little bit amazed.

There’s something in that pause, that being a little bit amazed.  There is a certain release I feel, as if I lie back and the world catches me and holds me.  Though I must do my part:  I must, on occasion, allow my shoulders to drop; I must allow my eyes to widen in wonder. I must anticipate, and I must receive.  I must allow myself to lie back and be held by the beauty of this world.

Now do you understand why a forecast of snow thrills me to my core?

About the Author: Michelle GD

Michelle GD is an artist living in Virginia.  Using writing and photography as forms of meditation, she explores the connections between the beautiful and messy bits of life.  You can find her at MichelleGD.com.

Conversations Over Coffee with Kelly Chripczuk

The call to create is certainly something deep within each of us, yet to take the next step and share our work with the world. Isn’t that the way of wonder, though? To witness the bravery of others? That’s just one of the reasons I loved reading Kelly Chripczuk’s new book of poetry Between Heaven and Earth as she took a collection of writings she’d been doing mostly for herself and then shared it with folks.

It was a joy to sit down with Kelly and we dive into what it takes to write, raise a family, and manage all the idiosyncrasies of life.

We call this series Conversations Over Coffee because it’s the things I’d ask you if we were sitting across the table from each other over a casual cup of coffee….. so, let’s set the stage: where would you suggest we meet near your current home….and what is your go-to beverage and/or snack were we to meet?

Café 101, a cute little coffee shop, is just a ten minute walk from my house, so we could meet there.  I’ll have coffee and, if it’s morning, baked oatmeal.  But, if one of my kids is home sick from school (as often happens this time of year) meeting in my kitchen will work too.  I’ll just put on some water for tea or reheat a cup of coffee, and we can talk around our old butcher-block kitchen Island.

Tell us about your last two books Chicken Scratch and Between Heaven and Earth

I started writing my first book, Chicken Scratch: Stories of Love, Risk and Poultry, about four months before my youngest kids were due to start Kindergarten.  As a work-from-home mom, I was anxious about weathering the transition and knew I would need something to keep me busy – writing a book seemed like a good way to fill the time.  For my birthday that year, I bought a flock of hens (because I also through selling free-range eggs might be a good way to fill the time).  I decided I’d write about tending the chickens every day for a month and see what came of it.  Six months later, after a lot of editing and revisions, I had a sixteen-chapter book filled with stories of love, risk and poultry.  My biggest goals for Chicken Scratch were to learn about writing a book, to experience the self-publishing process, and have it be fun – both for me and for my readers.

My second book, Between Heaven and Earth, is a collection of 45 contemplative poems that I wrote over the past five years.  I’m not a disciplined poet, but I find it a helpful format for times when other forms of writing fail me.  Between Heaven and Earth came out last week and, so far, I’m most excited to hear that people who “don’t normally read poetry,” are finding it accessible and engaging.

My biggest goal for Between Heaven and Earth was to Just. Get. It. Done., as it’s something I’ve been meaning to put together for a long time.

 In what ways does real life inform your writing (and vice versa)?

I wrote as an academic for years before I began writing creative non-fiction.  As an academic, the rules were clear – real life wasn’t supposed to inform anything.  But, in 2011, we unexpectedly gave birth to twin boys, doubling the number of children we had from two to four.  I left my job as an Associate Pastor and plans for a PhD in Old Testament were rather permanently shelved.  In that time, just before the twins were born, I set up a blog online.  Although a year passed before I published my first post, the blog became the one space in my life that was truly my own and the one way I could still have a voice outside the bulging walls of my own home.

At that time, real life was the impetus for my writing.  I wrote to understand and make meaning of the upheaval I was experiencing.  I wrote to maintain a sense of humor because the things that were happening in our home were too crazy to be true.  I wrote to survive – to believe we would survive – and to hold on to a sense of my own identity.  All of that to say – there’s a very natural flow, for me, between writing and life because, for so long, there was no way to separate the two.

As for writing informing my life, writing has helped me learn to risk more, to endure possible failure, to keep working and moving when the outcome is unknown.  Devotion to creativity has deepened my faith in the goodness, wholeness, and possibility of life that make themselves known when we are committed to showing up.

When did you first know you were a writer?

I stumbled into writing when I joined Facebook, just around the same time I became pregnant with twins.  Facebook gave me an audience and aroused in me an awareness of my love of words.  Something would happen and I would walk around all day thinking of the perfect way to phrase it to get a laugh online.  After the twins arrived, the level of absurdity happening in our house (4 kids five and under) and my sense of humor made my posts more and more popular.  People started telling me I should start blog and, eventually, I did.

Once I began writing, I remembered how often teachers praised my writing in high school, college, and beyond, but no one had ever suggested I might be a writer.  When I think of myself as a writer, I think of someone who loves words and enjoys the work of communicating things in a way that elucidates and/or forms a connection.

What’s your best three pieces of advice for folks that write?

The practice of writing shapes you – commit to the practice, rather than to an outcome.

Be clear about why you write, and cling to that when the writing is tough, or you aren’t getting the outcomes you want.  I write “for love and for joy.”  When I get frustrated or start playing the comparison game with other writers, I try to come back to two central questions:  Is writing helping me (and my readers) be more aware of love?  Is my writing helping me (and my readers) be more aware of joy?  If the answer to that is yes, then I am doing what I’m called to do.

Don’t spend a lot of energy focusing on your fears or the hurdles in your life.  Fear and distraction will always be there, nod your head at them from time to time, if you must, then get back to the work at hand.

What’s typical day like in your household?

During the school year, I get up at six and try to be downstairs on the couch, by the woodstove, with coffee cup in hand, by the time my daughter comes down fifteen minutes later.  We start the day together quietly while she eats and I pack lunches.  She is out the door at 7am and I quick, grab a shower before my twin boys explode out of their room at 7:10 with their older brother not far behind.  I spend the next hour and a half reading aloud, packing lunches, finding missing articles of clothing, and pushing kids out the door.  During that time, I also try to tidy a little, start a load of laundry or empty the dishwasher to get a jump on housework for the day.

I write and offer Spiritual Direction in a little building about thirty feet from our main house.  The office used to be a summer kitchen and, before that, a hen house.  I try to be in my office with Coco (our dog) by 9 or 9:30 and work until around 1.  I take frequent breaks to run into the main house and feed the woodstove, switch the laundry, and grab snacks.  I also keep a painting space set-up in one corner of my office and find that adding a layer to something I’m working on offers a good timeout when I get stuck working with words.

Some days I keep working until my daughter’s bus arrives at 3, but I often use the afternoon to run a never-ending list of errands.  From 3pm on, my day is filled with housework and family time although, if a project demands, I can always head back out to my office once my husband gets home.  All of this changes at the drop of a hat, though, if someone is home sick from school, during in summer months, and during times when I pick up other away-from-home work.

How do you manage the balance of real life and creative work? (Especially with kids and family responsibilities). How do you carve out time to create?

For me, carving out time to create, is like carving out time to eat or sleep or breathe.  If I don’t do it, I suffer, and if I suffer, those closest to me tend to pay the price.  We our kids were very young, I realized writing was key to my emotional and intellectual survival, so I hired a babysitter to come three hours a week.  The minute arrived, I would drop everything, throw the babies at her, grab my laptop, and run out the door, like a woman fleeing a burning building.  Having kids in school has made life more routine, but it remains unpredictable, especially during the summer months.

Three specific practices that have helped me carve out time are:

– All of our kids have Quiet Time alone in their rooms for one hour every afternoon.  This is non-negotiable.

– I try to think about my writing time as a set block of time (say, an hour) that can be moved around depending on the demands of any particular day or week.  For me, finding a balance between flexibility and discipline is key.

– I occasionally keep a ‘time diary’ as a way to keep track of how I’m actually spending my time and, using the insights gained, make adjustments, like adding a little housework to my morning routine, that helps free up time later I the day.

Why IS it important to write if you feel the call?

Writing isn’t a means to an end.  To me, writing is a particular way of being in the world.  It’s a posture of listening, of exploring, and of dancing between what is and what is not-yet.  I think, if you feel a call to write, its because that’s the kind of person you are and there’s nothing more lovely or more necessary to our survival, than people being true to what author Parker Palmer calls, ‘their native way of being in the world.’

What’s your advice to other writers and creative souls?

Creative people need creative community – seek it out, invest in it, offer it to others.

Also, keep learning new skills.  Teach yourself to yo-yo, cook a soufflé, chop wood or buy a flock of laying hens to tend.  Every new skill you embrace will feed your creative life, will feed your writing, if you let it.  Always ask yourself the curious question, “what does this have to do with that?”

What do you know now that you wish you knew at 30?

I know so much more now about who I am.  The stripping down of false identity was a long and arduous process, but I think, if I’d had a glimpse of who I am now when I was 30, I would have been awed, amazed, and so very surprised.

This is our “Hope & Wonder” issue. How do you keep those tenets alive in your daily life? Your creative life?

Wonder, for me, is fueled by attention to what is.  That’s why I find learning new skills (gaining new information) so helpful – when we are in learning mode, attention and focus are increased and we’re more open and aware process, more capable of surprise.

Hope, for me, is fueled by storytelling.  Writing about the crappy week when our car died and the kids were sick, or the time I was hospitalized for a nervous breakdown, helps me step outside my small, ego-centric perceptions of the world and allows me to embrace a larger narrative that seems to be hidden just behind (or beneath) all of the smaller stories of our lives – the one in which grace and mercy are new every day and love itself is what keeps us.

About the Author: Kelly Chripczuk

Kelly Chripczuk is a licensed pastor, Spiritual Director and writer who lives with her husband and four children in a 100+ year-old farm house in Central PA.  She writes regularly online at www.thiscontemplativelife.org and for public speaking and retreats.

Sunday Sanctuary: The Journey Forward

Many of the regular readers of Modern Creative Life have known me for more than a decade – from when when I first began writing my blog, or since the days when our predecessor, All Things Girl was still new. I’ve always written about my life in transparent ways. They’ve read about my life as a road warrior in the past, and my life of much less travel now. They know that I sometimes engage in retail therapy, and that I believe the first cup of coffee in the morning is more than just a warming brew; it’s a ritual. What they – and you – you might not know, though, is that I’m adopted.

I have written about my mother, and I shared the challenges of grieving the loss of my daddy just this summer. The DNA of neither of these people runs through my veins. Yet, when I think of my parents, I think of Mary Beth and Tom.

Being adopted has always been simply a fact, like my hazel eyes and my love of books.

It was never a secret in our family. Our mother had been unable to carry a child to term and so the path to motherhood – the path to creating a family – was one that went through kind doctors, lawyers, and judges. The opportunity to nurture a child began with another woman, one who was selfless, giving up something precious in the hopes that this being growing inside her would have a life better than she was able to offer at that moment.

My sister and I each knew our “birth story”.

Arranged through the family doctor, my sister’s adoption took place in 1961. The doctor knew a young woman who found herself pregnant and was unable to keep the child. He had performed a hysterectomy on our mother and knew she wanted a child. And within hours of my sister being born, she was in the arms of our mother and father.

I came along seven years later. I was the child of a teenager who turned to a “home for unwed mothers.” My parents made an application and paid a deposit towards a baby the social workers found suitable for the family of three. Their only request was a child that was fair skinned, one that might resemble Daddy as my sister, Carol, had dark hair and an olive complexion like our mother. About a month after the approval of their application, they got a call that a fair-skinned red-headed little girl was available. I went home when I was two weeks old.

Of course, I’ve speculated about the young woman who had me while she was still, basically, a child herself. I was curious about that woman – courageous enough to care for herself and an unborn child, give birth, and then never know what happened after that moment.

I wondered about her, but I her identity wasn’t anything I dwelled upon.

I was never one of those adopted kids that believed finding my “real mom” was going to be the solution to any problem. It wasn’t going to make me “happy.” It wasn’t going to fix any current relationship.  It was not the answer to rescuing me from any challenge.

Besides, I already had a “real mom.” A woman who ensured I got to school each morning and to ballet practice in the afternoons. The woman who slept in a chair in the hospital when I had my tonsils out and ferried me back and forth for every orthodontist appointment.

To be honest, my mother – my real mother, the woman who adopted me as a tiny babe, the one who ensured I had seasonally appropriate clothes, birthday parties, and a full tummy – was not perfect. I always suspected that she suffered from bi-polar disorder, noticeable mostly when she was in a depressive state, as those manic states were ones we could all swing with more easily.

In the South, especially in the days before social media, we called women who struggled with mental illness “delicate,” and just hoped for the best. We’ve come a long way in dealing with mental illness, but in those days, it was a shameful secret that caused family members to walk on eggshells sometimes.

From the outside, it sounds like something challenging and dire. For me, it was simply…life. A challenge, yes, to be raised by a woman who struggled with mental illness and an inability to truly love herself. But let’s get real, every family, no matter how picture perfect it might be, has some dysfunction.

At the core of who I am, I am a realist. I may have a creative spirit, but I am logical to a fault. I had a mother, I had a father. I had no need to seek out anyone who provided the seeds to create me, so to speak, and I continued in that vein for most of my life. When I was pregnant with my oldest child in 1991, my thoughts were about the growing little girl inside me. I don’t recall ever pondering the woman who had been in my same position back in 1967 and 1968.

My second pregnancy in 1995 was different, and for the first time in my twenty-seven years, I got curious enough to ask the state for any information they had on my birth parents. My second pregnancy presented a small number of health challenges – borderline gestational diabetes, high blood pressure, bed rest due to toxemia, a need for an early delivery. Still, I didn’t really want to know who my birth mother was by name, just who she was genetically.  I got a packet of papers from the State of Texas with every identifying nugget literally cut out. It didn’t satisfy all my medical and health curiosities, but it was something. Eventually, it was filed away, and somehow, in the intervening years, lost.

After my mother died in 2010, my curiosity returned. By this point and time, I’d become a life coach, and had worked through a shit-ton of those “childhood issues” with professionals. I wrote to the State of Texas once again, and received a packet of papers. Once again, with all identifying information cut out. It didn’t matter that I was clearly an adult, and had lots of counseling to deal with the variety of issues we all deal with. The State of Texas deemed I had no right to my Original Birth Certificate.

Then on December 30 2014, I was sitting on the lanai of John’s sister’s home in Fort Meyers beach and read an article in the Wall Street Journal about DNA testing helping Adoptees find their birth families.

We’d gathered with the rest of John’s family to celebrate his mother’s 85th birthday. In the weeks leading up to that trip, we’d scanned all the family photos. In each, I saw the traces of all the men and women through the ages in each subsequent generation. All around the dinner table, on the beloved countenances of those ranging from four to eight-five, I saw how the shape of an ear or chin and hands and mannerisms brought these people together. It was a living example of the age-old nurture VS nature debate. DNA doesn’t lie when it comes to innate talents and physical traits.

I ordered the DNA Kits from both Ancestry.Com and 23andMe.Com. I spit in tubes. Weeks later, I received reports telling me that my ancestors were mostly Irish and Welsh with a splash of Scandinavian and Eastern European. It gave me insight into some of those conflicts of my teenage years – the stoic German ancestry of my mother combined with my flair for a story thanks to the Irish in me. But while this ancestor information led occasionally to a 2nd or 3rd cousin, it didn’t yield much more. And in most ways, just the ancestry information explained enough to me.

This past spring, though, my sister decided she wanted to know Where She Came From. She did the DNA and found a genealogist search angel. In less than a week, this search angel identified both of her birth parents and days later, identified my birth mother. I filed the proper paperwork to receive my original birth certificate, still only available if you knew all the answers to each blank (including the exact way a birth parent’s information was spelled on the document).

At the same time I was filling out paperwork, I was also laughing with John: how typical of my lucky sister! I’d been seeking information on and off for more than a decade and in her first foray into research got the answers she sought.

Weeks shy of my forty-ninth birthday, I wrote a letter to a woman in California. I told her about my life, my children, how blessed I was. I included a copy of my “original birth certificate”. I included a self-addressed and stamped post card for her to drop in the mail in case she was not interested in any communication, as well as my email address in case she was.

I knew had zero right to expect anything from her. How unfair or selfish of me would it have been to hold out any expectation or make any demands? I didn’t need or expect anything from this woman who had given me the gift of life and a good family. I had no desire to upset the apple cart of her life. Who knew what secrets she still kept? Who knew if anyone beyond her own mother knew she had a baby in 1968 when she was seventeen?

I wasn’t seeking my mother, I had a mother. I didn’t need to speak with this woman for me to feel whole or solve any problems in my life. I am whole thanks to therapy and life coaches and good books. What I didn’t underestimate, though, was that maybe, just maybe, the knowledge that I was safe and happy, healthy and whole, would be healing for her. Secrets, no matter how ancient, can be destructive.

She sent me an email about a week later. We spoke on the phone and she told me that the dates lined up, but she wanted to be sure. Because on the day that I was born, there were other babies born, too. She ordered her own Ancestry DNA Kit.

She confessed that when she returned home from the hospital, no one ever spoke about her having a baby. Not her, not her mother or step-father. The belief of those managing the adoptions of little babies back in the fifties, sixties, and seventies was that a young woman should walk away from the experience and pretend it never happened. That this was the key to going on with their life, unblemished. That this was the key to the child they gave up having a full and healthy life.

“The best gift I could ever receive,” she told me, “was simply the knowledge that you had a good life. That’s what we were told, that the babies adopted would have a good life.”

And I DID have a good life. I never wondered where my next meal would come from. I never wanted for shelter or clothing or toys. I didn’t go to bed cold or hungry. I was healthy. I got a great education. I had nice clothes, sturdy shoes, and never lacked the care of a doctor or dentist.

I lived in a house with a big yard and experienced what it was to have unlimited access to books and a friend in my cat.

We went on nice vacations. I learned how to be a good member of society with added tutelage on societal norms such as how to behave in nice restaurants, how much to tip service folks, and how to be a good guest. (All activities not a normal in everyone’s life, something I discovered when a high school friend asked me where to put her purse at dinner on a date to Steak & Ale).

I was loved. Maybe not unconditionally by my mother because she couldn’t quite love herself. But I was loved and adored. And I certainly learned about unconditional love from my father. What I had, though, was a solid foundation of security and stability, the elements that Maslow identified as necessary for me to blossom into the curious and creative creature that I am.

The email confirming that this woman was the person who’d given birth to me arrived on the same day we buried my Daddy.

That was in summer. Now it’s December, and in a few short days, I will sit down at a table and see her face to face.

I will have the opportunity to see if I recognize myself in the arch of her eyebrow or the curve of her neck. I’ll be able to tell if she shares the shape of one of my daughters’ eyes, or if she gestures with her hands like any of us. I will no longer wonder whose fingers I have, or where my curvy figure came from.

We’ve been emailing once a week to share the highlights (and lowlights) of our daily lives. Threads of connection to see where our interests might cross or a turn of phrase feels familiar. We have no plans beyond getting together for an early dinner on my first night.  I hope that that dinner leads to other visits while I’m in California, but I know that it might not.

And, of course, a part of me is wary. What if she doesn’t like me? I’ve never been the bubbly popular girl that other women love. My experience with John’s sisters, for example, remind me that sometimes, no matter how friendly and kind you are to others, they might not really like you, let alone seek you out to spend time with.

Deep within lies the hope that there’s a spark, a flash, some sort of intrinsic recognition, that connects us, bonds us, feels familiar. That something sustainable surfaces for the long haul.

I don’t need a mother, I had one. But I’ll never say that I don’t hope that I can create a relationship with this woman who gave birth to me. No, I don’t need her to be a mother. But it would be nice if she could be a friend.

About the Author: Debra Smouse

debra_Smouse_mclDebra Smouse is a self-admitted Tarnished Southern Belle, life coach, and author of Clearing Brain Clutter: Discovering Your Heart’s Desire and Clearing Soul Clutter: Creating Your Vision. When she’s not vacuuming her couch, you’ll find her reading or plotting when she can play her next round of golf. She’s the Editor in Chief here at Modern Creative Life. Connect with her on Twitter, Facebook, and Instagram.

Sunday Sanctuary: on Finishing and Not

If my creative life had gone as planned, dear one, I would be sharing with you the pinnacle point of my year: the publication of my new book. I’ve been working on this book since the spring of 2016, leaning into a new way of writing for me waxing upon the ways to tend the soul and nourish a creative spirit.

I began working on the book through an Instagram project, sharing 100 days of creative living. The challenge to see – and marvel – over the details in my life that added to the richness. Remembering to be grateful for those seemingly ordinary seconds that on a whole bring me to my knees of how grace is always within my reach. Honoring the holy in the simple moments.

Forcing myself to be a seeker – an explorer – an experimenter – rather than always being The Person with The Answers.

Most of my professional and creative life hinges on that, by the way: knowing the answers. As a life coach, I share what I’ve learned once I’m on the other side of it. As the Editor in Chief here, I am the guide and mentor. Stepping into the role of being the student, the novice, the one taking a risk instead of bearing witness to those taking risks is an uncomfortable position for me.

Yet, it’s also the position I must be brave enough to explore. If I’m going to be true to my creative self, I have to stand here before you and confess: despite all my experience, I don’t have it all figured out.

I believe that finishing things, completing tasks, and reaching goals are all part of our spiritual journey.

I’m all about exploring the depths of our creativity in ways that feel fun and nourishing. I know that we should play with our craft in different ways, because without play and experimentation our creative life becomes stale or feels rote. To the depths of my soul, though, I also know that we must make part of that journey into creation with the intent to reach a finish line. Yes, the journey informs us, but we each need to regularly complete a project and share it with the world in some way.

And my dear friend, I have failed in this quest.

Sometimes, the mantra we must take up in order to allow ourselves to complete a project is “finished is better than perfect.” The coach and editor in me knows that there is no such thing as perfection and that need to make things perfect before putting them out in the world is a way in which our inner critic keeps us small and fearful. Perfection and the pursuit of it is how we self-sabotage.

There must also be discernment, though – the ability to set aside our ego and evaluate our own work from a place of love, yes, but one of truth as well.

The book I should be telling you about was a week away from departing my hands to arriving in the hands of my editor. I dutifully exported my file from Scrivener into Word so that I could give one more pass at the work before sending it along. I had it printed (Fed Ex Office is worth the wear and tear on my little ink jet printer).

94,560 words. 414 pages. Almost twice the length of a NaNoWriMo novel.

But before I completed hand-editing the first 100 pages, I began to get a sinking, sick feeling. What I held in my hand was crap.

Now, I am not the kind of person that whines about how ugly/fat/horrible I am so that others will soothe me by slathering compliments upon me. Sure, I need my ego stroked a little now and then, but I don’t belittle myself or my work to get compliments.

While I understand that there are times we writers and artists say our work is crap because we don’t feel confidence in what we’ve produced, there are other times when that description is more than apt.

My friend, I know myself and my capabilities well enough to discern when what I have written just isn’t my best. This? This book I had been working on for almost two years?

It was not my best. It was not my best at all.

And so, I wavered.

To say that this has been a challenging year for me is an understatement. I have done this grief dance before, and thought I was just wired to manage grief differently. But the loss of my daddy? It sent me to the valley of grief in ways I hadn’t imagined, finding myself unable regularly feed myself, let alone write anything of substance.

I needed the ego stroke of publishing a book this year.

It seems that everywhere I looked around me, my friends were finishing books, getting the interest of agents and publishers, and putting their work into the hands of others. I needed – am in need of – a big win. A reminder that loss doesn’t define who I am. That I still have it within me to create and nourish myself and others with words.

I want the check in the box. To finish another book. To open up my creative life for a new project that isn’t tainted with fresh loss.

I left a very rambling ten-minute message to Melissa on Voxer. Telling her that this book was crap. While Melissa wasn’t going to be editing this book (like she does the majority of my blog posts), she’s been reading my work for more than a decade.

She reminded me what I knew at heart: I am a good judge of when something of mine just isn’t great.

I spoke with John at length. We were heading to DC for the week and I decided to sleep on my final decision a couple of days. I had a week before the manuscript was due to Andi for her expertise of editing.

After settling into our hotel, we headed into the city to my beloved Penn Quarter, the neighborhood that has served me and held me for many years. Over tacos, guacamole, and margaritas consumed at a sidewalk table at my favorite restaurant in DC, I told John I’d made my decision, a hard pill to swallow: I wasn’t going to be publishing a new book this year.

I felt both relief and a deep ache in my soul about this. To be this deep into something and still not see it to the end was a failure, wasn’t it?

So, I did what we all need to do when we make a hard decision: I said it out loud. I told John and Melissa. I wrote a letter to Becca. I asked for thoughts from my friend Jenn McRobbie over lunch. She’s an author and had worked for a coach-focused publishing house and told me “this is why I love you.” I told my friend Jen Lee over Voxer. I had a conversation with Andi.

At every turn, I discovered that while finishing is a spiritual act, choosing to walk away from a project is also an act of nourishing ourselves. Sometimes, done is better than perfect. And sometimes, my dear, choosing to halt – or at least put a project in cold storage – is the best way of finishing something for a while.

It is possible that will pull this book out of cold storage after the year turns in a few weeks. It is equally possible that I will not, but either way, the words I wrote will not be wasted. Just as fallen autumn leaves eventually become nourishment for the earth, the work I did on the book I’m not publishing this year will feed a new project, a better finished product, and help me clear a different finish line.

As well, the experience has reminded me that perfection isn’t real, and that sometimes we gain as much from our successes as we do from our failures.

About the Author: Debra Smouse

debra_Smouse_mclDebra Smouse is a self-admitted Tarnished Southern Belle, life coach, and author of Clearing Brain Clutter: Discovering Your Heart’s Desire and Clearing Soul Clutter: Creating Your Vision. When she’s not vacuuming her couch, you’ll find her reading or plotting when she can play her next round of golf. She’s the Editor in Chief here at Modern Creative Life. Connect with her on Twitter, Facebook, and Instagram.

Ode to Film Noir by Pat West

Copyright: <a href='https://www.123rf.com/profile_nejron'>nejron / 123RF Stock Photo</a>

I love a city that can keep secrets
not to mention rain-slicked alleys
cluttered with garbage
abandoned warehouses dust hanging in the air
crowded bars boozy nights chiaroscuro lighting
slicing through venetian blinds
dark offices overlooking busy streets
a hard-boiled private detective
wearing a double-breasted suit
a good guy before one bad turn
made his life hell
I love the ballsy two-timing blonde
with thin eyebrows false lashes painted red lips
high heels snapping on the pavement
a dame who knows how to use men
to get what she wants
I love how the story unravels
conspiracy corruption murder
and how the bevy of hired hoods
barely have time to toss out more red herrings
before they get plugged
sure all the double crosses and backstabbing
make it hard to follow
but when I watch the sleuth
romance the doll with the pretty face
investigate an endless list
of seedy characters
I love the tight knot in my gut
just before the broad does him in

About the Author: Pat West

Pat Phillips West lives in Olympia, WA. A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

Sunday Sanctuary: Seeking the Light

When we laid out the themes for Modern Creative Life last fall, never did I imagine that “Light & Shadow” would arrive at a time when there was so much darkness in my own life, not to mention the lives of other members of the MCL family, or the world in general.

How could I pretend to know that come fall, not only would the trees be shedding their leaves, but pieces of my heart would be feeling battered? How could I predict the time spent pondering whether those broken pieces would be like the leaves: drifting away now only to be renewed when spring arrives? How could any of the editorial staff begin to imagine a world in which this issue would coincide with so much loss and destruction in the world due to multiple hurricanes and a gunman?

I could never have foreseen any of this. Yet, deep down I still know that light and shadow will forever be bed-mates. There’s no way to witness glorious sunrises without the reminder that moments earlier, the earth was cloaked in full darkness.

There is no joy or happiness or light in the world without understanding that the yang to that yin is sadness and anger. Similarly, there is an unspoken demand of we artists and writers, that we remember that the other side of this shadow-thing, this darkness, is always light?

I look at the breadth of this issue of Modern Creative Life,  and I see some of the best work from writers we’ve come to know and love. I see the brilliance of new voices, playing on the edges of what it means to be a maker and embrace what’s lurking in the shadows so that we can shed light upon it and us and our work in the world.

When I first began writing my column for this month, I had planned to write about what my grandmother called “breaking up housekeeping”.

I was going to talk about the purging of my childhood home, laying every household good out on tables for strangers to seek their own kind of treasures within the stuff that made up a life of another. But in truth, I can’t bear to dwell upon that any longer. I can’t think of how much my mother yearned for the chubby-cheeked children and messages of God’s love in little statues, and how we sold those figurines for $5 a piece. I can’t allow myself to dwell on the pans that made umpteen dinners or the big Tupperware container that always housed fruit salad at every holiday gathering.

One of the responsibilities we have as makers is to take our experiences of loss and change, and bleed them onto paper (and film) so that others have someone to sit beside them when they are grieving and processing tragedy and loss. Our mission is to ferry the sad and grieving to the other side, and remind them that they are not lost and will once again find light in their own souls.

So, instead, I mention it in passing to you and instead of picking at the edges of my own grief as a child would a scab on her knee, I want to share what I am doing –  in the face of all this darkness – to bring the edges of light to shine upon my own heart in the midst of grief and tragic news stories.

To share what is helping me look to the light instead of dwelling in the shadows. To share what is saving me from being forever lost in the dark and reminding me of how much joy there is to be had.

I am losing myself in the words and worlds of others. Poets and screenwriters. Novelists and photographers. Interior designers and food makers. Stories heal us.

I am seeking beauty. Flowers on the kitchen counter alongside bowls of fresh fruit. The way the light plays against the trees as it shifts through the days. And the trees, my God, how beautiful are the trees with their soft yellows and brilliant oranges? The rust colored grasses, the brilliant mums, the cheery pumpkins placed on porches. I am buying additional beautiful purses –  just because. If I open my eyes and look around me, I always find beauty.

I am moving my body. My heart wants to sag and my thoughts want to pull at the edges of sadness, but if I just get my body moving into some sort of activity, it helps heal my soul a little and allows my thoughts and feelings to move through me instead of lingering.

I am marveling at the work of others. I edit and reread the stories and essays here in this magazine. I gaze for long moments at the stylish outfits an Instagram Fashion Gal wears and reach out to that photographer with the stunning photographs.

I am seeking tenderness. I am laying naked against John in those early moments of the morning as dawn approaches, just feeling his warmth and caring. I am squatting to eye level and looking into the eyes of children I speak to. I lay a reassuring hand on the arm of an acquaintance as she shares a moment of her life.

I am nourishing my mind and soul. I am reading lots of cozy mysteries. I am taking extra time choosing vegetables when I grocery shop. I am unfollowing politically-focused friends and doom-spreaders.  I am spending more time just be-ing instead of do-ing. I am protecting what I consume when it comes to books, internet, and television. Discernment is my friend.

I am opening myself up to grace. I chose the words Unbound Grace as my guide-words for this year and I find that when I open myself up to every permeation of that meaning, I cannot but help feel a sense of lightness in my soul.

I am seeking humor. I am asking Alexa to tell me a joke and watching the ending of the last Big Bang Theory for maybe the fifth time this week. I am laughing at the brilliant excuses John can make between 5:30 and 6 AM as to why we should stay in bed all day instead of heading to work. I am laughing with friends over the silly little things that pepper each life if we just open our eyes to it.

I am purging things. I am tossing worn out sweaters and chipped plates. I am turning off the news when it feels overwhelming. I am tightening the circle of folks I allow into my inner circle, choosing to diminish my time and attention to those who bring me down or judge me.

I am witnessing other makers. I am consuming as much content by friends as I can – their Instagram, their blogs, their letters, their films in progress. I am catching stories and allowing mine to be caught as well.

I am praying. I am lighting candles of devotion and having conversations with God as I sip my first cup of coffee. I am returning to a written prayer journal, inscribing the names of loved ones and strangers onto paper with broad strokes of green tinged ink as I hope for blessings and love and comfort for them. I am cleaning my home, strewing blessings around me as I give thanks for this space that shelters me.

I am forcing myself to continue making. To write an entry for the new book. To photograph a holy moment and share it on Instagram. To make a meal that nourishes our bodies while tending my own soul.

It’s easy as human beings to feel as if we are lost in the deep, dark woods without any hope of being found again. And it’s as simple as looking to the sky, the filtering of light through the branches, shining pinpoints of light on the dappled forest ground, to find the start of our own paths out of the dark.

Because part of the commitment to living a creative life, the commitment I’ve made to curate a life that feels nourished and full and holy, depends upon me accepting the darkness in everything, but remembering that somewhere within it all are the edges of light and hope.

About the Author: Debra Smouse

debra_Smouse_mclDebra Smouse is a self-admitted Tarnished Southern Belle, life coach, and author of Clearing Brain Clutter: Discovering Your Heart’s Desire and Clearing Soul Clutter: Creating Your Vision. When she’s not vacuuming her couch, you’ll find her reading or plotting when she can play her next round of golf. She’s the Editor in Chief here at Modern Creative Life. Connect with her on Twitter, Facebook, and Instagram.

Sunday Sanctuary: Blessings in Leather

I’ve never been a purse person. Well, I’ve carried a purse since I was in junior high, but choosing a purse had always been about practicality: is there room for my wallet, some lipstick, and a couple of books? Oh, and a pen and a journal (or two).

What I never understood, though, was so many lady’s love of the designer bag. Dooney and Bourke was a big deal in the 80’s and I remember shaking my head when my friend DaLana splurged on one our Junior Year of High School and I wondered: why? Why pay all that money for a purse that gets stuffed in a locker or dropped on the floor in the movie theatre?

I’m all about functionality. I usually buy black purses and black wallets.

Up until last year, the most I’d ever spent on a purse was $50 back in 2006. And that was because the strap on my purse broke while I was in DC for work and the most practical purse – a Fossil messenger bag – was on sale at Macy’s. And I had a coupon. It was black. It was serviceable. I carried it for at least three years until I just wore it out.

Then, last Christmas, I bought myself a cherry red Michael Kors Wallet at Macy’s.

My previous wallet was small: just the width of a credit card. It was usable, but not stylish, and I’m sure I got it at Kohls or Target for $10 or less. Yet, it was falling apart. In addition to falling apart, I had just read an article from Briana Saussy and buying a New Wallet for the New Year as a way to put Mojo into your Money Mindset and invite prosperity into your life. After reading Bri’s piece, I decided I needed a green, royal blue, or red wallet.

And yes, I looked at Target and Kohls for a “cheapie” wallet. Then it hit me: if I wanted to not only replace something that needed replacing, but also put the psychology behind it of choosing to invest in myself and the way I manage money, settling for a crappy clearance wallet wasn’t the way to go.

Yet, it’s in conflict with one of my core beliefs: use your good stuff every day. Wear your best perfume, use that china, and eat the best foods you can afford. And my experiment with higher quality make-up had shown to prove the adage “you get what you pay for”.

And hadn’t choosing to seduce my writing life by using beautiful journals shifted something within my soul?

And then there was the vow I made to myself shortly after the elections: I can’t expect to change the world if I’m not even taking care of myself. So, I committed to performing at least one extreme act of self-care each month. I’d already survived a several thousand-dollar dental visit. And going for what’s cheap doesn’t sound like extreme self-care.

So, why not do it in leather? If this were to be an extreme act of self-care, then I needed to invest in something that was both beautiful and of high quality.

For months, I carried that beautiful cherry red leather wallet in a $10 Target fake-leather purse. Which in some ways makes me think about the Hannibal Lector said of Clarice Starling: good bag and cheap shoes.

That $10 Target Purse, barely a year old, was falling apart and needed replacing. I may lust after the iconic Quilted Chanel bag in Vogue or obsess over an Ox-Blood Coach thanks to regular emails from Dillard’s, But the thought of spending triple figures on a purse just made that Inner Critic of mine begin to chastise me:

Who do you think you are?
What do you need with a designer bag?
Choose something practical.
And cheap.

Though I was looking for something more fun than hours at the dentist, this seemingly frivolous and surface level purchase wasn’t just about replacing a wallet. It was about the psychology of self-care and my money mindset. Since that purchase, I have been treating money – and the ideas behind personal wealth – differently.

I also treat myself differently every time I pull out that cherry red wallet: more thoughtful treats, more investing in nice things, less buying the least expensive item on the rack, and less random indulgences on stuff I don’t really need. What if a nicer purse could extend those feelings?

Then, a blessing arrived by email; a gift certificate to The Coach Store.

I’d coached a client through a challenging break-up. Yes, I’d gone above and beyond the norm, with daily calls and multiple emails and texts. But, I would do the same for any of my friends in the midst of a crisis. Providing kind words and thought-provoking questions in tandem, just as I would for anyone I cared for. He saw beyond me doing “my job” and wanted to give me a gift to show his appreciation.

We had talked about the need for him to treat himself: quality shoes, a beautiful briefcase, stylish clothes. So, he turned the tables on me, forcing me to walk my own talk. If I were to commit to extreme acts of self-care and if I were to encourage clients and readers to invest in themselves, and use their best stuff: shouldn’t I invest in something for myself?

And let’s face it, a purse is like a traveling sanctuary.

Your home for all things important, especially when you aren’t at home. There, I have not just my wallet, but my library and Starbucks cards, which gives me easy access to the life bloods of life: books and coffee. My purse holds lipstick, hand lotion, and pens. Gum. Pens and journals. And, of course, a book and my phone.

I walked into the Coach store and welcomed like an old friend. Katie seemed more excited about my gift certificate than me and couldn’t wait to help me find just the right bag. Not a purse, an investment in walking my talk. And I purposely didn’t look at practical black bags. No, I looked at their bags in Prairie Print, OxBlood, Olive, and Saddle.

A new sanctuary for that wallet. And the four pens and my journals. And my Kindle and a paperback book. And two shades of lipstick. I wanted a bag that would hold not just one journal, but two. I wanted to be able to have at my fingertips everything possible to manage bad breath, a desire for a snack, the need to check in on the world, and escape in a good story.

I had expected a snooty sales lady and feeling out of place. Yet, Katie felt like an old friend and confessed that the leather lined bags meant you could spill an entire smoothie in there and not ruin the bag. “Don’t ask me how I know!” she says as she sheepishly grins.

I left the Coach Store with a big bag, which inside contained a big black box wrapped with a copper colored ribbon. Inside was an Olive Leather Brooklyn Carryall, designed to hold it all (including a 13-inch laptop or tablet).

After unboxing it in my office – and storing the nifty storage bag – I discovered it would hold my wallet, a small make-up bag, two pairs of glasses, gum, my Kindle, two journals, four pens, two sets of earbuds, my phone, my iPod, and a book.

Then, an hour later, I got the call from my sister that my dad would be moving from the rehab hospital to hospice care in her house. Just two days earlier, I’d talked to my father and he sounded good. Stronger. Suddenly, the need for having a sanctuary in a bag became more real. This wasn’t just about running to the grocery store and stopping for a coffee, this was now a space that would hold everything I needed to hop a plane and head to Dallas.

As I sat in the Dayton Airport waiting for my flight to board, I sent (another) thank you text to my client: blessings in leather, I told him.

That bag had everything I could need for both practical reasons and comfort. At the airport, I added a banana and a granola bar. It held handkerchiefs and lipstick. A bottle of water and credit cards. My much-needed journal and pens.

When I returned home from Daddy’s funeral, I discovered that Coach had not forgotten me. In the mail was a handwritten thank you note from Katie informing me that I could bring my bag in for cleaning every three months at no charge for as long as I owned the bag.

After a week filled with grief and some drama, it was like a tiny love letter offering a port in the storm.

For me, it’s not about being able to say I own a designer bag, the reason many women tell me they indulge in Louis Vuitton or Kate Spade because of the way buying one makes them feel about themselves. I’ve learned that investing in a quality handbag provides me with comfort away from home. To have at the end of my hand a handkerchief, a piece of gum, or a pen.

And I have to confess: carrying it makes me feel different about myself. All the way down to my soul.

And I also was reminded that though I am simply a gal in Ohio with a single Coach purse, Coach wants me to feel valued as a customer. Investing in our relationship with taking care of me in a time when what I most need is a gentle gesture and kind word.

Blessings in leather, indeed.

About the Author: Debra Smouse

debra_Smouse_mclDebra Smouse is a self-admitted Tarnished Southern Belle, life coach, and author of Clearing Brain Clutter: Discovering Your Heart’s Desire and Clearing Soul Clutter: Creating Your Vision. When she’s not vacuuming her couch, you’ll find her reading or plotting when she can play her next round of golf. She’s the Editor in Chief here at Modern Creative Life. Connect with her on Twitter, Facebook, and Instagram.