The Smell and Taste of Things Remain Poised a Long Time by Pat West

After a line by Marcel Proust

Winters my mother stirred her rustic root vegetable stew
in a kitchen dizzy with steam. The aroma of rosemary
and turmeric saturating the entire house.

That scent of sawdust circled my grandfather.
A man who used lathe, grinder, chisel, plane
and rip saw. A man with hands rough as a rasp.

A summer evening in Kentucky
visiting my sister. Glasses of Shanghai silk
merlot, savoring black cherry, currant, cedar
and green olive, still so clear on my tongue.

Damp air, heavy with seawater,
sunlight cathedraling through a torn place in the clouds.
My husband and I on the north cusp of Pike Place Market,
where we shared Etta’s Dungeness crab cakes
with tomatillo cocktail sauce, tangy yet sweet.

The smell of fresh-cut grass that June evening
we spread a blanket in the backyard,
under a sky whose wide-apart edges
would spend all night coming together.

On mornings when my muscles harbor a rusty ache,
my husband’s old, blue sweatshirt feels like a hug.
Even though he’s been gone twenty-five years,
and it’s been washed hundreds of times,
I inhale his cologne, fresh, spicy oak moss.

About the Author: Pat West

PatWestBio

Pat Phillips West lives in Olympia, WA. A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

Instant Mystic: Stirred, not shaken by Jeanette McGurk

Stealthy and luxurious.
The original super spy.
It creeps in unnoticed until it is everywhere,
thick,
quick sand of the air.

You see something,
an arm reaching out to take you within.
But it is only a tree branch.
A lonely blanket heavy with chill.

It feels deceivingly safe.
Right until CRASH!

Then it is gone.
No trace left behind.
Only the memory of a lover’s breath on the back of your neck.

About the Author: Jeanette McGurk

jeanette_mcgurkJeanette McGurk is a Graphic Designer who entered the world of writing through advertising. She discovered writing a lot of truth with a little fluff is a lot more fun than the other way round. Now that she is no longer spending time making air conditioners, tile floors, IT and Botox sound sexy, she writes about the unglamorous yet wonderful moments of life for people like herself; in other words, anyone looking for interesting ways to put off cleaning and doing laundry.

She is a curmudgeon and doesn’t Twit or Instagram. She has heard the blog is dead but since she has finally figured out how to do it, that is the museum where you can locate her writings. http://jmcpb.blogspot.com/.

Eye of the Forest by Patricia Wellingham-Jones

The Green Man sidles
between the trunks,
leaves no shadow
of his presence,
breathes soft mysteries
that travel on currents
sweeping through branches.
No matter how sparse the forest
or dense the woods,
when you walk among copse
or country of trees
The Green Man watches.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Something About the Sound of Wind and Water by Pat West

A wedge of geese circles overhead,
honking as if asking for directions.

There’s a nearby creek I hear
but can’t see, and the solitary cries

of jays, and the low Coke-bottle whistle
of wind through tall trees.

At the top of the hill, there’s a bench
at what feels like

the edge of the world. A place
where earth speaks to sky.

I find it difficult to understand
but here the unfilled-in parts of me

become whole. In this spot,
I am not afraid

of love or fire or fault lines.
Nowhere else do I find

it possible to imagine
my own nonexistence

and feel okay.
Here I sit

empty-handed, taking
pleasure in the long, deep trough of silence

where the ghosts of those I love
linger on my tongue.

About the Author: Pat West

PatWestBio

Pat Phillips West lives in Olympia, WA. A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

Metacreation – by Patricia Wellingham-Jones

She blows fireballs
from her mystic lips
in a sheltered pool
behind flowered walls.

Water slick as oil rings
radiates from her glowing skin.
Lightning stabs in silent slashes
between curtains of rain.

The arch of window,
intricate carve of wooden rail
enclose her in the watery womb.
She focuses her being, creates fire.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Tea Leaves by A.R. Hadley

The kettle whistled.
She burned.
Drops of hot tea scalded her shins, ankles and knees after the mug hit the floor, breaking near her bare feet, splintering into fragments, searing her alligator skin. The jagged edges lay in nearly every corner of the tile floor.
The final crack in a day of unending pressure.
She stared down at the mess, every vertebrate in her body frozen, yet tense and rising, her blood hotter and stronger than the spilt peach tea, but her brain muddled — an avalanche of deadlines and bills, emails and chores. Happy was at the end of that list. Happy had been ignored.
Happy had spilled out onto the floor.
She knelt down, cracking a put upon smile, ready to pick up the pieces, to start again, to throw away, to make new, to boil and rise and dunk and stir, ready to sweep and cut and burn.
She refilled the kettle.
Intent on pouring a new mug.
She eyed the chair with the indented cushion.
She would sit, put up her feet and scorch her tongue on the leaves harvested and dried in the sun. She would surrender to the energy evaporating from the chamomile.
And tomorrow would be fresh.
Another day.
With no mistakes.
Isn’t that what all the great characters say?

About the Author: A.R. Hadley

ARHadleyBioA.R. Hadley writes imperfectly perfect sentences by the light of her iPhone.
She loves her husband.
Chocolate.
Her children.
And Cary Grant.
She annoys those darling little children by quoting lines from Back to the Future, but despite her knowledge of eighties and nineties pop culture, she was actually meant to live alongside the lost generation after the Great War and write a mediocre novel while drinking absinthe with Hemingway. Instead, find her sipping sweet tea with extra lemons on her porch as she weaves fictional tales of love and angst amid reality.

A creative writer since elementary school, A.R. all but gave it up after her children were born, devoting herself to the lovely little creatures, forgetting the pleasure and happiness she derived from being imaginative.
No more.
She rediscovered her passion in 2014 and has not stopped since — writing essays, poetry, and fiction. She is currently working on completing several novels as part of a romantic trilogy.

Day or night, words float around inside her mind. She hears dialogue when she awakens from sleep. She is the one who has been awakened. Writing is her oxygen. Cary Grant fans the flames.

Medicine Lodge by Patricia Wellingham-Jones

I approach my place of healing
Branches of cedar and pine lace into wall and roof
I enter through a deerskin draped over the opening
Round stones form a fire ring in the center
I sink onto a pile of soft wool
Flames flicker my wounded spirit skyward

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Sprache (Language) by Æverett

Table by Web Agency via Unsplash

Table by Web Agency via Unsplash

From the other side of the wall, she hears voices. They wander in and out of volume. But even when she can hear, she doesn’t understand.

Unfamiliar tones and patterns bounce gracefully around in a floating melody. The whispered hisses of a babbling brook. Smoothly halting around quiet boulders.

Then another voice, sharp and terse. The same soothing sounds made harsh and grating. Dangerous. Stern. The deep rumble of an angry Earth.

But it’s still the same words, the same melodious, dancing sounds, struck down by a militant bearing.

She doesn’t understand. She can’t understand.

Laughter is familiar. The bubbling brilliance of joy.

She listens, lost, for a long time. The… family?… behind the wall is having an argument, debate. Stern, deep voices are countered by light, flowing ones. Others, which almost sing in their cadence, speak up in a void. All drift and wander and move around one another like a river. A foreign song with unknowable words.

She smiles. Because once the words are known, she knows, the music will be dulled.

About the Author: Æverett Æverett

Æverett lives in the northern hemisphere and enjoys Rammstein and Star Trek. He writes both poetry and fiction and dabbles in gardening and soap making. She has two wonderfully old cats, and a dearly beloved dog. He also plays in linguistics, studying German, Norwegian, Russian, Arabic, a bit of Elvish, and developing Cardassian. Language is fascinating, enlightening, and inspirational. She’s happily married to her work with which she shares delusions of demon hunters, detectives, starships, androids, and a home on the outskirts of a small northern town. He’s enjoyed writing since childhood and the process can be downright therapeutic when it’s not making him pull his hair out. It’s really about the work and words and seeing without preconceptions.

Fleeting by Pat West

swinghigh1

My sister leans against the archway
in my bedroom. Beautiful
even with the shunt
bulging at her left temple
like a goose egg. Her green eyes
stunning over an emerald silk
blouse. I tell her I love her
and treasure how she taught me to ride
a two wheeler, find my balance,
push past the wobbles. And to always
hold on tight to the ropes or chains,
to be in charge of making the swing go,
legs back, legs out, reach for the sky.
And later, how to kiss.
I laugh, though I don’t know why, she laughs
too. We always did that. She smiles
and disappears before I can tell her
my daughter turned out more like her than me.
More Oscar Madison than Felix Unger,
more self confident than insecure
and more Hemingway fan than Fitzgerald.

About the Author: Pat West

PatWestBio

Pat Phillips West lives in Olympia, WA.  A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

Is Vanity Fair? by AR Hadley

laundry

it was a lie
the woman trusted in nothing
or no one
almost
nothing
for herself
the reality wasn’t real
she believed in everything reflected off another
the others lit up her mirror
blinking
satisfaction in their shining
while her own accomplishments
were shrinking
inside
the corners of her mind
or they were never there to begin with
disappearing
with tonight’s dinner
the chicken in the oven
the red potatoes cut and mixed with onions
the brownies done and squared
tasting divine
oozing a chocolate fudge
the fridge full of goodness
but mind you a little disorganized
the lemon scented mop ready to hit the swept floor
breakfast and lunch already served
dishes washed
laundry folded
how much more
how much more
it’s never enough
it’s piddly
another human
could do it with ease
a superwoman
probably
one of those other-worldly neon light blinkers
and not just today
but every day
forever
washing
the dishes
the clothes
the floor
always doing homework
and chores
missing my own sparkling banner
focusing instead on something else
on other women
comparing
always comparing
to the ones on the magazines
the super shiners
their neon signs somehow blinking brighter

a headline grabs my attention
the magazine article reflecting every evil disbelief
I saw in myself
what I was afraid of
everything I thought I lacked
and then
in an instant
I wrongly assume the other woman
the magazine superhero
is more skilled
more adept
more loved
BETTER
she must be better
her species must be far advanced
making leaps and bounds past me
and in that
blink
in that instant
my thoughts suddenly become
focused
on my disappearing accomplishments
the consumed chicken
the clean clothes
the spelling
the fractions
I’m focused on my daily
fading
repertoire
I am doing something
caring for other human beings
still
no cover of Vanity Fair wants to take my picture
I would not sell a magazine
SEX sells magazines
and today it sells past lovers
both male and female
whom the superwoman touts
the forty-five-year-old face looking pristine, practically godly
tall and blonde
cheekbones to die for
and the skill of make-believe held in more esteem than the honor of a king
I like her cheekbones though
sigh…
I like my cheekbones
mine
mine
mine
sharp
like my tongue

It’s the end of the day
I’m going to sleep
my face is soft
free of touch ups
free of rouge
free
my face has lived
is living
and is alive

my daughter cuddles up next to me
touching my fabulous cheekbones
asking
“what are those bumps along your jawline?”
Ha!
I can’t sell a magazine
I don’t want to sell a flipping magazine
and in that blink
in that instant
of magazine cover sexuality, touch ups and blazing career achievements
I. Am. Me.
beautiful
sexual
alive
cleaning
cooking
teaching
writing
pimples on my cheeks
me
do you see me
of course not
I am not on the cover of Vanity Fair Magazine

About the Author: A.R. Hadley

ARHadleyBioA.R. Hadley writes imperfectly perfect sentences by the light of her iPhone.
She loves her husband.
Chocolate.
Her children.
And Cary Grant.
She annoys those darling little children by quoting lines from Back to the Future, but despite her knowledge of eighties and nineties pop culture, she was actually meant to live alongside the lost generation after the Great War and write a mediocre novel while drinking absinthe with Hemingway. Instead, find her sipping sweet tea with extra lemons on her porch as she weaves fictional tales of love and angst amid reality.

A creative writer since elementary school, A.R. all but gave it up after her children were born, devoting herself to the lovely little creatures, forgetting the pleasure and happiness she derived from being imaginative.
No more.
She rediscovered her passion in 2014 and has not stopped since — writing essays, poetry, and fiction. She is currently working on completing several novels as part of a romantic trilogy.

Day or night, words float around inside her mind. She hears dialogue when she awakens from sleep. She is the one who has been awakened. Writing is her oxygen. Cary Grant fans the flames.