Holiday Plans by Patricia Wellingham-Jones

No need to pay for a holiday
beside a mountain stream,
I live it daily by a valley creek.
Over this morning’s early tea
I watched swallows swoop
against blue sky, two young robins
cavorted in the sycamores
punctuated by the rattle
of a passing kingfisher.
Over coffee a great blue heron
glided past like a winged
ancient creature, a garter snake
slithered over the bank.
All I have to do is show up
and pay attention, there’s no limit
to the pleasures found at home.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Feathers by Patricia Wellham-Jones

Gently I place today’s hawk feather
amidst the others bundled
in my grandmother’s
cut-glass tumbler.

Its bold brown and white stripes
contrast with the barn owl’s
rust smudges on cream.

A trio of dusty black buzzard spikes
form a background, graceful
arches from an unfortunate
rooster bracket the group

and tucked into the foreground
the glossy feathers of smaller birds,
scrub jay, crow, kestrel and dove.
I can’t bear to throw away

these gifts dropped on lawn,
driveway, road from birds
busy about their lives,
enriching mine.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Clouds by John Hulme

Clouds-185947 by John Hulme

Clouds-185947 by John Hulme

I know you, I found myself thinking.  I have stood beneath you before.

At the very least, I have stood beneath your spirit, packaged in different billow from a long-forgotten voyage across the invisible ocean roads.

 

That was when it struck me –

I really don’t see the same clouds everybody else does.

I don’t see a cloud that looks like a face… or a dinosaur… or a teapot.

 

Clouds-190222 by John Hulme

 

Sure, they conjure their fair share of reflections, positioned as their world is in that upside down place above our own.

There are phantoms here, to be sure –

the ghosts of distant mountain ranges set afloat,

or the crazy nocturnal barbecue where some careless giant has left the heater on and toasted a layer of fluff into sunset red.

 

But generally, I do not see clouds as visions of something else.

 

When I find myself transfixed in the shadow of some leviathan traveler, reaching out with what’s left of my heart to connect somehow with the presence woven behind moonlit billow…

it is what it is.

 

It won’t promise a tour of distant galaxies by looking any more like a starship.

It won’t promise a monstrous ride over the coast by looking any more like a floating plesiosaur.

 

It simply is…

something that calls to me from that thrilling place in our memory where something else has always lived.

Clouds-200248 by John Hulme

About the author, John Hulme

John HulmeJohn Hulme is a British writer from the Wirral, a small peninsula near Liverpool in the North of England. Trained in journalism (in which he has a masters degree), John’s first love was storytelling, trying to make sense of the world around him using his offbeat imagination. Since the death of his mother in 2010, John’s work has grown increasingly personal, and has become heavily influenced by Christian mysticism. This has led to the publication of two poetry books, Fragments of the Awesome (2013) and The Wings of Reborn Eagles (2015). A mix of open mike performances, speaking engagements and local community radio appearances has opened up new avenues which John is now eager to pursue. He is hoping to go on a kind of busking road trip fairly soon, provisionally titled Writer seeks gig, being John.  Find out more about John on Facebook.

If You Step on Ants by Pat West

it will rain comes to mind
on my walk this morning.
Such odd things people believe.
Knocking on wood to avoid
tempting fate. Saying bless you
when someone sneezes
because the heart comes close to stopping.

They seek truth in Tarot cards
or expect answers from shamans
about good and evil spirits.

Some are certain guardian angels
protect them, others think life insurance
will cover everything.

Myself, I’ll marry in black
rather than white, break a mirror
on purpose, give a witch a lock of my hair,
lap up dragon’s blood.
I point at the rainbow and shout, So What!

About the Author: Pat West

PatWestBio

Pat Phillips West lives in Olympia, WA. A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

The Old Gent’s Evening by Patricia Wellingham-Jones

With a clip of glass
on mahogany
he sets his after-dinner
port on the table,
replenishes it as needed.
He folds and buckles
creaking legs, drops
into his rump-sprung chair,
settles with dog at his feet
and paper rattling
for the evening.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Obsessions, Compulsions and Conversations with Cats by Pat West

Dickens slept facing north. He’d even rearrange furniture in hotel rooms.
The man swore by baked apples and their ability to prevent seasickness.
Favorite recipe: apples soaked in a sherry bath, filled with apricot marmalade
and drizzled with sherry syrup. He thought pears a lesser fruit.

John Cheever wearing his only suit, would take the elevator
to a maid’s room in the basement of his apartment building,
strip to his boxers and scribble short stories. At eleven
he’d have a secret slug of whiskey, at noon two martinis
and a Turkey Monte Cristo sandwich before afternoon gin and tonics.

William Faulkner typed with his toes. Stories about his drinking
might make one think he just poured bourbon into a bowl
and never ate. Not so, the man loved salmon croquettes,
made right from the recipe on the back of the salmon tin.

Eudora Welty straight pinned her pages together,
when they grew too long for the room
she put them on the table, a patchwork quilt
you could read in any direction. Her writing
filled with stuffed eggs, seafood
gumbo, beaten biscuits and Vicksburg Potato Salad,
richest food in Southern literature.

Capote wrote horizontal on a couch, cigarette and coffee
handy. Editing took place in the afternoon and his drinks
went from coffee to mint tea to sherry to martinis.
Evenings he ate Italian Summer Pudding: creamy chocolate
mascarpone and macerated raspberries, with layers
of coffee-and rum-soaked ladyfingers.

While living in Key West, Ernest Hemingway worked
in a pair of oversized loafers, typewriter chest-high
and only discussed the day’s writing
with his six-toed cats. He thought regular-toed cats
poor listeners. His recipe, Pan-Fried Mountain Trout,
remains a secret. He stopped each day’s work

About the Author: Pat West

PatWestBio

Pat Phillips West lives in Olympia, WA. A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

Book Club by Patricia Wellingham-Jones

Ten women, at first unknown
to each other, gather each month
in the rear of the old library.
Shadows haunt the back spaces
behind the racks of books,
the computers are shut and silent.

The women shove two tables together,
settle with their cups and books.
The first round is social
chitchat and by now, two years later,
our stories interweave
and overlap.

One woman clears her throat,
the talk subsides, questions begin.
For an hour the air is filled
with lively discussion, thoughtful
silence. Even, on occasion, tears
and always laughter.

What seems a marvel is the way
the book club has spilled into friendships.
We support one member’s chorus,
attend a play with another, drop off books
and stay for tea, visit at the market,
post office, café.

Our small town book club
is not small to us.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.

Listen by Pat West

My parents died
when I was a baby.
Family and friends passed me around.
Nine cities in six years.
Never stayed in one place
long enough to sign a lease.
You want to know more?
Before my grams died,
she told me when an intruder
appears in my dreams, it’s an omen
to move. First time, in San Francisco
I missed the signal. Next day,
an earthquake caused a fifty foot section
of the Oakland Bay Bridge to collapse
right behind my car. In Miami,
after Andrew blasted through my apartment,
I paid attention. I’m not making this up.
Thought about Toledo, but nothing happens
in that town, so I headed north
to Boston just in time for Fleet Week,
and a long string of dull men
with tattoos of serpents and dragons.
This time I didn’t wait for an intruder,
tossed a coin between here and Portland,
Seattle won. Grams also said,
when I came close to home
she’d send me a sign. Few days later,
I heard her whisper, Stay a while,
find a man to yawn with in the morning.
Then you saunter into my life.
You think I’m crazy. Here’s crazy.
When you look at me, I’m an exotic belly dancer.
When you touch me, I hear wolves.
When you kiss me, I’m one of them.

About the Author: Pat West

PatWestBio

Pat Phillips West lives in Olympia, WA. A Pushcart and Best of the Net nominee, her work has appeared in Haunted Waters Press, Persimmon Tree, VoiceCatcher, San Pedro River Review, Slipstream, Gold Man Review and elsewhere.

The Truth by Æverett

Sea of Fog by Yannick Pulver via Unsplash

Sea of Fog by Yannick Pulver via Unsplash

It dies slowly, panicking, shivering in the threadbare sheet of its own skin.

The light fades and the cold creeps in.

It begs. Begs for air.

There is no air. The others have stolen it all away. So it will suffocate.

Suffocate under the dense weight of fear and hopelessness.

Suffocate with the world in all Her glory.

About the Author: Æverett Æverett

Æverett lives in the northern hemisphere and enjoys Rammstein and Star Trek. He writes both poetry and fiction and dabbles in gardening and soap making. She has two wonderfully old cats, and a dearly beloved dog. He also plays in linguistics, studying German, Norwegian, Russian, Arabic, a bit of Elvish, and developing Cardassian. Language is fascinating, enlightening, and inspirational. She’s happily married to her work with which she shares delusions of demon hunters, detectives, starships, androids, and a home on the outskirts of a small northern town. He’s enjoyed writing since childhood and the process can be downright therapeutic when it’s not making him pull his hair out. It’s really about the work and words and seeing without preconceptions.

Tuesday by Patricia Wellingham-Jones

Every Tuesday the ritual unfolded:
the basket of willow rods,
Dad’s white broadcloth shirts
stiff with starch, the coke bottle
with sprinkler head attached,
the careful folding of dampened lengths
rolled into long sausages—
shirts, napkins, tablecloths, blouses,
the full cotton skirts in their gardens
of red and yellow, blue or green checks,
Scottish plaids gathered into a circle
on a tight waistband.

Even on Tuesday in July’s broiling sun,
that female figure bent over the narrow board,
left hand crimping and smoothing the cloth,
right arm in long sweeps of the hot iron, pushing
the tip lightly into the points of collars,
the box of pleats, the hundreds of gathers.

Every Tuesday of my childhood
I watched my mother turn down lunch dates,
tell friends she was busy, dodge my father’s caresses,
put away card games, rub her arthritic arms
with deep sighs. I saw her regard the slim board
with a look I couldn’t decipher
while the hangers of fresh crisp cottons
waited for the next wearing,
the first spill, the curl-up-in-a-chair crease.

By the time I reached twelve, I vowed
I would wear wrinkles and
Tuesday would be a day
made for fun.

About the Author: Patricia Wellingham-Jones

PatriciaWellingham-JonesPatricia Wellingham-Jones is a widely published former psychology researcher and writer/editor. She has a special interest in healing writing, with poems recently in The Widow’s Handbook (Kent State University Press). Chapbooks include Don’t Turn Away: poems about breast cancer, End-Cycle: poems about caregiving, Apple Blossoms at Eye Level, Voices on the Land and Hormone Stew.