The Old Gent’s Evening by Patricia Wellingham-Jones

With a clip of glass
on mahogany
he sets his after-dinner
port on the table,
replenishes it as needed.
He folds and buckles
creaking legs, drops
into his rump-sprung chair,
settles with dog at his feet
and paper rattling
for the evening.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Orion by Selena Taylor

Orion by Ian C. Grey

Orion by Ian C. Grey

She runs her fingers through her hair, making sure to pull it back in a lazy bun. As she pulls her hair up, she checks that her children are snuggled under their blankets, pretending to sleep. Smiling, she turns the lights off and says goodnight one more time.

When she enters the living room, her husband is starting to get up. He gathers his cup, which is in need of a refill, and his phone. He walks to the kitchen with her right behind him. He places the items down and reaches for his jacket.

They stay quiet – no need fill the silence.

He opens the garage and walks out to the chill spring night.  His jacket is quickly zipped up. She, on the other hand, finds the cool air refreshing.

A cigarette finds its way to his mouth. She turns as he brings a flame to the end. The warm glow gives way to a small orange tip. With his first puff taken, she turns away and tilts her head up to the night sky.

The stars begin to whisper their stories to her and she relays them to him. He stands quiet, only taking puffs every so often, but with a small smile. He does not question her stories; he only lets her go wild with them.

As the short stories come to an end she points up and quietly says “there he is.”

He knows what she means. Her favorite constellation, Orion.  Her other love. Her stars.

Spinning quickly, she watches him flick the cigarette.  Stomping out the cherry, they both shuffle to the house.

Soon, Orion will be gone for the summer, but she will always have her husband.

She will always have the man who will quietly listen to her stories, under the supervision of the stars.

Image Credit: Ian C. Grey

About the author, Selena Taylor

Selena TaylorSelena Taylor is a wife, a mother, and a woman who strives to tell the many stories that occupy her mind. She is active in the Rhett & Link fandom and appreciates dark humor.  She and her family live in Illinois, where she takes every opportunity to lose herself under the stars and let her imagination run wild. For more from Selena, check her out on Facebook.

 

The Word Wakes You by Téa Silvestre Godfrey

The word grabbed me awake in the wee hours of the morning. Was it something I dreamt? Or did it dream me?

Admirabilia.

That word flashes relentlessly on the inside of my eyelids. I turn to look at the clock. It’s 4:08.

A few minutes pass and I give into the urge to get up and pee.

What does it mean, I wonder?

Is it a real word?

Back in bed and snug under the covers, I turn it round and round in my head.

Little bits of admiration?

Intangible moments of gratitude we collect like memorabilia?

How does one collect the intangible?

I roll over onto my other side.

Isn’t admiration about big things?

Her bravery in the face of that cancer diagnosis.

His ability to create and build a thriving multinational business.

Their courage to leave Syria and cross the ocean to Greece.

At 5:30, I reluctantly give up hope of going back to sleep. Deep snores rumble at me from Ira’s side of the bed and he won’t be up for at least another hour.

I slip on on my fleece robe and climb the stairs to the kitchen in slow motion.

If being admirable means we’ve done something worthy of recognition, who decides what’s worthy?

I stand at the sink and stare out the window into the inky dark morning. I can’t see the rain, but I can hear it.

The ritual begins.

Turn on the water. Fill the pot half way. Swirl it around. Pour it into the sink. Repeat the process twice more.

And what if there’s no one around to witness the wonderful thing done?

‘To admire’ implies both an observer and an observed.

You and me, right?

The proverbial tree-falling-in-the-forest question.

Open the coffee maker lid and pull out yesterday’s filter full of grounds.

On Facebook we have a never-ending supply of potential observers. Lurkers, yes. But also ‘friends’ willing to spend a millisecond to click the thumbs-up or maybe the heart button.

If we share — if we post the thing — then technically we’re asking to be admired, right?

Look at my beautiful baby (who I created with my very own body). Isn’t she delightful?

Look at this puppy I rescued. Isn’t he adorable?

Look at this poem I wrote. This meal I cooked. These flowers that grow in my yard.

I’ve seen them, but you need to see them, too. Your admiration is the true validation of my worth.

Admirabilia :: Smallish things to be praised with affection.

Open the grinder and fill it with beans. Push the button and listen to the high-pitched whir of the blades.

The wonders of modern living. Electricity. Running water. Central heating. How often do we stop to admire these things? Or the folks who made them happen for us.

The designers, the builders, the inspectors. The ones who sourced the materials and manufactured all the tiny moving parts. The ones who boxed them up and shipped them to where they needed to go. The ones who sold them to me. And to you.

All efforts of daily work and rituals of service.

When I turn the ignition and my car starts without a hitch, do I stop to honor the many MANY humans who contributed to that particular moment?

“Everything in life has brought us to this moment.” (Something my son likes to say at random for an easy laugh.)

Do I post pictures of those little everyday miracles on Facebook?

Mmm. Not so much.

A deep breath while I empty the freshly ground beans into the brown paper filter. Tap, tap, tap. Must. Get. Every. Last bit.

Next, cold (Clean! Thank you, municipal water guys!) water goes into the machine and I push the little red ‘brew’ button.

The water begins to heat and then it’s pumped and through to the grounds. The familiar clicks and sighs of our beloved appliance signal there will soon be coffee.

The elixir of life. A truly marvelous ritual if there ever was one.

But only because I’m here to experience and witness it?

On its own (without me), it’s simply just a blob of atoms shaped like a coffee maker.

I walk to the couch, sit down, and wait for the magic to materialize.

My son’s bedroom door opens and out bounces Max, his little dog. He’s up and on my lap quicker than anything should move before 6 a.m.

It’s like he hasn’t seen me in weeks.

I stare into his chocolate eyes and tousle his big floppy ears.

This moment. Something he and I share almost every morning.

I close my eyes and catalog the feeling for my ‘collection.’ Fully awake now to a practice of meaning and presence.

About the Author: Téa Silvestre Godfrey

Téa Silvestre Godfrey is passionate about community and loves to cook (and eat) with friends. She’s the author of Attract and Feed a Hungry Crowd,” the editor of “30 Ways to Bloom Your Online Relationships,” and works as a writing coach and freelance editor. Find her at StoryBistro.com

Connecting to Your Creative Heart by Anna Oginsky

Albert Camus wrote, “In order to understand the world, one has to turn away from it on occasion.” While I wholeheartedly agree with Camus, I am finding it harder and harder to turn away from the world. The world is demanding! My life is overflowing with obligations. Slips of paper with reminders scribbled on them and to-do lists are literally busting out of every book, calendar, and bag I own. Yes, I desperately want to turn away from all of it, but sometimes I wonder: What will happen if I do?

Almost nothing.

When I returned from my first ever art retreat experience, the fact that everything I feared leaving behind was right there waiting for me when I returned came as a big surprise to me. After just one day back at home, I wondered if it was true that I even left? Was it a dream? Nothing really changed while I was away. When I returned, my children still needed me. My husband still wanted me. My dog still barked at me. There were still groceries to buy and meals to make. There were still appointments to make and playdates to keep. All the pieces of my life were still intact.

Nothing around me changed, but I was different. I changed. I changed a lot. I left for the retreat feeling overwhelmed, tired, and fearful that I had made a big mistake in investing this time and money in a retreat, of all things. It seemed impractical, indulgent even. I felt unworthy. Simultaneously, I was exploring new territory in my life at that time. I was healing old wounds and growing into a new way of living my life. I suspected there was a whole other way of moving through my days, but I couldn’t seem to access it. A retreat seemed like a great way to, at the very least, try something new.

When I returned from that retreat, I was lighter. I had the air of a child who just came in for the night after a day of playing outside — soaking in sunshine and inhaling fresh air. I was still tired when I returned, but it was a different kind of tired than I was used to. I felt it in my body, my mind, and my spirit. Just as a growing child needs sleep to integrate what transpires during the day, I needed sleep to integrate what I was learning.

Attending that first retreat was so powerful for me that I decided to create something like it for others. I had envisioned creating something similar at other points in my life, but it never seemed like the right time to pursue bringing those visions to life. Upon my return, I set to work imagining what I would offer, who would be involved, and where it would take place. Slowly, all the details fell into place and it was only up to me to make it happen.

One of the challenges I find in being creative is that it’s not always easy to know which path to take. There are always so many options! Turning away from the world not only allows us to understand the world better, it also allows us to understand ourselves better. In the time spent at that first retreat, I remembered the dreams I had previously. Away from my everyday life, I could see that what once seemed impossible was quite possible. Rather than causing my life to fall apart, attending that retreat helped my pull my life together in a new, more meaningful way by creating space for me to experience something new, different, and wildly inspiring.

As I begin making plans for this year’s retreat, I am feeling that same, familiar pull back to my lists, my calendar, and my obligations. I again wonder what will planning this retreat mean for me? How can I make it meaningful for others? What will happen if we all get up and leave our everyday lives for a few days to retreat into art, nature, writing, and each other? Now I can anticipate the answers to these questions. I know that to better understand myself and the world around me, I must turn away from it all. I know the same is true for others. I also know that we will all return to our homes changed —refreshed, renewed, and wildly inspired.

To learn more about The Heart Connected Retreat, visit here.

About the Author: Anna Oginsky

annbioAnna Oginsky is the founder of Heart Connected, LLC, a small Michigan-based workshop and retreat business that creates opportunities for guests to tune in to their hearts and connect with the truth, wisdom, and power held there. Her work is inspired by connections made between spirituality, creativity, and community. Anna’s first book, My New Friend, Grief, came as a result of years of learning to tune in to her own heart after the sudden loss of her father. In addition to writing, Anna uses healing tools like yoga, meditation, and making art in her offerings and in her own personal practice. She lives in Brighton, Michigan with her husband, their three children, and Johnny, the big yellow dog. Connect with her on her websiteTwitter; Facebook; or Instagram.

The Goodnight Ritual by Kolleen Harrison

Ever since my two daughters were little girls we have had our “I love you” rituals at the end of each day.

As a single mom it was very important to me to tuck my girls into bed each night, snuggling them in just so, making certain they were warm and cuddly, and had whatever they may need before calling it a night. This time of days was hands down my absolute fav, as they were typically all sleepy eyed and mushy and willing to let me love and hug on them as much as I wanted to. Often times even asking me, “Please stay” or the obvious nightly question, “Mom, can we sleep with you?”

One night, when my youngest Sydnie was about 3 years old, I went in to her room per usual, sat down beside her as she lay in bed and said “I love you Syd”.She looked up at me with her beautiful big blues and said “I love you too mommy.”

I then proceeded to delay the goodnight a little longer, asking her, “Syd, how much do you love me?” She looked at me, smiled, and innocently responded, “I love you 47 mommy.” I sat there for a minute, smiling and laughing under my breath, thinking to myself, “This kid, never ceases to surprise me with some of the things that come out of her mouth!” I leaned down, gently planted a kiss on her forehead and quietly exited her room.

As I began making my way down the hallway towards my bedroom, I started to giggle even more, reflecting on her words and admiring the sweet innocence of my littlest.

The next day started out as “one of those” days. Syd didnʼt like the way I did her hair, I ran out of milk for their cereal, an argument arose because Syd wanted to wear her favorite pair of jeans AGAIN, (for God only knows how many times in a row!), and traffic was a damn nightmare!

On top of that Syd had to pay a visit to the principalʼs office at her school for continually not listening to her teacher. (Iʼm pretty sure this was Ms. Flippenʼs absolute last straw with my little bit and her “very social” ways!)

Unfortunately that evening when we arrived home, I had to do what I believe many parents dread doing, and implement a consequence for her behavior. Her punishment – “No TV, reading or coloring, and then straight to bed.”

As bedtime rolled around, the normal routine played out. I went into Sydʼs room, sat down beside her on her bed and began to get her all nestled in. I looked at her and softly said, “I love you Syd”. She hesitated and reluctantly muttered “I love you too mommy”. I could tell in her face and body language she was still somewhat mad at me, not really making eye contact and barely letting me hug on her. I asked her, “Syd, how much do you love me?” To which she replied, “I love you zero mom”.

It took all I had to not bust out laughing at her response presented in such a stoic, matter of fact, steadfast manner.

The following day came and went, without much fuss or drama. (Thank God!) Once again as bedtime descended upon us, the “I love you” exchange occurred between Sydnie and myself. Although, this particular night it was a bit out of the ordinary. Tonightʼs response not only completely and utterly melted my heart, it created a night time ritual to this day, 11 years later.

This special night when I asked Syd, “How much do you love me?” She looked at me, sat up in her bed, wrapped her precious little chubby arms around my neck and whispered “To the last number mommy.” (MELT YOUR HEART, right??!!) I squeezed her tightly, whispering back in her ear “I love you to the last number too Syd”.

Thus, The Goodnight Ritual was born.

Today, Syd is 14 years young and we still say those words to one another every night, although we have shortened it to “TLN”. (We decided to do this knowing it can be our little secret for when her friends may be around). It is a beautiful, tender night time ritual birthed from humor, love and innocence which I will gladly continue on for as long as I am able.

“I love you to the last number. Goodnight”.

About the Author: Kolleen Harrison

kolleenHarrisonbioKolleen Harrison is a creative living in the beautiful Central Coast of California. She is the Founder of LOVEwild and Founder/Maker of Mahabba Beads. Her passions lie in nurturing her relationship with God, loving on her happily dysfunctional family, flinging paint in her studio, dancing barefoot, making jewelry (that is so much more than “just jewelry”), and spreading love and kindness wherever and whenever she can. You can find her popping in and out at LOVEwild.org or MahabbaBeads.com

Obsessions, Compulsions and Conversations with Cats by Pat West

Dickens slept facing north. He’d even rearrange furniture in hotel rooms.
The man swore by baked apples and their ability to prevent seasickness.
Favorite recipe: apples soaked in a sherry bath, filled with apricot marmalade
and drizzled with sherry syrup. He thought pears a lesser fruit.

John Cheever wearing his only suit, would take the elevator
to a maid’s room in the basement of his apartment building,
strip to his boxers and scribble short stories. At eleven
he’d have a secret slug of whiskey, at noon two martinis
and a Turkey Monte Cristo sandwich before afternoon gin and tonics.

William Faulkner typed with his toes. Stories about his drinking
might make one think he just poured bourbon into a bowl
and never ate. Not so, the man loved salmon croquettes,
made right from the recipe on the back of the salmon tin.

Eudora Welty straight pinned her pages together,
when they grew too long for the room
she put them on the table, a patchwork quilt
you could read in any direction. Her writing
filled with stuffed eggs, seafood
gumbo, beaten biscuits and Vicksburg Potato Salad,
richest food in Southern literature.

Capote wrote horizontal on a couch, cigarette and coffee
handy. Editing took place in the afternoon and his drinks
went from coffee to mint tea to sherry to martinis.
Evenings he ate Italian Summer Pudding: creamy chocolate
mascarpone and macerated raspberries, with layers
of coffee-and rum-soaked ladyfingers.

While living in Key West, Ernest Hemingway worked
in a pair of oversized loafers, typewriter chest-high
and only discussed the day’s writing
with his six-toed cats. He thought regular-toed cats
poor listeners. His recipe, Pan-Fried Mountain Trout,
remains a secret. He stopped each day’s work

About the Author: Pat West

PatWestBio

Pat Phillips West lives in Olympia, WA. A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

Book Club by Patricia Wellingham-Jones

Ten women, at first unknown
to each other, gather each month
in the rear of the old library.
Shadows haunt the back spaces
behind the racks of books,
the computers are shut and silent.

The women shove two tables together,
settle with their cups and books.
The first round is social
chitchat and by now, two years later,
our stories interweave
and overlap.

One woman clears her throat,
the talk subsides, questions begin.
For an hour the air is filled
with lively discussion, thoughtful
silence. Even, on occasion, tears
and always laughter.

What seems a marvel is the way
the book club has spilled into friendships.
We support one member’s chorus,
attend a play with another, drop off books
and stay for tea, visit at the market,
post office, café.

Our small town book club
is not small to us.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Patience and shuffle the cards – Miguel de Cervantes

I have a tarot client who lays her hand on the deck (usually after I’ve been fiddling with it), takes a deep breath and says, “Ok. Go ahead.” She’s done this for a decade worth of readings, and I swear, it still makes me twitchy.

No shuffling? No cutting? You’re just gonna let me *gulp* READ for you?

Of course, because she’s the Zen master of all things, the readings are always accurate. The cards are always where they should be.

I have another client who smooshes my cards around on the table in one huge pile. She pushes and pulls them, stacks them into an untidy pile and says, while idly making all of the face up cards go face down again, “Go for it, honey.” She says this with a giant grin on her face because she knows it drives me bonkers.

Of course, because she is the Captain of Chaos, the readings are always accurate. The cards are always where they should be.

I think that shuffling (or not) of the cards lends a certain amount of ritual to the reading.

It gives the client time to breathe. To touch the cards and do something with their hands. I ask my clients to “Shuffle til you feel like you’re finished”. During this time, I play with my stones or close my eyes and breathe in and out and try to disappear from the table. When they’re finished, they’re noticeably calmer than they were when they first sat down for this reading.

People generally get readings when they’re anxious or nervous or wondering, and the anticipation can ramp that up. The simple process of shuffling a deck of cards can lend them calm and a seemingly mindless task to distract them from their worries.

This simple act is more than just rearranging of the cards, or putting their energy into them. It’s a meditation and a ritual that allows them to be wholly present for their tarot reading. That’s what ritual really is, after all. It’s a tool or an exercise that makes us be mindful of what we’re doing.

When the bell rings in a Christian church, it’s time to pay attention to the altar because magic is happening there. When Muslims are called to Salat five times a day, they literally walk away from the mundane, face the direction of their holy land, and place their physical, mental and spiritual selves in the hands of their god.

The act of lighting a candle for a Pagan. The act of touching the beads in a mala. Even mundane tasks have rituals that bring a touch of the sacred to them. Every night, I tuck my kids into bed. Every night, I tell them I love them so much, and to have good dreams and tell me about them in the morning. I kiss their foreheads three times. Every night. This ritual has become sacred in our house, because it is ours. It’s an active and physical show of love and trust.

Whether you are spiritual or not. Whether you sling cards or not. Whatever your day looks like, I encourage you to notice those places where ritual has entered. What drives it? Why do your rituals continue? What is it, precisely, that your attention should be focused on?

Noticing your rituals will help you turn your head toward those things that require your full attention, and will help you pull a little bit of the sacred into your day to day.

About the Author: Melissa Cynova

Melissa CynovaMelissaC_Bio is owner of Little Fox Tarot, and has been reading tarot cards and teaching classes since 1989. She can be found in the St. Louis area, and is available for personal readings, parties and beginner and advanced tarot classes. You can Look for her first book, Kitchen Table Tarot, is available for pre-order and will be out April 8th.

Melissa lives in St. Louis with her kiddos, her husband, Joe, and two cats, two dogs and her tortoise, Phil.

She is on Twitter, Facebook, and Instagram. Go ahead and schedule a reading – she already knows you want one.

Note: Image is from the Little Monsters Tarot Deck

Word Medicine by Cathleen Delia Mulrooney

Weekend morning. I wake early and creep downstairs into the kitchen, setting the kettle on the burner and stretching my neck, my arms, my hands, shaking sleep off. Two cats circle like shadows around my feet, waiting for their breakfast–sleek and silent as the kettle starts its slow hiss and boil. Out comes the mug. The tea. My mind begins its checklist of the day ahead and the dreams behind. Because it is a weekend, the steaming mug travels back upstairs to my bedroom with me and I set it on the corner of my desk.

I settle myself in the chair, get the notebook and black ink pens out, and stare out the window, my breath a slow breeze through me. My gratitude is immediate as I rake my eyes across the neighboring field and distant tree line, still winter-stark and bare, waiting for spring. I let my eyes wander, cataloguing signs of the season shifting, watching for hawks and vultures drifting high, and geese who flock to the field all winter, their broken cries cracking the silence open wide. Squirrels erupt along the tree branches and the black cat from across the street stalks them for any misstep. Deer often graze when the field is high, bookmarking sunrise and sunset with their nervous energy. Foxes sneak past at dusk–but now, morning is just getting started and the scene is quiet but for a few crows circling, silent and black as the ink in my pen. My pen starts to move across the page. Meditation. Memory. Magic.

When it is warm out, the glass is thrown open, echoes of an old poem, “outside the open window, the morning air is all awash with angels.” Angels. Animals. And the first moments of peace I’ve had in days.

People will tell you to choose a job you love and you’ll “never work a day in your life.” But they don’t account for those like me who’ve chosen a job they love that makes them work harder than even seems possible. I am a teacher. My job is full-time, August to June, with those two infamous months off that many say make this career-path “easy” and me “lucky,” as if I am the one responsible for the academic yearly calendar. Yes. Those two months are wonderful. Like most teachers, I find them essential for recovering, recharging, and reflecting on the classes I had and the students I served all the best ways I know how. But, “easy” and “lucky” are not the words to describe how it feels to be responsible for the education of every single student who shows up in my classes with a whole history and agenda of their own.

I teach six classes this semester at the same community college I’ve been teaching at for over sixteen years now. I have 100 students I plan for, grade for, guide and (hopefully) inspire each and every day. I teach writing, so my job can’t be just assigning multiple choice quizzes or tests and calling it a day. I have the task of working with them on essays from brainstorming to multiple revisions, equalling hundreds of pages of reading each week. The emails are endless, as are the questions. I have no teacher’s assistant or co-teacher. This is a one-woman show that runs all day every day, and a couple of evenings, too. I am overwhelmed daily. I am also inspired daily. Impressed. Moved. Full of love, concern, and hope. When I leave campus each day, my bag is full of things to grade or long-range plans I am hoping to work on in between meeting the needs of the three young adults I am a single parent of–also no assistant or partner there to share the weight–a one woman show running 365 days per year, 24 hours a day. Also a job that leaves me full of love, concern, and hope every day.

I have chosen the job I have and the children I have (not that I expected to be a single mom when my family began, but then, life is full of surprises). Both my work and my children provide me with the fuel of life I need to run on. But burnout, in both the role of teacher and of single mother, is a very real concern and is something I constantly have to work against to be the teacher and the mother my kids all need me to be.

This is where my weekend morning rituals come in. This is where the waking early, hot tea, writing at the desk, and staring out into that field must be. The first twenty minutes of my writing is just brain drain–concerns, struggles, and self-doubt about whether I am doing a good job at either of my beloved occupations. But eventually, I tap into that third vocation I am called to–the writer in me sings out, full-throated, still alive in me in spite of everything.
My weekend morning ritual of time spent writing does more than stave off the possible emotional collapse from my weekday demands. It allows me to access all of the most vibrant, powerful, alive parts of who I am.

I once imagined a life for myself where all I did was write, spinning out entire invented universes from the blooming tip of my pen. I’d travel at will. I would sequester myself in the woods or alongside a mesa or a mountain or beside a tide-heavy shore, living to create. Undisturbed. A Virginia Woolf Room of Her Own dream. I still have this fantasy sometimes. I’ll teach, but teach less. My children will grow more fully into adulthood. The writer I am will take up the space she’s due.

But even this dream only works when teaching, motherhood, and writing coexist. I, quite simply, couldn’t do without all three. Yet doing with all three is staggering. This contradiction frames my life and challenges me in ways only another person working within constraints like mine could ever understand.

The pressure, the ache, and the exhilaration of these three things have taught me the profound power of self care. For me, it looks like a quiet desk by a window overlooking a field full of life. What was a weekend morning routine has been infused with a significance that makes it sacred to me. Perhaps the only line between routine and ritual is how desperately the person needs it. My ritual renews me, offers me moments of grace, and fortifies me for another week of balancing everything. Weekend mornings are my ritual. Words are my medicine. I wake early. I brew the tea and open the windows when I can, looking for angels. I channel the determination of my students, the love of my children, and the power of my imagination to slip from the sunlit field in front of me into the wild expanse of my salvation–my flawed, imperfect writing life.

Cathleen Delia Mulrooney

cathleendeliamulrooney_bioRestless. Sleepless. Book-lover. Wordsmith. Deep roots. Prodigal heart. Teacher. Guide. Wanderer. Witch. Tea, tarot, hot baths, stitchcraft. Curator of narrative relics, remnants, & curiosities.

Cat is also a freelance writer, editor, and teacher. Her poetry, fiction, essays, interviews, and reviews have appeared in a variety of online and print publications. She has been teaching writing at the college level since 2000, and has facilitated creative writing workshops in elementary schools, high schools, prisons, and private organizations, as well as workshops exclusively for women to write their body and tarot-based narratives.

Through her Queen of Cups Tarot community, she offers private, group, and online tarot readings. Find her online at http://cdeliamulrooney.com and Facebook: https://www.facebook.com/queenofcupstarot/

Dear Blinking Cursor by Tabitha Grace Challis

Copyright: peshkov / 123RF Stock Photo

Copyright: <a href='https://www.123rf.com/profile_peshkov'>peshkov / 123RF Stock Photo</a>

Dear Blinking Cursor,

Yes, I see you. I know that you sit there waiting. “Great things are to come,” you seem to telegraph as if you were an 18th century Morse code. My head spins with stories. They have since I was tadpole-like in my ability. I have scattered words from there to here and yet, you still blink.

I’m no Euripides. No one will probably be reading this tangled web of beautiful lies I spin thousands of years from now. I will not be quoted and misquoted on Facebook like Mark Twain when all that’s left of me is dust.

And yet, you blink. Eager to be fed.

Do you not know I have a kid who needs another glass of milk? A husband with lips made just for kissing? Do you not see my hands full of bags of cat food?

You relentlessly wait. Wearing at my mind. I close my eyes and yet you are there. I’m renaming you Godot. Curse you, cursor, and your all-the-time-in-the-world stare at me.

Sometimes I imagine that you’re the entrance to a black hole. If I could just unlock you, the words would come out on their own. It’d be so easy. Less effort. Less feeling like I was letting you down. Tap into the deep part of my brain, o blinking one. Release the wild things.

I’m so tired of disappointing. I picked up this perfection mantle at age 10 and have been unable to drop it. It is tattered, frayed and worn. I want to do it all, be it all, see it all, taste it all. Yet it leads to nothing.

The whispers I ignore tell me that I’m a writer. I was meant to tell those stories. But the siren’s call (the loud kind, not the irresistible one) of life’s essentials pulls me away from you, cursor. There’s piles of laundry to tackle, dishes to clean, a dog to wash, bills to pay, and floors to vacuum.

Life happened while I was busy making plans to return to you.

Don’t give up on me, please. There are tales that I need to tell you of chickens that live on the roofs of odd buildings. I long to lose myself to chasing you across the page. I ache for there to be more and more and more words that follow you like Orpheus chased Eurydice. Were that my ending were not so tragic.

I like to think I’d give up so much just to please you. I’d sacrifice time and effort and energy. Yet, I’m spent. There are days when I can barely lift my thought process beyond survival.

Could you wait? Or will this be like the pot of water that’s been left to boil on the stove too long? Empty. Charred. Will my words burn away and be of no use to anyone?  Will you keep blinking your slow, patient  S.O.S. that calls to me? I want to be like my author heroes. I want to stick to a page until the story unfolds. I want to chase you from here to the end. The spirit is willing, but the flesh is so weak. I binge watch old TV shows as you sit in a sea of white. I play games on my phone to drown out the noise of your silent requests.

Don’t lose hope, little cursor. Together we will do great things. Perhaps we will attack them like they did on D-Day. A full-scale invasion will march forth and you will not have blinked in vain.

Too much?

Then I’ll be truthful.

Please wait. I’m coming. In the snatches of time before falling asleep. In between the rush and bustle of the every day, you and I will dance. I will find the quiet times to put thoughts to words, inaction to action, and magic to paper.

And it will be beautiful.

About the author: Tabitha Grace Challis

Tabitha Grace ChallisTabitha is a social media strategist, writer, blogger, and professional geek. Among her published works are the children’s books Jack the Kitten is Very Brave and Machu the Cat is Very Hungry, both published under the name Tabitha Grace Smith. A California girl (always and forever) she now lives in Maryland with her husband, son, and a collection of cats, dogs, and chickens. Find out more about her on her Amazon author page or follow her on Twitter: @Tabz.